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Party of One: Unpopular TV Opinions


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5 minutes ago, Kel Varnsen said:

And in part because the older I get the more I think it was a total baller move for the finale to say the mysteries of the island are pointless bullshit as this is a show about characters and their relationships.

That was why I loved the Lost finale so much. I only love it more as the years go by.

  • Love 5
34 minutes ago, Kel Varnsen said:

And in part because the older I get the more I think it was a total baller move for the finale to say the mysteries of the island are pointless bullshit as this is a show about characters and their relationships.

I can't speak to "Lost" specificlly, but I think that's why I haven't gotten too hung up on whether all the mysteries and conspiracies and whatnot on some of the shows I do watch get resolved. I mean, yeah, if you do introduce that kind of stuff into the story, I think it's fair to expect at least a few of those things will be resolved somehow...but for me, so long as I've got characters I'm interested in, and I enjoy seeing how they handle all the weird stuff going on, that's the most important thing for me. If any other storylines turn out good along the way, that's just a nice bonus. 

Plus, it often seems that so many shows that introduce some kind of overarching mystery or conspiracy or whatever wind up just building and building on it to the point it gets so convoluted, and as a result, I don't know that they ever really could resolve and answer everything properly and to everyone's satisfaction anyway. 

  • Love 5
3 hours ago, Annber03 said:

Plus, it often seems that so many shows that introduce some kind of overarching mystery or conspiracy or whatever wind up just building and building on it to the point it gets so convoluted, and as a result, I don't know that they ever really could resolve and answer everything properly and to everyone's satisfaction anyway. 

That's the thing though. TPTBs said they threw everything at the wall, literally. It's a quote from the EW article after the show ended. 

I don't expect a show to have itself planned out from the jump (though B5 for real). However, you have to be honest with your audience.

Breaking Bad and the Sopranos didn't have anything planned out from the start - but they did start each season and storyboarded it out. 

Again, to be fair, when they decided on the fixed number of episodes, they did a good job telling a consistent story. Which is even more egregious because they could have done that from the start. The bottom line is that they had a great *great* idea for the pilot, and didn't have anything after. 

  • Love 7
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And in part because the older I get the more I think it was a total baller move for the finale to say the mysteries of the island are pointless bullshit as this is a show about characters and their relationships.

If only they hadn't spent so much time on the mysteries of the Island and kept introducing more and more and more mysteries about the Island, even during the last seasons.

"This is a show about characters and their relationships" seems like a bullshit deflection from the creators of the show for not offering any sort of satisfying resolution to all the mysteries.

I will say the relationships between the characters was what kept me going, although one could argue that was just as due to the chemistry between the cast more than anything else.

And for the most part, I liked most of the characters, minus a few here and there (Ben and especially Jack, who was the worst).

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The bottom line is that they had a great *great* idea for the pilot, and didn't have anything after. 

Pretty much. And yet they, D&C and even JJ, kept doubling down in interviews and saying that everything was planned out from the beginning.

  • Love 6
(edited)

I never bought that. 

I wish they were just honest about it. I didn't have any skin in the game so I didn't care. 

"It's the journey" is the lamest excuse there is. No, it's not. It never is because then you'd have no plot. Also you wouldn't have pulled the 'we have to go back' if it wasn't about the island. You knew you didn't have enough chops to write a compelling drama without it. 

I mean, I liked the sideways world but wow that was pulled out of nowhere. 

I don't really get the need to insist everything is planned out either. 

 

 

 

 

Edited by DoctorAtomic
  • Love 7
(edited)

ITA re: calling bullshit on the excuses and I'll add that they did disservice to the characters in 6th season. They became cardboard cut-outs moved around the island in service to the endgame. I mean, Sun was reduced to "I'm looking for my husband. Have you seen my husband? I'm looking for him. My husband, I mean. Have you seen him?" It was worse than Michael and "my boy" in season one. And then they took away her voice completely.

I also thought the characters suffered because the episodes seem to be limited...I don't know how to explain it but the episodes seemed empty compared to previous seasons when more of them interacted. And finally, introducing new characters instead of building to the resolution (what's her name...Jacob's kind of daughter) and wasting an entire episode on Richard, who I liked but come on, an entire freaking episode! And the incredibly dull Jacob and Man in Black story...Not a fan. They were, however, hilarious in the extras.

Lost had so many innovative features and I really enjoyed most of it (late season 3 through season 4 were great TV), and I'll always be thankful for Ben, BUT one of the overarching themes was "don't ask questions, don't be curious, nothing is true" was offensive to me.

Edited by ABay
  • Love 4
8 hours ago, Hiyo said:

If only they hadn't spent so much time on the mysteries of the Island and kept introducing more and more and more mysteries about the Island, even during the last seasons.

"This is a show about characters and their relationships" seems like a bullshit deflection from the creators of the show for not offering any sort of satisfying resolution to all the mysteries.

Except considering the fantasy nature of the show what explanation of the nature of the island could they have come up with that would have made any logical sense that wouldn't have sounded like made up mumbo jumbo? If people wanted an explanation they could have just had Ben come on at the end and say (to quote the Simpsons) "Mysteries of the Island? A wizard did it." Because that would have made as much sense as anything else they could have said.

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My unpopular Lost opinion is that I hated Penny and Desmond and their love story. The actors didn't click for me and the love story felt extremely overwrought and contrived. I just didn't get why they would go through all the did for each other because they just didn't seem all that in love to me. The writers tried, they really wrote their hearts out trying to make it some epic love that lasts through all time or some shit like that, I just didn't buy it at all. 

  • Love 2

I think the point was to not even bother. 

Like the lady whose cancer went away or why Locke could walk. Just leave it. Even the time travel or having to enter the numbers. The island is some lode stone that causes magnetic anomalies like some cracked out Bermuda triangle. That's really all you need. You can still have dharma. 

They insisted on not only throwing in all these details and then braying to the media that everything would add up. Fans took them on good faith. 

It doesn't matter what show you have, you have to play fair with the audience. This just happened on outlander and it just bugs. 

  • Love 13
9 hours ago, Hiyo said:

"This is a show about characters and their relationships" seems like a bullshit deflection from the creators of the show for not offering any sort of satisfying resolution to all the mysteries.

Agreed. Of course characters were always important to the show, but it was always set up as the frame being the mysteries of the island. It's not like the weird stuff that happened were things that felt like stuff that was just there to bring out stuff in the characters, as if the island was a spiritual thing. Nor were the relationships the type where "the real treasure was the friends they found along the way!" works as an ending. Especially with random characters dropped etc. They could have tied it all together with the suggestion of something that linked the characters and the mystery without spelling every single thing out, but don't just pretend it was never about the mystery.

  • Love 8

If you make a show about characters, you don't need to dump them on a mysterious tropical island with a polar bear. A suburban setting will do. 

So much crap, they tried to sell with Lost. I stopped watching in season 2 when I realized that I would never learn why there was a polar bear. At least not to my satisfaction. I cared more about that poor animal than any of those characters.

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30 minutes ago, supposebly said:

If you make a show about characters, you don't need to dump them on a mysterious tropical island with a polar bear. A suburban setting will do. 

So much crap, they tried to sell with Lost. I stopped watching in season 2 when I realized that I would never learn why there was a polar bear. At least not to my satisfaction. I cared more about that poor animal than any of those characters.

Agree! I was willing to have the polar bear JUST be a an accidental refugee from a cargo plane that had crash landed on its way to a zoo but no that's not what we got! Oh, and I think it's safe to say had they just ended the whole thing with  Season One finale  with The Hatch being lit up from the inside , most viewers would have been able to use their own imaginations to come up with better and more plausible theories than what we got (and I'm glad I quit before I spent too much time in Season Two). 

  • Love 3
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Except considering the fantasy nature of the show what explanation of the nature of the island could they have come up with that would have made any logical sense that wouldn't have sounded like made up mumbo jumbo?

Well, then don't set up so many mysteries and plot points if you don't have a rational explanation behind them.

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braying to the media that everything would add up. Fans took them on good faith. 

Yeah, I was one of those fans, though I realized at some point during late season 2 it was all bullshit and probably would not have the best resolution. At that point, I still cared about most of the cast and the show did have peaks and waves in terms of at least plotting and character interaction (the peaks being seasons 1 to mid seasons 2, last third of season 3 and season 4, and probably the second half of season 5).

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16 hours ago, Hiyo said:

If only they hadn't spent so much time on the mysteries of the Island and kept introducing more and more and more mysteries about the Island, even during the last seasons.

"This is a show about characters and their relationships" seems like a bullshit deflection from the creators of the show for not offering any sort of satisfying resolution to all the mysteries.

I will say the relationships between the characters was what kept me going, although one could argue that was just as due to the chemistry between the cast more than anything else.

And for the most part, I liked most of the characters, minus a few here and there (Ben and especially Jack, who was the worst).

Pretty much. And yet they, D&C and even JJ, kept doubling down in interviews and saying that everything was planned out from the beginning.

Exactly. That was a bullshit answer and a cop out. They spent so much time on the mysteries of the island. They spent so much less time on characters. They did have chemistry but I do think that was more due to the cast then what was actually in the story. For example we knew for a long time that Jack and Claire were half-siblings. When did all about the characters finally reveal that fact? Claire's mother told Jack at his father's funeral after they got back on the island when he thought Claire was dead. Why wait so long? In the end it didn't even matter so why even make them siblings? A few characters did get better. But that wasn't what they cared about or was interested in telling. They wanted to focus on the mysteries and psycho Ben. They certainly didn't care about them in season six with that messed up season. And what does make it worse is they told they had a plan for years. Starting with season three they were working towards the end. If you have three seasons to end your story there's really no excuse for it. Other shows have harder times with their finales when they suddenly find out halfway through a season that's the end or a couple episodes before the end leaving them scrambling. It makes more sense then for their to be plot holes or not everything tied up. When you have three seasons? There is no excuse. 

The whole idea that if they just did nothing they would have been happier makes no sense either. So they should have just stayed on the island and not tried to get off, get rescue and go home to their families? What about when the Others were attacking them? I guess they should have done nothing and like Ben and his crew continue to attack and do their horrible scrap? 

  • Love 2
5 hours ago, Hiyo said:

Well, then don't set up so many mysteries and plot points if you don't have a rational explanation behind them.

What would be a rational explanation beyond magic time traveling island? Because beyond that I just don't care. The same way if I don't need and explanation beyond "the Upside Down is an alternate dimension". Or the same way I don't need an explanation beyond "Gandalf has wizard powers because he is a wizard". 

  • Love 5
51 minutes ago, ChromaKelly said:

I thought I was the only one who love Pete.

I also love Pete and Trudy.  His whole character arc over the seven seasons is just perfection.  He is one of those characters you love to hate,  but the show tears him down so you begin to care.  Watching him destroy his marriage to Trudy is infuriating, but seeing them together in the finale was so sweet.  She is the perfect spouse for him--loving, cares about his career,  and willing to call him out when necessary.   

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What would be a rational explanation beyond magic time traveling island? Because beyond that I just don't care.

Well, others (no pun intended) did care. It's fine if you didn't, but there are those of us who wanted more, especially since magic is just a bullshit answer to have to avoid coming up with explaining things. Especially since not every mystery was island related specifically, and also the show itself tried to offer random scientific explanations for certain phenomena, so no, "It was all magic!" just doesn't cut it as an answer.

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Or the same way I don't need an explanation beyond "Gandalf has wizard powers because he is a wizard". 

Because that it what is expected for that genre. You expect for that type of fantasy to have magic in it, not Star Trek style techno babble. And this show was definitely not in the LOTR style fantasy, nor was it ever sold as one.

Now, I'm not expecting Star Trek style techno babble for a show like this, but "it was all magic!" is just a cheap way to avoid having to explain things.

  • Love 5
23 hours ago, ABay said:

ITA re: calling bullshit on the excuses and I'll add that they did disservice to the characters in 6th season. They became cardboard cut-outs moved around the island in service to the endgame. I mean, Sun was reduced to "I'm looking for my husband. Have you seen my husband? I'm looking for him. My husband, I mean. Have you seen him?" It was worse than Michael and "my boy" in season one. And then they took away her voice completely.

I also thought the characters suffered because the episodes seem to be limited...I don't know how to explain it but the episodes seemed empty compared to previous seasons when more of them interacted. And finally, introducing new characters instead of building to the resolution (what's her name...Jacob's kind of daughter) and wasting an entire episode on Richard, who I liked but come on, an entire freaking episode! And the incredibly dull Jacob and Man in Black story...Not a fan. They were, however, hilarious in the extras.

Lost had so many innovative features and I really enjoyed most of it (late season 3 through season 4 were great TV), and I'll always be thankful for Ben, BUT one of the overarching themes was "don't ask questions, don't be curious, nothing is true" was offensive to me.

For the most part I loved the show, even the finale, but the lead up in the final season was terrible.  I completely agree about losing the character bonding (the heart of the show) and instead throwing up a mishmash of convoluted and increasingly nonsensical plot points to get to the end.  Jacob vs the Man in Black was awful.  The giant plug was cringeworthy.  Sayid's soulmate was Shannon and not Nadia.  Oh, please.  (I admit I did love Richard's episode.  He always intrigued me.)  But I think overall the good outweighed the bad.

  • Love 5
(edited)

Lost was one of those shows that would have been well-served by having a pre-determined number of seasons and a definite ending point.  I thought the first season was really really good, but somewhere in the middle, they kept going off on tangents seemingly just to have something to do to extend the run.  It got better again when there was an end in sight.

I watched all of it.  The end didn't bother me.

 

If Heroes had ended after one season, it would have been just about perfect.

Edited by Browncoat
  • Love 13
1 hour ago, Browncoat said:

Lost was one of those shows that would have been well-served by having a pre-determined number of seasons and a definite ending point.  

Oh, for sure. If Lost came out now, it probably would have done that and honestly would probably be better. Back then, they just wanted to milk shows forever but they don't really do that now. Unless you're a DC show on The CW lol.

  • Love 4
14 hours ago, Kel Varnsen said:

What would be a rational explanation beyond magic time traveling island? Because beyond that I just don't care. The same way if I don't need and explanation beyond "the Upside Down is an alternate dimension". Or the same way I don't need an explanation beyond "Gandalf has wizard powers because he is a wizard". 

 

9 hours ago, Hiyo said:

 

Because that it what is expected for that genre. You expect for that type of fantasy to have magic in it, not Star Trek style techno babble. And this show was definitely not in the LOTR style fantasy, nor was it ever sold as one.

 

Also, just have to say..."just because" was rarely a reason for something in Tolkien so his magic had a whole mythological system to go with it. Gandalf has magic because he's one of the Maiar of Valinor etc. etc.

11 hours ago, Ohiopirate02 said:

I also love Pete and Trudy.  His whole character arc over the seven seasons is just perfection.  He is one of those characters you love to hate,  but the show tears him down so you begin to care.  Watching him destroy his marriage to Trudy is infuriating, but seeing them together in the finale was so sweet.  She is the perfect spouse for him--loving, cares about his career,  and willing to call him out when necessary.   

Yup, he's definitely a character capable of learning and growing. He's still a far from perfect person but he didn't have all the faults and improved after sitting with his own mistakes with nobody else to pick him up or blame it on.

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1 hour ago, Browncoat said:

If Heroes had ended after one season, it would have been just about perfect.

Bringing Sylar back after season 1 destroyed the show for me. Once it became clear that the show runners would do anything to keep their favorites around regardless of storyline I realized it wasn't the show for me. Shame. Season 1 was just about perfect. 

I agree that Lost would have benefited greatly from having a set number of seasons. Much of what ruined the storylines and continuity is that they had the story they wanted to tell and were constantly being told to hold out on ending it and fill in more story. No story can survive that. I did see a noticeable change once they announced that they had set an end date. 

 

  • Love 11
18 hours ago, peachmangosteen said:

My other biggest Lost UOs would be that I hated Juliet and I really hated the Juliet/Sawyer relationship.

There are ships out there where I can understand their merits, even if I personally don't agree. And there are certainly those where I can (reluctantly) still admit when I think there's chemistry. But Sawyer/Juliet is something I'll go to my grave never understanding. For one thing, I barely bought them as friends let alone in love - at best, I saw them as stuck with each other so might as well make the best of it. But I remember being so disgusted at how OTT cheesy and OOC Sawyer was when they first introduced it that I couldn't wait to read reviews that ripped the writing apart. Instead, it was like a punch to the gut how they were hailed like the best thing to ever happen in LOST.

Sawyer was my favorite character and I'll forever be bitter at the way they neutered him to try to sell me on this horrible ship. And I'll never not be convinced that at least some of the regard was just out of spite because the Jack/Kate/Sawyer triangle was more grating by the day. The other thing is, I HATE the use of time jumps to steamroll character development. I often see whining when a love story is crafted between two characters who had limited on-screen interaction but I'd rather see the limited interaction that led to it than be told two characters are in love because of all this bonding they did for years off-screen. To me, time jumps are often a sign of writer laziness or incompetence.

  • Love 3
(edited)
4 hours ago, Browncoat said:

If Heroes had ended after one season, it would have been just about perfect.

 

2 hours ago, Mabinogia said:

Bringing Sylar back after season 1 destroyed the show for me. Once it became clear that the show runners would do anything to keep their favorites around regardless of storyline I realized it wasn't the show for me. Shame. Season 1 was just about perfect. 

I got sucked into watching this yesterday (yes I watched the entire first season!) and only suffered through it for the pretty that 🥰❤️🥰Sendhil Ramamurthy🥰😘🥰, Adrian Pasdar, and Milo Ventimiglia, and Santiago Cabrera brought.

What prevented me from enjoying it 100% was the same ass lame, rinse/larger/repeat of having Sylar win every damn fucking time. I find it tiresome. I only watched the second season premiere to make sure Nathan and Peter survived.

The title was such a ...misnomer for me. It was dark and twisted and apparently every damn body had an ability.

But 🥰🥰❤️❤️🥰🥰Sendhil🥰🥰❤️❤️🥰🥰

Nitpick: they did such good casting for all the  Indians, and Erik Avari was the best they could come up with to play Chandra Suresh?🙄😒😒😒

Edited by GHScorpiosRule
  • Love 5
3 hours ago, peachmangosteen said:

Oh, for sure. If Lost came out now, it probably would have done that and honestly would probably be better. Back then, they just wanted to milk shows forever but they don't really do that now. Unless you're a DC show on The CW lol.

I'd even say they probably would have done 10-12 episode seasons to make it tighter. 

I also wonder if they ever had a show bible or continuity editor. 

  • Love 2

I know they just died, and they're considered comedy legends, but I did not care for Jerry Stiller or Fred Willard.

I vaguely remember my parents watching Stiller & Meara as a comedy team, and I think they were funny then, but I hated Jerry Stiller on "Seinfeld" and "King of Queens." He played, mean, nasty old men and neither of those roles were as funny as the creators seem to think they were. (As an aside, Jerry Seinfeld was on "CBS Sunday Morning" today, and the interviewer called his show a "classic" -- I think the show is unwatchable now -- it probably doesn't help that Seinfeld the comedian has shown he's an asshole time and time again.)

I never particularly liked Fred Willard either. I always thought there was something creepy about him and the characters he played.

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6 minutes ago, SmithW6079 said:

(As an aside, Jerry Seinfeld was on "CBS Sunday Morning" today, and the interviewer called his show a "classic" -- I think the show is unwatchable now -- it probably doesn't help that Seinfeld the comedian has shown he's an asshole time and time again.)

The next time Jerry Seinfeld pisses and moans about the younger generation, someone should say to him,

"Hey, Jerry, remember that time you dated a 17-year-old when you were pushing 40?"

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1 hour ago, Wiendish Fitch said:

The next time Jerry Seinfeld pisses and moans about the younger generation, someone should say to him,

"Hey, Jerry, remember that time you dated a 17-year-old when you were pushing 40?"

I was watching an episode of "Mystery Science Theater" yesterday, and there was a little short film about personal hygiene beforehand that the crew watched.

During the scene where a little girl was going through her routine of how to look nice and clean and whatnot, one of the guys goes, "She's getting ready for her date with Jerry Seinfeld!" 

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My UO of LOST is that I loved Jack.  I didn’t care for Sawyer, esp aft he screwed up the killing of the Marshall, and Jack had to put the guy out of his misery.  In fact, Jack was always trying to make everyone else happy, rather than himself.  He only landed on the island because his mother guilted him into going aft his father.

Jack sacrificed himself to get his companions home, and that death scene, with Vincent, is one of the saddest (aft Jin/Sun & Elinor’s son - can’t remember his name), and the best way to end the show.

  • Love 4
5 hours ago, SmithW6079 said:

I vaguely remember my parents watching Stiller & Meara as a comedy team, and I think they were funny then, but I hated Jerry Stiller on "Seinfeld" and "King of Queens." He played, mean, nasty old men and neither of those roles were as funny as the creators seem to think they were

On Seinfeld I thought his character made sense in terms of Georges character because it was obvious he had a screwed up childhood. 

Interestingly though his Seinfeld character wasn't the creators vision of it at all and was pretty much self created by Stiller.  First of all he was not the original choice for the role and second it seems the creators had a completely different view of the dad as a meek, do as you are told yes man to the wife.  It wasn't working though and he created the persona himself, which seemed to work better. 

https://www.esquire.com/entertainment/tv/a32433516/jerry-stiller-seinfeld-frank-costanza-original-actor-origin-story/

Another article mentioned he was not even on Seinfeld until season Five, which I find baffling. 

He was not quite as gruff on King of Queens as Seinfeld but they are pretty similar. 

 

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In regard to lost I agree the writers did not have a damn clue where ANY of it was going.  They threw a bunch of confusing stuff at the wall and hoped some would seem interesting and stick, chose some things to focus on and ignore a whole lot else

And count me in on those who tuned in way too long because the writers./ abrams claimed there was a "logical explanation" to it all.

No, there was not, there never was and they knew it.  Yes I can accept some fantasy element, if that was needed, but the implication was at some point it would all fall together and all make sense

To me it never did. 

  • Love 10
On 5/17/2020 at 2:43 AM, Kel Varnsen said:

Or the same way I don't need an explanation beyond "Gandalf has wizard powers because he is a wizard". 

Funnily, there is an explanation for Gandalf's powers (not in the movie, but the books). Magic still has to make sense, even if so many of show writers don't get it or care about it.

 

17 hours ago, Winter Rose said:

There are ships out there where I can understand their merits, even if I personally don't agree. And there are certainly those where I can (reluctantly) still admit when I think there's chemistry. But Sawyer/Juliet is something I'll go to my grave never understanding.

A classic "Pair the spares" case. I liked both characters a lot, but the pairing didn't work for me in the slightest. But hey, at least they got away from the festival of suck that Kate and Jack were.

  • Love 5
On ‎05‎/‎13‎/‎2020 at 3:10 PM, Ohiopirate02 said:

I do get why some people stay away from these shows.  They are bleak af and television should be entertaining. 

I don't always mind bleakness - hell, I thought the first season of The Wire was one of the most brilliant things I'd ever seen on tv - but I hate shows that glorify crime.  Even non-bleak ones.  That didn't used to bother me so much, I think once I actually started working in the criminal justice system, those types of shows just started to pall.

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On ‎05‎/‎15‎/‎2020 at 7:32 PM, Kel Varnsen said:

I mean it's not like it was the How I Met Your Mother finale.

True, but it wasn't too far from it - that last shot, however, was a brilliant callback to the pilot, I'll give them credit for that much.  The entire last two seasons suffered from "let's drag this thing out for the money" although there were some good individual episodes.  And then there was Across The Sea, which rivaled the episode about Jack's stupid tattoo as the worst of the whole series.

 

  • Love 4
3 hours ago, FurryFury said:

Funnily, there is an explanation for Gandalf's powers (not in the movie, but the books). Magic still has to make sense, even if so many of show writers don't get it or care about it.

 

 

It's harder for a show that wants to mimic our contemporary lives to introduce magical elements to it.  People are more willing to buy into a show's mythology when the setting is different.  Lost was always going to have a harder time creating and sustaining the mysterious island when it has airplanes, and characters who dress just like us.  There was nothing stylized in the beginning of the show to help suspend our disbelief.  

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On 5/13/2020 at 6:34 PM, Mabinogia said:

I need my protagonist to be "likeable" in the sense that I like to watch them, but don't necessarily need them to be "good people". I love Regina from Once Upon a Time, which is a highly UO. I like her, not that I want her to be a real person because she's a horrible person, but I like the character. I find her incredibly fun to watch. Do I think she should be in jail? Yeah, she's a homicidal maniac. But I like watching her. 

Exactly how I felt about Clay Morrow on Sons of Anarchy.

On 5/16/2020 at 8:37 AM, ABay said:

And the incredibly dull Jacob and Man in Black story...Not a fan.

I've always had a thing for Mark Pellegrino, so anything with him in it is fine with me 🙂 

On 5/16/2020 at 5:52 PM, peachmangosteen said:

My other biggest Lost UOs would be that I hated Juliet and I really hated the Juliet/Sawyer relationship.

I haaaated Juliet (Ben and Sayid too), but I only started finding her tolerable when she was with Sawyer.

 

20 hours ago, SmithW6079 said:

I never particularly liked Fred Willard either.

I liked him fine as Hank on Everybody Loves Raymond, but I will never get how anyone can find Best in Show funny. 

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2 hours ago, Ohiopirate02 said:

It's harder for a show that wants to mimic our contemporary lives to introduce magical elements to it.

I had said before that it still could have been pitched as a magnetic anomaly like the Bermuda triangle on a bigger scale. I think that's really all you needed. The numbers could have been something as simple as frequencies that make the island fluctuate regularly or something. 

 

 

  • Love 4
(edited)
6 hours ago, DoctorAtomic said:

I had said before that it still could have been pitched as a magnetic anomaly like the Bermuda triangle on a bigger scale. I think that's really all you needed. The numbers could have been something as simple as frequencies that make the island fluctuate regularly or something. 

 

 

The problem is that trying to explain fantastically impossible stuff usually comes across as ridiculous. And the more you drill down trying to explain it the stupider it gets. I was watching Avenger Endgame a couple of nights ago and there is a scene where Tony Stark figures out time travel using his 3D computer and some fake science words in about 3 minutes and it just sounds stupid. In cases like that the more vague for me the better. Honestly it seems like people wanting things explained too much is how we ended up with midichlorians.

Also as far as Lost being set in the real world there were some hints that it was in the same universe as Alias (Charlie's band's song was playing at a party). So in that case it is a world where magic Rambaldi devices also exist.

Edited by Kel Varnsen
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