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16 minutes ago, SeanC said:

The Greatest Showman made $14 million on its opening weekend, and is about to cross $100 million.  It may end up with like a 10x domestic multiplier, which is insane.

The Greatest Showman really is turning into one of the leggiest modern runs ever:  
 

Quote

 

With a $97.25 million domestic cume, it has already earned 11x its $8.8m Fri-Sun opening weekend and 7.25x its Wed-Sun $13.4m debut haul. And, just going by Fri-Sun opening weekend figures, it is already the 34th-leggiest movie ever among (respectively) the top 200 opening weekends of any given month. And as it continues to make more money, as it certainly will for at least the short term, it's going to move up that list very quickly. But at this moment, as of Monday, it's already the leggiest movie ever to open on more than 3,000 screens.

And the vast majority of its competitors are either Oscar expansion pictures (Chicago, Imitation Game, Juno, etc.) or all-time classic hits from the 1980's and 1990's (Home Alone, Ghostbusters, Back to the Future, Crocodile Dundee, etc.). Hell, among movies that initially opened on at least 2,000 screens, unless I missed one, it sits behind only There's Something About Mary (which also opened on a Wednesday and then snagged a 12.8x weekend-to-final multiplier back in 1998) and Titanic (which, well, was friggin Titanic).  And once it gets past $113m domestic, it'll sit behind only Titanic ($600m/$28m in 1997) among the leggiest wide releases. Even in the fabled realm of December/holiday legs, this Hugh Jackman/Zac Efron/Michelle Williams/Rebecca Ferguson/Zendaya drama is in rare territory.

 

My takeaways are that Hollywood should make more original musicals (though can they be about less problematic people from now on, thanks) and stop blaming Rotten Tomatoes for weak theater attendance.

  • Love 6
(edited)

Better than expected results for the new openers (I don't think I'd even heard of Den of Thieves until about a week ago) and multiple movies passing big milestones since last weekend. This week the Oscar nominations will give the awards players a second (or third) wind.


January 19–21, 2018 Estimates:

1 (1)  Jumanji: Welcome to the Jungle   $20,040,000 | 3,704 Theaters | $5,410 Avg. | $90M Budget | $316,985,148
2 (N)  12 Strong   $16,500,000 | 3,002 Theaters | $5,496 Avg. | $35M Budget | $16,500,000
3 (N)  Den of Thieves   $15,320,000 | 2,432 Theaters | $6,299 Avg. | $30M Budget | $15,320,000     
4 (2)  The Post   $12,150,000 | 2,851 Theaters | $4,262 Avg. | $50M Budget | $45,191,402     
5 (4)  The Greatest Showman   $11,000,000 | 2,823 Theaters | $3,897 Avg. | $84M Budget | $113,480,607

6 (7)  Paddington 2   $8,240,000 | 3,702 Theaters | $2,226 Avg. | $50M Budget | $25,041,233
7 (3)  The Commuter   $6,685,000 | 2,892 Theaters | $2,312 Avg. | $30M Budget | $25,708,529     
8 (6)  Star Wars: The Last Jedi   $6,566,000 | 2,456 Theaters | $2,673 Avg. | $200M Budget | $604,284,476     
9 (5)  Insidious: The Last Key   $5,945,000 | 2,546 Theaters | $2,335 Avg. | $10M Budget | $58,728,265     
10 (N)  Forever My Girl   $4,703,070 | 1,115 Theaters | $4,218 Avg. | $3.5M Budget | $4,703,070

11 (8)  Proud Mary   $3,650,000 | 2,125 Theaters | $1,718 Avg. | $14M Budget | $16,931,604
12 (20)  Phantom Thread   $3,370,000 | 896 Theaters | $3,761 Avg. | $35M Budget | $6,182,729     
13 (9)  Pitch Perfect 3   $3,110,000 | 1,772 Theaters | $1,755 Avg. $45M Budget | $100,622,045
14 (10)  Darkest Hour   $3,065,000 | 1,341 Theaters | $2,286 Avg. | $30M Budget | $41,129,177     
15 (13)  I, Tonya   $3,023,416 | 799 Theaters | $3,784 Avg. | $11M Budget | $14,672,133     

16 (15)  The Shape of Water   $2,200,000 | 853 Theaters | $2,579 Avg. | $19.5M Budget | $30,209,047
17 (16)  Three Billboards Outside Ebbing, Missouri   $2,000,000 | 954 Theaters | $2,096 Avg. | $12M Budget | $32,077,357
18 (14)  Coco   $1,911,000 | 878 Theaters | $2,177 Avg. | $175M Budget | $200,727,300     
19 (11)  Molly's Game   $1,710,000 | 1,091 Theaters | $1,567 Avg. | $30M Budget | $24,368,509     
20 (12)  Ferdinand   $1,660,000 | 1,212 Theaters | $1,370 Avg. | $111M Budget | $79,146,216     

Call Me by Your Name   $1,505,553 | 815 Theaters | $1,847 Avg. | $3.5M Budget | $9,202,928
Lady Bird   $1,321,420 | 675 Theaters | $1,958 Avg. | $10M Budget | $39,180,655
Mary and the Witch's Flower   $329,097 | 161 Theaters | $2,044 Avg. | $1,496,528

Edited by Dejana
(edited)

January 26–28, 2018 Estimates:

1 (N)  Maze Runner: The Death Cure   $23,500,000 | 3,787 Theaters | $6,205 Avg. | $62M Budget | $23,500,000
2 (1)  Jumanji: Welcome to the Jungle   $16,400,000 | 3,553 Theaters | $4,616 Avg. | $90M Budget | $338,057,203
3 (23)  Hostiles   $10,205,000 | 2,816 Theaters | $3,624 Avg. | $39M Budget | $12,052,795     
4 (5)  The Greatest Showman   $9,500,000 | 2,663 Theaters | $3,567 Avg. | $84M Budget | $126,475,232     
5 (4)  The Post   $8,850,000 | 2,640 Theaters | $3,352 Avg. | $50M Budget | $58,535,923

6 (2)  12 Strong   $8,635,000 | 3,018 Theaters | $2,861 Avg. | $35M Budget | $29,759,610
7 (3)  Den of Thieves   $8,360,000 | 2,432 Theaters | $3,438 Avg. | $30M Budget | $28,502,445
8 (16)  The Shape of Water   $5,700,000 | 1,854 Theaters | $3,074 Avg. | $19.5M Budget | $37,678,745
9 (6)  Paddington 2   $5,570,000 | 2,792 Theaters | $1,995 Avg. | $50M Budget | $32,020,416     
10 (N)  Padmaavat   $4,272,998 | 324 Theaters | $13,188 Avg. | $4,780,239     

 

Best Picture Watch:

Dunkirk:  $188,373,161
Get Out:  $175,856,870
The Post:  $58,535,923
Darkest Hour:  $45,197,407
Lady Bird:  $41,647,880
The Shape of Water:  $37,678,745
Three Billboards Outside Ebbing, Missouri:  $37,010,951
Call Me By Your Name:  $11,355,962
Phantom Thread:  $10,623,809

Total Gross:  $605,953,093
Average Gross:  $67,328,121


International Box Office:

STAR WARS: THE LAST JEDI:  $700.7M Overseas Total |  $1.311B Global Total

JUMANJI: WELCOME TO THE JUNGLE:  $484.0M Overseas Total | $822.0M Global Total
THE GREATEST SHOWMAN:  $133M Overseas Total | $259M Global Total

PADDINGTON 2:  $153.8M Overseas Total | $185.8M Global Total
INSIDIOUS: THE LAST KEY:  $81.1M Overseas Total | $144.5M Global Total
MAZE RUNNER: THE DEATH CURE:  $82.0M Overseas Total | $105.5M Global Total
 

Edited by Dejana
59 minutes ago, SeanC said:

Darkest Hour is going to solidly outgross Pan, Joe Wright's attempt at a blockbuster, which I find kind of funny.

How close can Jumanji get to $400 million, I wonder?

Wow, Pan, I hadn't thought of that one since it flopped. The 2003 Peter Pan wasn't a hit either (alas), so who knows why anyone thought spending way more money, uglying up Hugh Jackman and Rooney Mara as Tiger Lily would make the new version a success?

Jumanji's drops have been incredible and if it's not hurt too much by Black Panther, I think it can reach the $400M mark. After that, it's just a little more than $3.7 million to top the domestic unadjusted gross of Spider-Man and become Sony's all-time number one.

  • Love 1
11 minutes ago, Dejana said:

Wow, Pan, I hadn't thought of that one since it flopped. The 2003 Peter Pan wasn't a hit either (alas), so who knows why anyone thought spending way more money, uglying up Hugh Jackman and Rooney Mara as Tiger Lily would make the new version a success?

I expect Disney's upcoming live action remake will hit the mark with audiences, just based on their track record.

I Tonya didn't get much of a bump. That's kind of a bummer. I really enjoyed it.

It's kind of nice to see The Maze Runner finish out their trilogy on a strong note without being humiliated, like the Divergent debacle.*

*Lionsgate in their infinite wisdom decided to split the final book of Divergent into two movies, despite the VERY negative reaction to that book and the fact that the box office for the first Divergent was good but not amazing. When the second movie dropped considerably (120 million to the first one's 150 million) they STILL didn't decide to cancel the two movie plan. When they filmed it, they curiously didn't film the two of them back-to-back. The third one came out and bombed pretty horribly, dropping the total down to 66 million. Production was cancelled on the 4th one. Lionsgate then decided that they would film the 4th movie for television, and then use it to launch a series on Freeform. Shailene Woodley and Theo James have both basically said hell no (and I'm guessing that their contracts are for a THEATRICAL piece) and so everything is stalled, probably for good. At this rate everybody's going to be way too old for their characters.

Divergent just never should have been made into a movie in the first place. It's definitely one of those "this will only work in a book" deals. The plot was just too complicated, and so much of the action revolves around Tris's head. Also, killing off the main antagonist at the end of the second book was just stupid.

I'm glad that The Maze Runner has been the little franchise that could.

Edited by methodwriter85

Divergent just never should have been made into a movie in the first place. It's definitely one of those "this will only work in a book" deals. The plot was just too complicated, and so much of the action revolves around Tris's head. Also, killing off the main antagonist at the end of the second book was just stupid.

I think it's a lesson in "be weary of buying the distribution rights for an in progress series by a young author with no other experience." I think the first two books of the series were pretty decent. The third book went so far off the rails however, that the movie studio tweaked the hell out of the second movie to try to create some narrative sense to support the direction the third book decided to take. But them trying to "fix" Allegiant, but setting up the other movies to support Allegiant, made the franchise hopeless. Lionsgate was so blinded by their Hunger Games income that they couldn't grasp the fact that audiences weren't just looking for "a badass female taking on a corrupt government."

  • Love 2
11 hours ago, absnow54 said:

I think it's a lesson in "be weary of buying the distribution rights for an in progress series by a young author with no other experience." I think the first two books of the series were pretty decent. The third book went so far off the rails however, that the movie studio tweaked the hell out of the second movie to try to create some narrative sense to support the direction the third book decided to take. But them trying to "fix" Allegiant, but setting up the other movies to support Allegiant, made the franchise hopeless. Lionsgate was so blinded by their Hunger Games income that they couldn't grasp the fact that audiences weren't just looking for "a badass female taking on a corrupt government."

Well, and there was the burst of the YA books to movies bubble. Even The Hunger Games never did better than Catching Fire.  They had to adjust their expectations for MockingJay Part 2 after Part 1 one disappointed and then they didn't make as much as that adjusted projection either. 

  • Love 1
(edited)

It's Super Bowl Sunday and the box office shows it.  The game is just one day, but attendance drops off sharply on Sunday and the game gets a lot of attention in pop culture that the studios would rather work with (commercials to hype upcoming movies they have higher hopes for) than fight against. Counter-programming has worked (Hannah Montana, Dear John) though not consistently. This year the studios really didn't bother (a new movie got released, but it's under 10 percent on Rotten Tomatoes).

 

February 2–4, 2018 Numbers:

1 (2)  Jumanji: Welcome to the Jungle   $11,000,000 | 3,352 Theaters | $3,282 Avg. | $90M Budget | $352,642,752
2 (1)  Maze Runner: The Death Cure   $10,200,000 | 3,793 Theaters | $2,689 Avg. | $62M Budget | $39,760,199
3 (N)  Winchester   $9,250,000 | 2,480 Theaters | $3,730 Avg. | $3.5M Budget | $9,250,000     
4 (4)  The Greatest Showman   $7,800,000 | 2,588 Theaters | $3,014 Avg. | $84M Budget | $137,475,172     
5 (5)  The Post  $5,218,122 | 2,462 Theaters | $2,119 Avg. | $50M Budget | $67,202,632   

6 (3)  Hostiles   $5,108,228 | 2,934 Theaters | $1,741 Avg. | $39M Budget | $20,822,641
7 (6)  12 Strong   $4,710,000 | 2,918 Theaters | $1,614 Avg. | $35M Budget | $37,303,553     
8 (7)  Den of Thieves   $4,670,000 | 2,112 Theaters | $2,211 Avg. | $30M Budget | $36,270,932     
9 (8)  The Shape of Water   $4,448,520 | 2,341 Theaters | $1,900 Avg. | $19.5M Budget | $44,728,570
10 (9)  Paddington 2   $3,110,000 | 2,388 Theaters | $1,302 Avg. | $50M Budget | $36,313,679     

11 (12)  Three Billboards Outside Ebbing, Missouri   $3,050,000 | 1,726 Theaters | $1,767 Avg. | $12M Budget | $41,814,051
12 (16)  I, Tonya   $2,469,724 | 1,450 Theaters | $1,703 Avg. | $11M Budget | $22,553,609
13 (10)  Padmaavat   $2,438,930 | 354 Theaters | $6,890 Avg. | $33.5M Budget | $8,900,499    
14 (18)  Darkest Hour   $2,362,975 | 1,486 Theaters | $1,590 Avg. | $30M Budget | $48,786,132   
15 (11)  Star Wars: The Last Jedi   $2,338,242 | 1,467 Theaters | $1,594 Avg. | $200M Budget | $614,455,022     


Best Picture Watch:

Dunkirk   $188,373,161
Get Out   $175,985,850
The Post   $67,202,632
Darkest Hour   $48,786,132
The Shape of Water   $44,728,570
Lady Bird   $43,733,193
Three Billboards Outside Ebbing, Missouri   $41,814,051
Phantom Thread   $14,174,109
Call Me by Your Name   $12,940,908

Total Gross:  $637,738,606
Average Gross:  $70,859,845

Edited by Dejana
Quote

Helen Mirren fanboys be representin'!

Hey now, maybe there were one or two people that came for Jason Clarke, right?  Right?!

Had it not been for Maze Runner, Jumanji would have been number one for five weeks in a row.  Still, Dwayne Johnson has to be thrilled that this will more then make-up for Baywatch face planting earlier this summer.

  • Love 1

February 9–11, 2018 Numbers:

1 (N)  Fifty Shades Freed   $38,560,195 | 3,768 Theaters | $10,234 Avg. | $55M Budget | $38,560,195    
2 (N)  Peter Rabbit   $25,010,928 | 3,725 Theaters | $6,714 Avg. | $50M Budget | $25,010,928     
3 (N)  The 15:17 to Paris   $12,554,286 | 3,042 Theaters | $4,127 Avg. | $30M Budget | $12,554,286
4 (1)  Jumanji: Welcome to the Jungle   $10,023,344 | 3,136 Theaters | $3,196 Avg. | $90M Budget | $365,855,215    
5 (4)  The Greatest Showman   $6,443,343 | 2,373 Theaters | $2,715 Avg. | $84M Budget | $146,579,213

6 (2)  Maze Runner: The Death Cure   $6,222,303 | 2,923 Theaters | $2,129 Avg. | $62M Budget | $49,240,432
7 (3)  Winchester   $5,211,217 | 2,480 Theaters | $2,101 Avg. | $17,338,575     
8 (5)  The Post   $3,631,998 | 1,865 Theaters | $1,947 Avg. | $50M Budget | $72,968,518
9 (9)  The Shape of Water   $3,177,255 | 1,780 Theaters | $1,785 Avg. | $19.5M Budget | $49,942,946
10 (8)  Den of Thieves   $2,999,379 | 1,468 Theaters | $2,043 Avg. | $30M Budget | $41,070,702

11 (6)  Hostiles   $2,824,754 | 2,214 Theaters | $1,276 Avg. | $39M Budget | $26,022,222    
12 (7)  12 Strong   $2,743,248| 1,901 Theaters | $1,443 Avg. | $35M Budget | $42,013,427
13 (11)  Three Billboards Outside Ebbing, Missouri   $2,302,015 | 1,273 Theaters | $1,808 Avg. | $12M Budget | $45,446,821
14 (12)  I, Tonya   $1,671,331 | 1,088 Theaters | $1,536 Avg. | $11M Budget | $25,348,356    
15 (14)  Darkest Hour   $1,604,995 | 1,045 Theaters | $1,536 Avg. | $30M Budget | $51,485,087    

La Boda de Valentina   $1,147,073 | 331 Theaters | $3,465 Avg. | $1,147,073
Pad Man   $740,326 | 152 Theaters | $4,871 Avg. | $740,326
The Oscar Nominated Short Films 2018   $695,044 | 198 Theaters | $3,510 Avg. | $695,044
 

International Box Office:

STAR WARS: THE LAST JEDI:  $706.1M Overseas Total | $1.322B Global Total
JUMANJI: WELCOME TO THE JUNGLE:  $516.1M Oversesas Total | $881.8M Global Total

THE GREATEST SHOWMAN:  $167.7M Overseas Total | $314.2M Global Total
MAZE RUNNER: THE DEATH CURE:  $180.1M Overseas Total | $229.1M Global Total
PADDINGTON:  $167.1M Overseas Total | $205.5M Global Total

FIFTY SHADES FREED:  $98.1M Overseas Total | $136.9M Global Total (the franchise passes $1 billion in worldwide box office)
DARKEST HOUR:  $72.7M Overseas Total | $124.1M Global Total
THE POST:  $50.1M Overseas Total | $123M Global Total
THREE BILLBOARDS OUTSIDE EBBING, MISSOURI:  $55.5M Overseas Total | $100.8M Global Total

THE COMMUTER:  $57M Overseas Total | $92.5M Global Total
THE SHAPE OF WATER:  $24.5M Overseas Total | $74.3M Global Total
THE 15:17 TO PARIS:  $5.3M Overseas Total | $17.9M Global Total

Edited by Dejana
final numbers
  • Love 1
On 2/13/2018 at 12:08 AM, xaxat said:

I would never have guessed that The Post would do that well. 

Given the star power involved, I think it could have made more, had it been a major rather than a minor Oscar player. Granted, 2012 was a different time even in terms of streaming (not to mention everything else when it comes to a movie set in the political world), but Lincoln made $182M domestically. Abe is an extremely popular figure in the US but it was still a 2.5 hour talky drama about legislation.

 

On 2/13/2018 at 12:14 AM, methodwriter85 said:

Well, good for 50 Shades. The drop wasn't nearly as big for this one. I'm seeing this winding up about the 80 million range. Not bad at all.

The series has a core audience, but Universal was wise not to press their luck with a two-part finale.

 

On 2/13/2018 at 3:21 AM, nilyank said:

I really like the film but I never thought it would make close to 900 million worldwide. Biggest surprise of 2017.

There are so many shocking (in a good way) box office stories with the 2017 movies. Horror had a banner year with IT, Split and Get Out, then a Jumanji sequel 20+ years later being such a bigger hit than the original version (even considering inflation). The Greatest Showman went from an opening weekend flop to Titanic-esque legs.

Edited by Dejana
  • Love 3

Box Office: 'Black Panther' Crushes Conventional Wisdom With Record $218M Debut (Forbes):

 

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Marvel and Walt Disney's Black Panther has earned a smashing $192 million Fri-Sun and likely $218m Fri-Mon holiday opening. That’s the biggest February opening weekend ever, the biggest solo superhero launch (we can expect Deadpool to comment later this week), the biggest holiday opening (bigger than the $200m Wed-Sun opening of Transformers: Revenge of the Fallen in 2009), the biggest Fri-Mon launch (bigger than the $153m Fri-Mon opening of Pirates of the Caribbean: At World’s End in 2007) and the biggest non-sequel launch of all time.

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The whole “Black Panther proves that black movies can be box office dynamite!” narrative is both valuable and way overdue. We’ve known that movies fronted by minorities could be huge box office hits at least, at LEAST, since Jackie Chan and Chris Tucker’s Rush Hour opened with $31 million in September of 1998. That’s not even counting the likes of Eddie Murphy’s Beverly Hills Cop or Will Smith’s many, many hits. And let’s not forget those Fast and Furious moves, which proved that diverse casts were totally box office poison by earning record-breaking sums in China and around the world.

So, yeah, it shouldn’t be a surprise that a movie like Black Panther is a juggernaut. Like Wonder Woman last summer, it was the kind of thing for which fans have been waiting for their entire lives. It’s unfortunate that it took this long, as Hollywood may have finally figured out the value of “not a white guy” movie stars right as the idea of movie stars as a box office draw has become a passé notion to an audience hooked on brands. Still, when black movie stars got opportunities, be it something like ID4 or Rush Hour 2 or even Ride Along or Girls Trip, the fans tended to show up in relatively large numbers. The only surprise is that anyone is still surprised.

I have long argued that Hollywood erred badly by spending a decade trying to find the next Tom Cruise when it should have been looking for the next Will Smith. So, a valid question going forward is whether Chadwick Boseman will get star vehicles that aren’t biopics, whether Michael B. Jordan and Ryan Coogler will get to grow into a team worthy of Scorsese and De Niro or whether the likes of Lupita Nyong'o, Danai Gurira and Letitia Wright will get further opportunities to shine. It’s not just a matter of “Daniel Kaluuya should be the next 007!” or “I hope we get an all-female MCU movie!” It’s about a variety of employment opportunities in movies big and small that their white male peers take for granted.

 

February 16–18, 2018 Estimates:

1 (N)  Black Panther   $192,023,000 | 4,020 Theaters | $47,767 Avg. | $200M Budget | $192,023,000     
2 (2)  Peter Rabbit   $17,250,000 | 3,725 Theaters | $4,631 Avg. | $50M Budget | $48,222,542
3 (1)  Fifty Shades Freed   $16,940,000 | 3,768 Theaters | $4,496 Avg. | $55M Budget | $76,134,455     
4 (4)  Jumanji: Welcome to the Jungle   $7,945,000 | 2,800 Theaters | $2,838 Avg. | $90M Budget | $377,623,565
5 (3)  The 15:17 to Paris   $7,685,000 | 3,042 Theaters | $2,526 Avg. | $30M Budget | $25,432,717
6 (5)  The Greatest Showman   $5,100,000 | 1,936 Theaters | $2,634 Avg. | $84M Budget | $154,478,356  (higher than Les Miserables & La La Land)
7 (N)  Early Man   $3,150,000 | 2,494 Theaters | $1,263 Avg. | $50M Budget | $3,150,000
8 (6)  Maze Runner: The Death Cure   $2,525,000 | 1,892 Theaters | $1,335 Avg. | $62M Budget | $54,005,126
9 (7)  Winchester   $2,230,000 | 1,479 Theaters | $1,508 Avg. | $3.5M Budget | $21,860,179     
10 (8)  The Post   $1,965,000 | 1,050 Theaters | $1,871 Avg. | $76,574,372 

 

International Box Office:

JUMANJI: WELCOME TO THE JUNGLE:  $527M Overseas Total | $904.6M Global Total
BLACK PANTHER:   $169.0M Overseas Total | $361.0M Global Total  (3-Day)
THE GREATEST SHOWMAN:  $185.6M Overseas Total | $340.1M Global Total
FIFTY SHADES FREED:  $190.8M Overseas Total | $266.9M Global Total
MAZE RUNNER: THE DEATH CURE:  $205.2M Overseas Total | $259.2M Global Total

Edited by Dejana
  • Love 7

Michael B Jordan is the lead in an upcoming remake of Fahrenheit 451, and he's also working on Wrong Answer, about a teacher who gets in trouble for changing his kids' test scores; Just Mercy, about civil rights attorney Bryan Stevenson; and Creed 2.  Chadwick Boseman only seems to have further Avengers stuff on his plate.

Ryan Coogler is rumored to be directing Wrong Answer, from a script by Ta-Nehisi Coates, and I don't see him attached to Creed 2, but I can't imagine he wouldn't be.

  • Love 3
On 2/18/2018 at 12:49 PM, Dejana said:

1 (N)  Black Panther   $192,023,000 | 4,020 Theaters | $47,767 Avg. | $200M Budget | $192,023,000     

Update:

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1 (N)  Black Panther   $201,797,000 | 4,020 Theaters | $50,198 Avg. | $200M Budget | $201,797,000    

It's the 12th highest grossing Marvel movie, right now. This has a serious shot at Avengers.

  • Love 5
5 hours ago, starri said:

Coogler is going be able to write his own ticket for quite a while.

I'm betting LucasFilm will go after him like they went after Patty Jenkins.

I don't know why any director with options would sign on for Star Wars at this point. Kathleen Kennedy will try, I'm sure. Coogler's career trajectory so far is a bit like Christopher Nolan's and I hope he also ends up making more originals than not.

A different studio would have put out a $200M estimate yesterday, the business would've justified it, but Disney doesn't really fudge these things.

  • Love 4

Deadline's write-up:

Quote

Monday AM writethru after 12:05 AM post: Disney has verified this morning what we saw in the middle of the night, that T’Challa recorded the second-best Sunday ever at the domestic box office. Its $60.1 million (higher than the industry’s $59.55M estimate last night) ranks only behind the all-time record held by Disney/Lucasfilm’s Star Wars: The Force Awakens ($60.5M on December 20, 2015). The total now pushes Black Panther to a three-day total of $201.8M, still the fifth-best domestic opening of all time after 2012’s Avengers ($207.4M).

Disney does see Black Panther making $235M over four days, which means it will beat the Friday-Monday hauls of of Avengers ($226.3M) and Jurassic World ($234.1M). But there are those in the industry who believe T’Challa has a shot to be the second-highest four-day opener ever with as much as $242M-$245M — behind Star Wars: Force Awakens ($288M) but taking out Star Wars: The Last Jedi ($241.6M).

In order for Black Panther to claw his way to that height, it would mean that Monday’s ease from Sunday would range between 30%-32%, or $40.3M, to $41.75M. Disney’s projections this morning figure today will decline 45% from Sunday, in which case Presidents Day would yield $33.2M for a $235M Friday-Saturday-Sunday-Monday. Black Panther has ripped up all previous pre-summer comps, which has made Monday a challenge for many to predict; the film has gotten this high at the B.O. and there’s no question about it going higher.

http://deadline.com/2018/02/black-panther-thursday-night-preview-box-office-1202291093/

  • Love 5

Latest on Black Panther's B.O. from Variety:

Quote

Disney-Marvel’s “Black Panther” is re-writing the record books, topping “Star Wars: The Last Jedi” for the second-highest four-day domestic opening of all time, with $242 million at 4,020 North American locations.

The superhero pic set a record for top Monday domestic gross ever, with $40.2 million, edging the previous high set by “Star Wars: The Force Awakens” at $40.1 million. The Monday total came in $7 million above the studio’s projections and lifted the four-day haul to $242 million.

...

Disney also reported Tuesday that the international total has reached $184.6 million to lift the worldwide take to $426.6 million, led by South Korea at $27.1 million and the U.K. at $26.7 million.

...

It has the highest three-day debut ever for a February film and the fifth-biggest of all time behind only “Star Wars: The Force Awakens” at $248 million, “Star Wars: The Last Jedi” at $220 million, “Jurassic World” at $208.8 million, and “The Avengers” at $207.4 million.

“Black Panther” has demolished the record for the largest Presidents Day weekend, blowing past “Deadpool’s” 2016 mark of $152 million.

http://variety.com/2018/film/box-office/black-panther-box-office-tops-star-wars-last-jedi-1202704917/

  • Love 4


An amazing hold for Blank Panther—under 50 percent coming off a $200M+ opening and a holiday weekend!


February 23–25, 2018 Weekend Estimates:

1 (1)  Black Panther   $108,046,000 | 4,020 Theaters | $26,877 Avg. | $200M Budget | $400,000,422     
2 (N)  Game Night   $16,600,000 | 3,488 Theaters | $4,759 Avg. | $37M Budget | $16,600,000     
3 (2)  Peter Rabbit   $12,545,000 | 3,707 Theaters | $3,384 Avg. | $50M Budget | $71,290,702     
4 (N)  Annihilation   $11,000,000 | 2,012 Theaters | $5,467 Avg. | $40M Budget | $11,000,000     
5 (3)  Fifty Shades Freed   $6,915,000 | 3,265 Theaters | $2,118 Avg. | $55M Budget | $89,560,780     
6 (4)  Jumanji: Welcome to the Jungle   $5,650,000 | 2,519 Theaters | $2,243 Avg. | $90M Budget | $387,284,215     
7 (5)  The 15:17 to Paris   $3,600,000 | 2,752 Theaters | $1,308 Avg. | $30M Budget | $32,257,752
8 (6)  The Greatest Showman   $3,400,000 | 1,601 Theaters | $2,124 Avg. | $84M Budget | $160,766,870
9 (N)  Every Day   $3,103,996 | 1,667 Theaters | $1,862 Avg. | $4.9M Budget | $3,103,996
10 (7)  Early Man   $1,700,000 | 2,494 Theaters | $682 Avg. | $50M Budget | $6,779,422


Best Picture Watch:

Dunkirk   $188,373,161
Get Out   $176,040,665
The Post   $78,848,001
The Shape of Water   $55,300,844
Darkest Hour   $54,492,842
Three Billboards Outside Ebbing, Missouri   $50,129,579
Lady Bird   $47,277,450
Phantom Thread   $18,748,094
Call Me by Your Name   $15,793,051

Total Gross:   $685,003,687
Average Gross:   $76,111,521

 

International Box Office:

JUMANJI: WELCOME TO THE JUNGLE:  $532.7M Overseas Total | $919.9M Global Total
BLACK PANTHER:  $304M Overseas Total | $704M Global Total
THE GREATEST SHOWMAN:  $200.5M Overseas Total | $361.2M Global Total
FIFTY SHADES FREED:  $230.8M Overseas Total | $320.3M Global Total
MAZE RUNNER: THE DEATH CURE:  $215.4M Overseas Total | $271.7M Global Total

THE POST:  $58M Overseas Total | $136.8M Global Total
DARKEST HOUR:  $81.2M Overseas Total | $135.6M Global Total
THREE BILLBOARDS OUTSIDE EBBING, MISSOURI:  $71M Overseas Total | $121.1M Global Total
THE SHAPE OF WATER:  $55.4M Overseas Total | $110.7M Global Total

  • Love 1

Box Office Mojo's take:

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With an estimated $108 million, Black Panther delivered the second largest second weekend of all-time, improving on Jurassic World's $106.5 million second weekend back in June 2015. Black Panther's domestic gross now stands at $400 million, which places it alongside Jurassic World as the second fastest film to top $400 million domestically. However, given the way Black Panther has been outperforming estimates since release, don't be surprised to see these domestic numbers climb once actuals come in on Monday afternoon.

So far, Black Panther is already the fifth highest grossing title domestically in the Marvel Cinematic Universe and will shortly pass both Captain America: Civil War ($408m) and Iron Man 3 ($409m). The film is also now one of the top 30 domestic releases of all-time after just ten days of release.

http://www.boxofficemojo.com/news/?id=4374&p=.htm

  • Love 1
1 hour ago, AimingforYoko said:

Black Panther will end up the B.O. champ of the MCU....for about three months. I hate to keep dunking on Warner's, 'cause it's like kicking a crippled dog at this point, but look how devising a plan works vs. reacting to a plan.

I think Black Panther is bringing in people don't see all the MCU movies. Some of them will go see Infinity War because BP is in it but not all of them and not nearly as many repeat viewings. Some people thought Wonder Woman's presence would give Justice League a boost and it didn't, really (or maybe it did and without her it would have done even worse!). I don't think IW is going to be a Justice League-level flop or anything, but my prediction is that BP will make more in the end. 

  • Love 3

I think Black Panther is bringing in people don't see all the MCU movies. Some of them will go see Infinity War because BP is in it but not all of them and not nearly as many repeat viewings. Some people thought Wonder Woman's presence would give Justice League a boost and it didn't, really (or maybe it did and without her it would have done even worse!). I don't think IW is going to be a Justice League-level flop or anything, but my prediction is that BP will make more in the end.

I think it might be close. Age of Ultron was a shit movie and is still the second highest grossing Marvel movie (Black Panther will no doubt pass this, but as of today...) because while there's a lot of overlap between Marvel fans, some only show up for an Iron Man movie, while others only show up for Captain America... and the greatest audience is in the sum of its parts. Added to that there has been a lot of buzz for Infinity Wars with record breaking trailer views, the promised climax of 3 phases of world building, and they'll not only get a boost of new Black Panther fans (expect T'Challa to show up a lot more in television spots and trailers for IW) but also from Guardians of the Galaxy fans (a smaller bump, but a bump none the less.) But you're right, I think IW won't get the same number of repeated viewings as Black Panther is getting. I think the top three grossing Marvel movies will be a toss up, because as of now, Black Panther is on track to dethroning the first Avengers film, and will probably set a number that will be really difficult for IW to match, but not impossible.

Edited by absnow54
  • Love 1


Great again for Black Panther: passes the $500 million mark with the third best third weekend ever (with estimates, the final numbers could move it to second). Death Wish and Red Sparrow were involved in some MoviePass shenanigans that may have impacted both weekends:  MoviePass, who have a promotional deal with Death Wish, blocked Red Sparrow sales in selected markets. MoviePass says this was merely part of "ongoing testing" to "better understand member behavior".  Aside from that, Red Sparrow's reviews are mixed and it was never completely able to shake the comparisons to Black Widow.

March 2–4, 2018 Estimates:

1 (1)  Black Panther   $65,705,000 | 4,084 Theaters | $16,088 Avg. | $200M Budget | $501,105,037
2 (N)  Red Sparrow   $17,000,000 | 3,056 Theaters | $5,563 Avg. | $69M Budget | $17,000,000
3 (N)  Death Wish (2018)   $13,025,000 | 2,847 Theaters | $4,575 Avg. | $30M Budget | $13,025,000
4 (2)  Game Night   $10,710,000 | 3,502 Theaters | $3,058 Avg. | $37M Budget | $33,537,766     
5 (3)  Peter Rabbit   $10,000,000 | 3,607 Theaters | $2,772 Avg. | $50M Budget | $84,060,376
6 (4)  Annihilation   $5,650,000 | 2,112 Theaters | $2,675 Avg. | $40M Budget | $20,636,742     
7 (6)  Jumanji: Welcome to the Jungle   $4,500,000 | 2,313 Theaters | $1,946 Avg. | $90M Budget | $393,201,353     
8 (5)  Fifty Shades Freed   $3,310,000 | 2,614 Theaters | $1,266 Avg. | $55M Budget | $95,599,460     
9 (8)  The Greatest Showman   $2,675,000 | 1,407 Theaters | $1,901 Avg. | $84M Budget | $164,616,443
10 (9)  Every Day   $1,560,029 | 1,669 Theaters | $935 Avg. | $4.9M Budget | $5,260,833

 

Best Picture Watch:

Dunkirk   $188,373,161
Get Out   $176,040,665
The Post   $80,369,969
The Shape of Water   $57,393,976
Darkest Hour   $55,421,217
Three Billboards Outside Ebbing, Missouri   $52,000,189
Lady Bird   $48,285,330
Phantom Thread   $20,127,164
Call Me by Your Name   $17,045,988
Total Gross:        $695,057,659
Average Gross:        $77,228,629

 

International Box Office:

JUMANJI: WELCOME TO THE JUNGLE:  $535.7M Overseas Total | $928.9M Global Total
BLACK PANTHER:  $396.6M Overseas Total | $897.7M Global Total

THE GREATEST SHOWMAN:  $211.2M Overseas Total | $375.8M Global Total
FIFTY SHADES FREED:  $250.6 Overseas Total | $346.2M Global Total
MAZE RUNNER: THE DEATH CURE:  $222M Overseas Total | $279M Global Total

DARKEST HOUR:  $83.1M Overseas Total | $138.5M Global Total
THREE BILLBOARDS OUTSIDE EBBING, MISSOURI:  $79M Overseas Total | $131M Global Total
THE SHAPE OF WATER:  $69M Overseas Total | $126.3M Global Total
PETER RABBIT:  $17.8M Overseas Total | $101.9M Global Total

DEN OF THIEVES:  $25.8M Overseas Total | $70.2M Global Total
LADY BIRD:  $11.1M Overseas Total | $59.3M Global Total
ALL THE MONEY IN THE WORLD:  $28.8M Overseas Total | $53.8M Global Total
THE 15:17 TO PARIS:  $15.4M Overseas Total | $50.4M Global Tota

GAME NIGHT:  $16M Overseas Total | $49.5M Global Total
RED SPARROW:  $26.5M Overseas Total | $43.5M Global Total
PHANTOM THREAD:  $17.9M Overseas Total | $38M Global Total

On 3/4/2018 at 2:04 PM, Dejana said:

Death Wish and Red Sparrow were involved in some MoviePass shenanigans that may have impacted both weekends:  MoviePass, who have a promotional deal with Death Wish, blocked Red Sparrow sales in selected markets. MoviePass says this was merely part of "ongoing testing" to "better understand member behavior".

MoviePass isn't lying. They want to know all of their customers' behavior while screwing over the studios/theaters.

Moviepass CEO Brags App Tracks Your Location Before and After Movies

Quote

“We get an enormous amount of information,” Media Play News first reported Lowe as saying. “We watch how you drive from home to the movies. We watch where you go afterwards.”

On 3/6/2018 at 12:06 PM, xaxat said:

MoviePass isn't lying. They want to know all of their customers' behavior while screwing over the studios/theaters.

Moviepass CEO Brags App Tracks Your Location Before and After Movies

Going on about that so publicly seems not smart on his part. Most people are aware that apps from businesses can track your location but I don't know if don't like to be reminded about it. I think the subscription model is only going to get bigger in America, but I don't know how long it will be in the form of MoviePass.  They're suing a rival ticketing app (Sinemia) that on its surface doesn't offer the same bargain MoviePass does but they obviously feel threatened:

https://www.google.com/amp/variety.com/2018/film/news/moviepass-sues-sinemia-1202709289/amp/

(edited)

Four straight weekends at #1 for Black Panther—as of the estimates, the third-best fourth weekend ever. It also becomes the first MCU movie without Iron Man to cross the billion dollar mark globally.  A Wrinkle In Time starts about as well as other live action, non-sequel adventures from Disney like Tommorowland, John Carter and Prince of Persia. All got reviews that...weren't the best, though the others cost around twice as much as AWIT. So it has a chance not to become a tax writeoff, and might eventually turn a profit, at least.  

March 9–11, 2018 Estimates:

1 (1)  Black Panther   $41,136,000 | 3,942 Theaters | $10,435 Avg. | $200M Budget | $562,015,601
2 (N)  A Wrinkle in Time   $33,316,000 | 3,980 Theaters | $8,371 Avg. | $100M Budget | $33,316,000
3 (N)  The Strangers: Prey at Night   $10,480,000 | 2,464 Theaters | $4,253 Avg. | $5M Budget | $10,480,000
4 (2)  Red Sparrow   $8,150,000 | 3,064 Theaters | $2,660 Avg. | $69M Budget | $31,118,743     
5 (4)  Game Night   $7,905,000 | 3,061 Theaters | $2,582 Avg. | $37M Budget | $45,045,632

6 (5)  Peter Rabbit   $6,800,000 | 3,112 Theaters | $2,185 Avg. | $50M Budget | $93,457,806     
7 (3)  Death Wish (2018)   $6,600,000 | 2,882 Theaters | $2,290 Avg. | $30M Budget | $23,875,301
8 (6)  Annihilation   $3,302,319 | 1,709 Theaters | $1,932 Avg. | $40M Budget | $26,246,833     
9 (N)  The Hurricane Heist   $3,024,399 | 2,402 Theaters | $1,259 Avg. | $35M Budget | $3,024,399
10 (7)  Jumanji: Welcome to the Jungle   $2,755,000 | 2,157 Theaters | $1,277 Avg. | $90M Budget | $397,263,020

11 (N)  Gringo   $2,630,000 | 2,404 Theaters | $1,094 Avg. | $2,630,000     
12 (11)  The Shape of Water   $2,407,000 | 1,552 Theaters | $1,551 Avg. | $19.5M Budget | $61,000,138
13 (9)  The Greatest Showman   $1,775,000 | 952 Theaters | $1,864 Avg. | $84M Budget | $167,475,401     
14 (8)  Fifty Shades Freed   $1,350,000 | 1,357 Theaters | $995 Avg. | $55M Budget | $98,363,595
15 (N)  Thoroughbreds   $1,223,000 | 549 Theaters | $2,228 Avg. | $1,223,000     

The Death of Stalin   $181,308 | 4 Theaters | $45,327 Avg. | $181,308     
The Leisure Seeker   $119,573 | 28 Theaters | $4,270 Avg. | $119,573

 

International Box Office:


BLACK PANTHER:  $516.6M Overseas Total | $1.078B Global Total

JUMANJI: WELCOME TO THE JUNGLE:  $536.8M Overseas Total | $934.1M Global Total

THE GREATEST SHOWMAN:  $221.1M Overseas Total | $388.5M Global Total
FIFTY SHADES FREED:  $261M Overseas Total | $359.3M Global Total
WONDER:  $164.4M Overseas Total | $296.7M Global Total

THE SHAPE OF WATER:  $87.4M Overseas Total | $148.4M Global Total (it's more popular in Mexico than The Last Jedi)
PETER RABBIT:  $26.2M Overseas Total | $119.6M Global Total

RED SPARROW:  $51.8M Overseas Total | $82.9M Global Total
GAME NIGHT:  $24.7M Overseas Total | $69.7M Global Total
A WRINKLE IN TIME:  $6.3M Overseas Total | $39.6M Global Total
TOMB RAIDER (2018):  $14.1M overseas & Global Total

Edited by Dejana
updated rankings
  • Love 3
On 3/6/2018 at 9:06 AM, xaxat said:

MoviePass isn't lying. They want to know all of their customers' behavior while screwing over the studios/theaters.

Moviepass CEO Brags App Tracks Your Location Before and After Movies

Quote

“We get an enormous amount of information,” Media Play News first reported Lowe as saying. “We watch how you drive from home to the movies. We watch where you go afterwards.”

 

Well. That's not at all creepy. I don't use that app and this pretty much assures that I won't. Which isn't to say that I don't have other apps that do that (although I tend to turn that off given the opportunity) but, yeah, just coming out and bragging about it. "We're totally watching you. All the time. Heeheeheeheeheeee..." Dude.

  • Love 4

Black Panther takes its fifth weekend at #1, the first movie to stay at the top that long since Avatar, and also crosses the $600 million mark. Jumanji: Welcome to the Jungle and Peter Rabbit also hit major milestones, and Fifty Shades Freed isn't far behind.  I had hoped Love, Simon would break out, but it's not a bad start and it might turn out not to be very frontloaded.  Tomb Raider will have to hope the rest of the world likes it better, and I Can Only Imagine how many other famous contemporary Christian/gospel songs are going to be fast-tracked into movie adaptations!

March 16–18, 2018 Estimates:

1 (1)  Black Panther   $27,024,000 | 3,834 Theaters | $7,049 Avg. | $200M Budget | $605,400,528
2 (N)  Tomb Raider (2018)  $23,525,000 | 3,854 Theaters | $6,104 Avg. | $94M Budget | $23,525,000     
3 (N)  I Can Only Imagine   $17,064,640 | 1,629 Theaters | $10,476 Avg. | $7M Budget | $17,064,640
4 (2)  A Wrinkle in Time   $16,565,000 | 3,980 Theaters | $4,162 Avg. | $100M Budget | $61,059,654     
5 (N)  Love, Simon   $11,500,000 | 2,402 Theaters | $4,788 Avg. | $17M Budget | $11,500,000     
6 (5)  Game Night   $5,570,000 | 2,686 Theaters | $2,074 Avg. | $37M Budget | $54,174,184     
7 (6)  Peter Rabbit   $5,200,000 | 2,725 Theaters | $1,908 Avg. | $50M Budget | $102,440,268     
8 (3)  The Strangers: Prey at Night   $4,810,000 | 2,464 Theaters | $1,952 Avg. | $5M Budget | $18,612,052
9 (4)  Red Sparrow   $4,450,000 | 2,583 Theaters | $1,723 Avg. | $69M Budget | $39,583,642
10 (7)  Death Wish (2018)   $3,368,000 | 2,676 Theaters | $1,259 Avg. | $30M Budget | $29,949,685

Jumanji: Welcome to the Jungle   $1,650,000 | 1,556 Theaters | $1,060 Avg. | $90M Budget | $400,273,598
7 Days in Entebbe   $1,628,000 | 838 Theaters | $1,943 Avg. | $1,628,000
The Greatest Showman   $1,175,000 | 737 Theaters | $1,594 Avg. | $84M Budget | $169,744,618
The Shape of Water   $800,000 | 758 Theaters | $1,055 Avg. | $19.5M Budget | $62,688,637

Fifty Shades Freed   $615,000 | 873 Theaters | $704 Avg. | $55M Budget | $99,632,300
The Death of Stalin   $580,576 | 32 Theaters | $18,143 Avg. | $843,967
Thoroughbreds   $470,000 | 564 Theaters | $833 Avg. | $2,278,360     
Flower   $57,851 | 3 Theaters | $19,284 Avg. | $57,851


International Box Office:

BLACK PANTHER:  $577.1M Overseas Total | $1.182B Global Total
JUMANJI: WELCOME TO THE JUNGLE:  $539.4M Overseas Total | $939.7M Global Total

THE GREATEST SHOWMAN:  $229M Overseas Total | $398.8M Global Total
FIFTY SHADES FREED:  $265.4M Overseas Total | $365M Global Total

THE SHAPE OF WATER:  $110.8M Overseas Total | $173.5M Global Total
THREE BILLBOARDS OUTSIDE EBBING, MISSOURI:  $95.5M Overseas Total | $149.4M Global Total
TOMB RAIDER (2018):  102.5M Overseas Total | $126.0M Global Total
RED SPARROW:  $66.6M Overseas Total | $106.1M Global Total

GAME NIGHT:  $30.5M Overseas Total | $84.6M Global Total
A WRINKLE IN TIME:  $10.6M Overseas Total | $71.6M Global Total

  • Love 1
(edited)

March 23–25, 2018 Box Office:

1 (N)  Pacific Rim Uprising   $28,003,000 | 3,708 Theaters | $7,552 Avg. | $150M Budget | $28,003,000     
2 (1)  Black Panther   $16,658,000 | 3,370 Theaters | $4,943 Avg. | $200M Budget | $630,916,236
3 (3)  I Can Only Imagine   $13,837,495 | 2,253 Theaters | $6,142 Avg. | $7M Budget | $38,316,986
4 (N)  Sherlock Gnomes   $10,600,000 | 3,662 Theaters | $2,895 Avg. | $59M Budget | $10,600,000     
5 (2)  Tomb Raider   $10,430,000 | 3,854 Theaters | $2,706 Avg. | $94M Budget | $41,748,108     

6 (4)  A Wrinkle in Time   $8,044,000 | 3,423 Theaters | $2,350 Avg. | $100M Budget | $73,886,607     
7 (5)  Love, Simon   $7,800,000 | 2,434 Theaters | $3,205 Avg. | $17M Budget | $23,695,601     
8 (N)  Paul, Apostle of Christ   $5,000,000 | 1,473 Theaters | $3,394 Avg. | $5M Budget | $5,000,000     
9 (6)  Game Night   $4,160,000 | 1,866 Theaters | $2,229 Avg. | $37M Budget | $60,813,535
10 (N)  Midnight Sun   $4,119,000 | 2,173 Theaters | $1,896 Avg. | $4,119,000     

11 (N)  Unsane   $3,858,418 | 2,023 Theaters | $1,907 Avg. | $1.5M Budget | $3,858,418     
12 (7)  Peter Rabbit   $2,500,000 | 2,071 Theaters | $1,207 Avg. | $50M Budget | $106,766,715     
13 (9)  Red Sparrow   $2,240,000 | 1,482 Theaters | $1,511 Avg. | $69M Budget | $44,036,000     
14 (8)  The Strangers: Prey at Night   $2,000,000 | 1,481 Theaters | $1,350 Avg. | $5M Budget | $22,138,919     
15 (N)  Isle Of Dogs   $1,570,000 | 27 Theaters | $58,148 Avg. | $1,570,000     

The Death of Stalin   $1,060,186 | 140 Theaters | $7,573 Avg. | $2,090,609
The Greatest Showman   $680,000 | 478 Theaters | $1,423 Avg. | $84M Budget | $170,928,688 (now #3 in box office for live action musicals)
Getting Grace   $107,676 | 60 Theaters | $1,795 Avg. | $107,676
Final Portrait   $28,214 | 3 Theaters | $9,405 Avg. | $28,214
Ismael's Ghosts   $19,000 | 2 Theaters | $9,500 Avg. | $19,000

 

International Box Office:

BLACK PANTHER:  $606.4M Overseas Total | $1.237B Global Total
JUMANJI: WELCOME TO THE JUNGLE:  $541.3M Overseas Total | $942.9M Global Total

THE GREATEST SHOWMAN:  $236.4M Overseas Total | $407.3M Global Total
FIFTY SHADES FREED:  $267.7M Overseas Total | $367.9M Global Total

TOMB RAIDER:  $170.0M Overseas Total | $211.7M Global Total
THE SHAPE OF WATER:  $122M Overseas Total | $185.3M Global Total
PETER RABBIT:  $76.3M Overseas Total | $183M Global Total
PACIFIC RIM UPRISING:  $150.5M Overseas Total | $178.5M Global Total
RED SPARROW:  $76.1M Overseas Total | $120.2M Global Total

GAME NIGHT:  $34M Overseas Total | $94.8M Global Total
A WRINKLE IN TIME:  $14.1M Overseas Total | $87.9M Global Total

Edited by Dejana

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