Jump to content

Type keyword(s) to search

The Dick Van Dyke Show - General Discussion


Recommended Posts

I suppose this doesn't come up on many lists of alltime favorite episodes, but I just love it. Because it's the one where we first got a hint how far Mary Tyler Moore's talents ranged -- what, she could dance like that? and sing?

https://www.youtube.com/watch?v=d-5oqs2GTQE

And not only is it a delightful number, it also furthers the story. She can't stand him before the number, as they perform together he kind of wins her over, and then at the end he steps on her foot and injures her. And that was how Rob and Laura met.

Would that DVD and MTM had done a full-fledged, full-length musical together, but their numbers from the show are pretty delightful, including this one. I think it was Carl Reiner who tells of how DVD and MTM would tell the choreographer(s) the numbers were too hard, and CR would tell the choreographer just to go ahead and get them to do it.  And of course they did.  So talented.  DVD claims no formal dance training,

Laura was the country's introduction to Mary Tyler Moore, and much of the country fell in love with her. The flip, the Capri pants, the funny cry, and an unusually "real" way of talking and behaving compared to other TV housewives of the time. I can very well believe that after she did her first reading, Carl Reiner grabbed her and took her around to all the writers' offices, shouting "Listen to this girl! She says 'hello' like a person!"

As the Petries and their friends were in show business, it was natural that they would perform for each other (though I'm still not sure how Richie got onto the Alan Brady Christmas show). Many viewers have enjoyed the episodes that feature such sequences, though not everyone does (and even I feel that they maybe returned to the well once or twice too often as the series was winding down). But when I watch the numbers now, I just grin with enjoyment at the chance to revisit that time. Someone has created a medley of several of Rob and Laura's song and dance scenes, to make the enjoyment easier.

https://www.youtube.com/watch?v=6n5zxDwmRlw

Those are cute.  I usually like the musical numbers - not only theirs, but Buddy and Sally's as well.  I wish that the musical episodes gave Buddy a bit more time with the cello solos because he was quite good.

The Christmas episode is a standard in our family to watch during the Christmas season, and I love Rob and Laura's number in it.  They're such an adorable couple.

My favorite of their musical numbers, though, wasn't included in that montage.  It was when they did Mountain Greenery.  (I don't remember the episode, but maybe someone else does.)  

  • Love 3

Isn't Mountain Greenery from the episode with Rob's brother?  When they are having the party to showcase his act for Alan Brady? 

I love the episodes with the singing and dancing, especially when Rob and Laura are having a party.  I always wanted a home like that, where the piano would be rolled out and people would perform.  Although I always wondered where they stored that piano when they weren't having a party :)

  • Love 1

Love Rose Marie's rendition of "Come Rain or Come Shine" from the "Secret Life of Buddy and Sally" episode, which gives an idea what she did for years in vaudeville and night clubs.  This is the same episode where Rob and Laura performed "Harmony" and Buddy did his beautiful cello solo.

http://www.youtube.com/watch?v=65_To4Horn4

  • Love 2

All the more impressive!  Has anyone read The Official Dick Van Dyke Show Book by Vince Waldron?  He reports Grant Tinker saying that after producer Sheldon Leonard saw DVD in BBB on Broadway, he walked in to Tinker's office and said "I've found Rob Petrie!"  At the time, Tinker was a creative executive at Benton and Bowles, an agency occasionally mentioned on Mad Men.

  • Love 2

How ADORABLE are these two? There are also two group numbers that I loved. The first is the Christmas show one, where each person took the role of an instrument in the song ("I am a fine musician, I practice every day..."). Laura is left alone at the end and "deedle deedle dee"s away.

 

And the other musical number I always think of is the Twizzle. The costume designer must have had fun designing MTM's outfit with the fringe around the waist that swings to and fro while she dances. And DVD with his rubber-legged dancing: classic DVD.

  • Love 1

As I recall, they justified the Alan Brady Christmas Show by Mr. Brady wanting to take the week off and turning it all over to his writers  (I know, as if! but they did at least make that much of a gesture). And having gone that far, I could buy them including Laura. But what in the world was Richie doing on the show?? He wasn't established as a kid with any performing aspirations, and even in high school on the first airing of the show, I found that silly.

 

The other one that bugged me on first viewing, sorry, was "The Twizzle." (Though yes, MTM dancing was always a pleasure to watching, and she was delightful in her brief bit.) The whole thing had this whole air of "we're gonna feature this guest star if it kills us," and I discover from the book about the series that that was exactly the case -- the network was high on Jerry Lanning (though in the end, they never did anything more with him), so he was forced on the series. And that final resolution, where he suddenly gets all sincere-like and says "But I really want to sing like this" and launches into "This Nearly Was Mine" with heavenly orchestral accompaniment stealing in. Yuck.

  • Love 1

I'm still waiting for an ice dancing team to do an exhibition piece using "The Twizzle" since there's now a move by that name.

 

Jerry Lanning also did an episode of "The Lucy Show" and "The Donna Reed Show" along with his mother who was a nightclub singer.  His brothers were also in "The Donna Reed Show" with them.   And actually, the career transition that his "Dick Van Dyke Show" character made was pretty typical for the times.  A young singer would start out making records that appealed mostly to teens and then would transition over to supper clubs, movies and/or theater.  

 

Incidentally, for "Law and Order: SVU" fans, Jerry Lanning starred in an early episode as a prominent conservative whose gay son is murdered.

Just to round out the Jerry Lanning discussion, the important part of his own career was in fact onstage. His Broadway credits show a pretty typical evolution for that period for a singing juvenile lead, starting in 1966 (i.e., after the Dick Van Dyke period) as Mame's adult nephew in the original cast of that musical, and continuing with things like Freddy in a revival of My Fair Lady, branching out into plays -- and of course he did more away from Broadway. He's still performing, to the best of my knowledge.

I'm 50 now, and I was completely ruined by the Petrie version of what adult life was going to be.  When my parents had company, all they did was play cards,   I wanted to have people over and sing songs and be all chatty and stuff.  Life didn't quite turn out that way, alas.  

 

I still think it would be cool if it had, though.

  • Love 7

I peek into this thread now and again, as one who grew up on the Dick Van Dyke show. Like Kassa, I thought that a grownup life like that was just out there waiting for me somewhere.

 

It's been so long since I actually watched the show, that a lot of the details are lost to me now. I don't recall this infamous "Twizzle" number, though I'll cast my vote as one of those who was not a huge fan of most of the musical numbers, especially in the later seasons, as they seemed more and more forced and feeling as though they had an agenda aside from "creative, talented people having fun". I recall a Christmas episode in particular where "Richie" sang a Christmas carol wearing some sort of choirboy getup which was struck me as really reaching in the entertainment department.

 

I also remember totally cracking up (I think it might have been the same Christmas episode) where Rob, Buddy, etc were singing a song to which the only lyrics were "Alan Bra-a-dy-y, Alan Bra-a-dy-y, Alan Brady, Alan Bra-a-dee-ee etc", and Buddy was the first to break in with his name in a perfect deadpan and was sent away in disgrace by conductor Mel. Each of the others followed suit, but it's still Buddy I remember.

 

Still, I was probably nine or ten then, and might see both these things through a completely different set of eyes now.

  • Love 1

I recall a Christmas episode in particular where "Richie" sang a Christmas carol wearing some sort of choirboy getup which was struck me as really reaching in the entertainment department.

 

I also remember totally cracking up (I think it might have been the same Christmas episode) where Rob, Buddy, etc were singing a song to which the only lyrics were "Alan Bra-a-dy-y, Alan Bra-a-dy-y, Alan Brady, Alan Bra-a-dee-ee etc", and Buddy was the first to break in with his name in a perfect deadpan and was sent away in disgrace by conductor Mel. Each of the others followed suit, but it's still Buddy I remember.

 

Ritchie sang The Little Drummer Boy (pah-rah-pah-pum-pum), dressed as a shepherd boy with a drum.    Here's the Alan Brady Chorus.  :-)

  • Love 1

Back in the message that began this thread, I kvetched about the inclusion of Richie on an Alan Brady Christmas Special. It already stretched credulity that on a whim, he would say he was tired, let his writers be the performers -- but OK, that's our premise, go with it. And given that, Laura's participation isn't too much of a stretch, she'd been a performer and all. But why a writer's kid?

 

The answer, I suppose, is that this was the era when "The Little Drummer Boy" had its first popularity and had been all over the radio as this cool different new Christmas Song. So somebody saw a chance to include it, and there was only one kid (who was, after all a series regular) to give it to.

  • Love 1

I'm 50 now, and I was completely ruined by the Petrie version of what adult life was going to be.  When my parents had company, all they did was play cards,   I wanted to have people over and sing songs and be all chatty and stuff.  Life didn't quite turn out that way, alas.  

 

I still think it would be cool if it had, though.

I'm old enough to remember this show as first-run. My parents certainly weren't like the Petries, and they didn't know anyone like that, either.

Reminds me of (off-topic slightly) a comment from Murray on MTM about wishing he and Marie could have witty conversations over martinis every evening.

Mrs. Torqy and I sometimes have witty conversations, but the resemblance ends there.

I'm about to spoil things by saying that my parents did have parties like that. Well, sometimes. Occasionally. Once in a while. On a smaller scale. But it did happen. My father directed TV commercials (in Chicago), so he was acquainted with a few actors and show-biz types. I can recall a few times when I was little (in the 1950s) when one or two people were invited over for dinner, and after dinner one of them might play something at the piano, or accompany herself singing. It was not a group thing, it would be only the guest performing if so inclined (unless I was forced to show everybody "how your saxophone lessons are going" by playing something -- which I hated and they did too undoubtedly, but that's a different matter).

 

The most enjoyable such occasion occurred when Dad's friend was a writer working with this unknown new local comedian named Bob Newhart. He knew all the routines (the driving instructor, etc.) and did them for us, and we fell apart laughing. We couldn't imagine how Newhart's own performances could be any better than that -- and then the record came out and we found that they were.

  • Love 6

DVD may not have had years of classes as MTM had, but he had experience. On Broadway, after a short-lived revue, he had starred in Bye Bye Birdie, in a role (Albert) with definite dance responsibilities

 

He also danced beautifully in "Mary Poppins"!  Absolutely love that scene where he and the other chimney sweeps dance over the rooftops.

I'm really surprised to hear that he had no formal dance training; talk about light on your feet!

In her memoir, MTM recounts that the pressure was on to get the stunt right on the first try, and it was fun to do.  But I'll bet it was kind of a bumpy, if short ride.  And didn't DVD say somewhere that everyone ate too many walnuts that week and paid the price gastronomically

Specifically she said that she was glad for the audience laughter when she slid out of the closet on that avalanche of walnuts because it drowned out the sounds issuing from her posterior (to put it politely)!

 

I always especially loved the "scary" episodes--this one, "Uhny Uftz" (left alone in the building, Rob thinks he sees a flying saucer), "The Ghost of A. Chantz" (the gang has to spent the night in a cabin said to be haunted), and "Long Night's Journey Into Day" (Laura is left alone in the house when everyone else goes on a fishing trip).  Tension was never funnier.

  • Love 3

Specifically she said that she was glad for the audience laughter when she slid out of the closet on that avalanche of walnuts because it drowned out the sounds issuing from her posterior (to put it politely)!

 

For some reason, I don't trust a lot of what MTM has to say about this series.  I've gotten the impression that she embellishes copiously.

  • Love 1

I never saw that quote from MTM about flatulence on the set, and I've read pretty much everything I could get my hands on about the series. Was it in a magazine interview or something like that?

 

I think by this point everyone connected with The Dick Van Dyke Show does plenty of embellishing. They've been asked to talk about it all so many times by now....

  • Love 2

 

I never saw that quote from MTM about flatulence on the set, and I've read pretty much everything I could get my hands on about the series. Was it in a magazine interview or something like that?

In one of MTM's books, she mentioned the incident of sliding out of the closet on the walnuts and passing gas all the way, and then she told the story on Late Night with David Letterman, although she was so cryptic about it--using a not-very-realistic sound effect to illustrate the problem--that even the audience didn't catch on to what she was talking about immediately. 

  • Love 1

Love Rose Marie's rendition of "Come Rain or Come Shine" from the "Secret Life of Buddy and Sally" episode, which gives an idea what she did for years in vaudeville and night clubs.  This is the same episode where Rob and Laura performed "Harmony" and Buddy did his beautiful cello solo.

http://www.youtube.com/watch?v=65_To4Horn4

I just watched this episode this morning. Love Sally's "Come Rain or Come Shine".  I like that they showcased Buddy and Sally's other talents. Fun episode. 

  • Love 1

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Restore formatting

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

×
×
  • Create New...