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2 hours ago, raezen said:

It's so much more than the others I'm not sure how that's possible. 

Compared to the others this week?  Or the year?  Here's a list of Top Specialty Box Office Per Theater Averages of all time. Lady Bird is #33 on the list with $93,903.  The Big Sick, which held the top PTA for most of this year, is at #41 with $84,315. 

There are a few things that can influence the PTA number. Bigger theaters can sell more tickets.  So if a movie has 4 theaters that have 100 seats, and another movie opens in 4 theaters with 50 seats, the 100-seater is going to have a higher average even if both movies sell out all their showings. Shorter movies can have more show times.  At about 90 minutes, Lady Bird can probably max out screenings.

And it also has to be a movie people really really want to see.  The movie has been getting great reviews.  I think Greta Gerwig, the director, has a fan base in the indie community.

So that's why there can be such a discrepency.  

Edited by Irlandesa
  • Love 1
(edited)
On 11/5/2017 at 9:55 PM, raezen said:

It's so much more than the others I'm not sure how that's possible. 

It's like @IRLANDESA said, movies like that get more showtimes in bigger theaters.  Reposting my post back from when La La Land opened last year, to give a sense of how an acclaimed limited releases can be shown in its opening weekends:

On 12/8/2016 at 9:48 PM, Dejana said:

People often wonder how movies make so much from a handful of theaters in limited release. La La Land comes out this weekend, and one of the theaters where it's playing is the ArcLight Hollywood, a multiplex showing it on multiple screens. Here are the showtimes listed for Saturday (remember, at one location):

8:00 AM, 8:30 AM, 9:00 AM, 10:00 AM, 10:15 AM (DOME), 10:15 AM (two screens at the same time), 11:00 AM, 11:30 AM, 12:00 PM, 12:45 PM, 1:15 PM, 1:30 PM (DOME), 2:00 PM, 2:30 PM, 3:00 PM, 3:30 PM, 4:15 PM, 4:45 PM (DOME), 5:15 PM, 5:45 PM, 6:15 PM, 7:00 PM, 7:30 PM, 8:00 PM (DOME), 8:30 PM, 9:00 PM, 9:30 PM, 10:00 PM, 10:45 PM, 11:15 PM (DOME), 11:45 PM, 12:15 AM, 1:00 AM

The matinee price for an adult at that location is $15.75, the evening price $17.75, and its dome theater "seats more than 800 guests per showing". Basically, within those select two or four or five theaters, the indie/arthouse awards hopefuls are getting the Star Wars/Marvel treatment.

 

International Box Office:

IT:  $351.7M Overseas Total | $677.6M Global Total
THOR: RAGNAROK:  $306M Overseas Total | $427M Global Total
KINGSMAN: THE GOLDEN CIRCLE:  $291M Overseas Total | $389.6M Global Total

BLADE RUNNER 2049:  $154.5M Overseas Total | $239.9M Global Total
GEOSTORM:  $153.6M Overseas Total | $182.4M Global Total
AMERICAN MADE:  $82M Overseas Total | $132M Global Total
CAPTAIN UNDERPANTS: THE FIRST EPIC MOVIE:  $49.5M Overseas Total | $123.4M Global Total

HAPPY DEATH DAY:  $25.4M Overseas Total | $78.4M Global Total
JIGSAW:  $30.7M Overseas Total | $59.5M Global Total
VICTORIA & ABDUL:  $37M Overseas Total | $56.9M Global Total

THE MOUNTAIN BETWEEN US:  $19.7M Overseas Total | $48M Global Total
MY LITTLE PONY: THE MOVIE:  $26.3M Overseas Total | $48M Global Total
THE SNOWMAN:  $28M Overseas Total | $34.5M Global Total

A BAD MOMS CHRISTMAS:  $6.67M Overseas Total | $28.27M Global Total
COCO:  $27.6M Overseas & Global Total
MURDER ON THE ORIENT EXPRESS:  $6.5M Overseas & Global Total

Edited by Dejana

November 10–12, 2017 Estimates:

1 (1)  Thor: Ragnarok   $56,600,000 | 4,080 Theaters | $13,873 Avg. | $180M Budget | $211,589,707      
2 (N)  Daddy's Home 2   $30,000,000 | 3,575 Theaters | $8,392 Avg. | $69M Budget | $30,000,000      
3 (N)  Murder on the Orient Express   $28,200,000 | 3,341 Theaters | $8,441 Avg. | $55M Budget | $28,200,000      
4 (2)  A Bad Moms Christmas   $11,510,000 | 3,615 Theaters | $3,184 Avg. | $28M Budget | $39,873,626  
5 (3)  Jigsaw   $3,420,000 | 2,651 Theaters | $1,290 Avg. | $10M Budget | $34,354,093      
6 (4)  Tyler Perry's Boo 2! A Madea Halloween   $2,070,000 | 1,900 Theaters | $1,089 Avg. | $25M Budget | $45,920,463  
7 (5)  Geostorm   $1,545,000 | 1,685 Theaters | $917 Avg. | $120M Budget | $31,623,892      
8 (7)  Blade Runner 2049   $1,410,000 | 863 Theaters | $1,634 Avg. | $150M Budget | $88,001,297  
9 (6)  Happy Death Day   $1,312,000 | 1,564 Theaters | $839 Avg. | $4.8M Budget | $54,954,605      
10 (26)  Lady Bird   $1,249,358 | 37 Theaters | $33,766 Avg. | $10M Budget | $1,781,438      

Let There Be Light   $1,188,244 | 773 Theaters | $1,537 Avg. | $3M Budget | $6,013,138
Victoria & Abdul   $675,000 | 637 Theaters | $1,060 Avg. | $21,136,704
The Florida Project   $579,370 | 229 Theaters | $2,530 Avg. | $2M Budget | $3,839,24
Loving Vincent   $515,140 | 212 Theaters | $2,430 Avg. | $5.5M Budget | $3,934,014
Three Billboards Outside Ebbing, Missouri   $320,000 | 4 Theaters | $80,000 Avg. | $320,000     


International Box Office:

IT:  $356.8M Overseas Total | $683.4M Global Total
THOR: RAGNAROK:  $438.5M Overseas Total | $650.1M Global Total

KINGSMAN: THE GOLDEN CIRCLE:   $293.7M Overseas Total | $393.1M Global Total
BLADE RUNNER 2049:   $155M Overseas Total | $243M Global Total
GEOSTORM:  $167.4M Overseas Total | $199M Global Total

MURDER ON THE ORIENT EXPRESS:  $57.2M Overseas Total | $85.4M Global Total
JIGSAW:  $44.7M Overseas Total | $79M Global Total
THE MOUNTAIN BETWEEN US:  $22.4M Overseas Total | $51.5M Global Total

MY LITTLE PONY: THE MOVIE:  $28.7M Overseas Total | $50.2M Global Total
COCO:  $41.4M Overseas & Global Total
PADDINGTON 2:  $10.9M Overseas & Global Total

Edited by Dejana

Lady Bird is kind of killing it. I can't wait for it to come to my city. And that's a very good start for Three Billboards.

I haven't seen Murder on the Orient Express, and I know the reviews aren't very good, but I'm kind of excited to see it doing well, just because it seems like such a throwback to a kind of film Hollywood doesn't really make anymore.

  • Love 3

Amazing that we're at the point of a $96 million opening weekend being disastrous, but the latest DC Extended Universe team-up is way down from the opening of Batman v Superman: Dawn of Justice ($166M), which itself wasn't up to the opening weekends of Marvel's The Avengers ($207.4M) or Avengers: Age of Ultron ($191.2M).  

November 17–19, 2017 Estimates:

1 (N)  Justice League   $96,000,000 | 4,051 Theaters | $23,698 Avg. | $300M Budget | $96,000,000
2 (N)  Wonder  $27,050,000 | 3,096 Theaters | $8,737 Avg. | $20M Budget | $27,050,000
3 (1)  Thor: Ragnarok   $21,786,000 | 4,080 Theaters | $5,340 Avg. | $180M Budget | $247,382,170
4 (2)  Daddy's Home 2   $14,800,000 | 3,575 Theaters | $4,140 Avg. | $69M Budget | $50,576,447     
5 (3)  Murder on the Orient Express   $13,800,000 | 3,354 Theaters | $4,114 Avg. | $55M Budget | $51,728,362     
6 (N)  The Star   $10,000,000 | 2,837 Theaters | $3,525 Avg. | $20M Budget | $10,000,000     
7 (4)  A Bad Moms Christmas   $6,890,000 | 2,948 Theaters | $2,337 Avg. | $28M Budget | $50,912,155     
8 (10)  Lady Bird   $2,529,915 | 238 Theaters | $10,630 Avg. | $10M Budget | $4,702,390
9 (27)  Three Billboards Outside Ebbing, Missouri   $1,115,000 | 53 Theaters | $21,038 Avg. | $1,549,225
10 (5)  Jigsaw   $1,070,000 | 1,201 Theaters | $891 Avg. | $10M Budget | $36,450,233     

Loving Vincent   $393,248 | 212 Theaters | $1,855 Avg. | $5.5M Budget | $4,630,863
The Florida Project   $326,325 | 217 Theaters | $1,504 Avg. | $2M Budget | $4,333,417     
Roman J. Israel, Esq.   $65,000 | 4 Theaters | $16,250 Avg. | $22M Budget | $65,000
The Breadwinner   $19,530 | 3 Theaters | $6,510 Avg. | $10M Budget | $19,530    

 

International Box Office:

THOR: RAGNAROK:  $490.7M Overseas Total | $738.1M Global Total

JUSTICE LEAGUE:  $185.5M Overseas Total | $281.5M Global Total
GEOSTORM:  $172.5M Overseas Total | $204.7M Global Total
MURDER ON THE ORIENT EXPRESS:  $96.5M Overseas Total | $148.2M Global Total

A BAD MOMS CHRISTMAS:  $26.6M Overseas Total | $77.5M Global Total
HAPPY DEATH DAY:  $43.6M Overseas Total | $99M Global Total
VICTORIA & ABDUL:  $39.3M Overseas Total | $61.5M Global Total
COCO:  $48.4M Overseas & Global Total
PADDINGTON 2:  $22M Overseas & Global Total

Edited by Dejana

Imagine if you had told someone ten years ago that a Justice League movie would open lower than The Avengers* second weekend? WB had a huge built-in-advantage just in terms of having three (arguably four, if you include The Flash) characters more famous and iconic than any of the heroes in The Avengers, but just dropped the ball so hard. Giving control of their entire DC universe to Zack Snyder even after Man of Steel's chilly reception was a questionable decision at the time, but sticking with him even after it became clear that Batman vs. Superman was a disaster is just baffling. I get that it would have meant delaying Justice League, but instead in their greed and impatience they've managed to turn their most valuable IP into a punchline. 

 

*An Avengers movie that was missing Spiderman, their most famous character!

Edited by AshleyN
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2 minutes ago, dkb said:

This is kind of surprising. I liked Justice League much better than then Batman v Superman, and according to the reviews I've seen most people liked it in general.

Is it the fact that Thor: Ragnarok also released in the same month with only 1 week separating them? Are people saving money for Star Wars? I'm confused.

From what I heard, Justice League was a bit thumbs in the middle, and I've already seen three fairly average movies this year (For the curious: King Kong, Atomic Blonde, Valerian). No need for another one. I didn't see Thor either, as the trailers were completely offputting. No point in wasting time and money. I'm just one person, I don't claim to speak for the masses. But there you go.

  • Love 1
1 hour ago, dkb said:

This is kind of surprising. I liked Justice League much better than then Batman v Superman, and according to the reviews I've seen most people liked it in general.

Is it the fact that Thor: Ragnarok also released in the same month with only 1 week separating them? Are people saving money for Star Wars?

I'm not terribly surprised. The thing is 96 million is a really good box office.  It indicates there is still a large group of core superhero-fan moviegoers who will go to see a movie  with a lot of superheroes in them.  But in order to set records, you need to have an excitement surrounding it that Justice League lacked.  Whether it's the sluggishness from the Batman v Superman movie, its rotten Rotten Tomatoes score or just an average B+ Cinemascore, that excitement just wasn't there.  So people who don't see every superhero movie were less likely to turn out to this one.  

The only reason $96 million is considered a disaster is because of how much the movie cost.  Just like Blade Runner. 

I do think there will be lessons here for the business to study about the ROI on special effects.  I think only James Cameron can get away with that.

  • Love 1
On 11/19/2017 at 10:52 PM, dkb said:

This is kind of surprising. I liked Justice League much better than then Batman v Superman, and according to the reviews I've seen most people liked it in general.

Is it the fact that Thor: Ragnarok also released in the same month with only 1 week separating them? Are people saving money for Star Wars? I'm confused.

I think it's a case of once bitten, twice shy. Being better than Batman v Superman may not have been enough for anyone who thought BvS was just awful. The publicity about concealing Justice League's Rotten Tomatoes score until Thursday couldn't have helped persuade moviegoers on the fence (WB owns a 30 percent stake in RT, but RT maintains the Tomatometer score was only held back from the site so it could exclusively debut on their new web show).  There was a lot of industry unhappiness expressed about the influence of Rotten Tomatoes this past summer and why it was to blame about the weak attendance.  This weekend probably won't help the case for limiting reviews until the last minute.

The Justice League estimates were a bit optimistic; the final weekend number was more than $2 million lower at $93,842,239. That's a big fall in attendance compared to Batman v Superman making $81,558,505 on its opening day alone, just last year. 

Edited by Dejana
  • Love 1

November 24-26, 2017 Estimates:

1 (N)  Coco   $49,022,000 | 3,987 Theaters | $12,295 Avg. | $175M to $225M Budget | $71,195,000
2 (1)  Justice League   $40,730,000 | 4,051 Theaters | $10,054 Avg. | $300M Budget | $171,546,643     
3 (2)  Wonder   $22,300,000 | 3,172 Theaters | $7,030 Avg. | $20M Budget | $69,440,202     
4 (3)  Thor: Ragnarok   $16,791,000 | 3,281 Theaters | $5,118 Avg. | $180M Budget | $277,468,394
5 (4)  Daddy's Home 2   $13,250,000 | 3,518 Theaters | $3,766 Avg. | $69M Budget | $72,662,166

6 (5)  Murder on the Orient Express   $13,000,000 | 3,152 Theaters | $4,124 Avg. | $55M Budget | $74,246,517     
7 (6)  The Star   $6,875,000 | 2,837 Theaters | $2,423 Avg. | $20M Budget | $22,030,988     
8 (7)  A Bad Moms Christmas   $5,010,000 | 2,306 Theaters | $2,173 Avg. | $28M Budget | $59,754,557
9 (37)  Roman J. Israel, Esq.   $4,515,000 | 1,669 Theaters | $2,705 Avg. | $22M Budget | $6,274,277 (will be Denzel's least attended in 10 or 20 years)
10 (9)  Three Billboards Outside Ebbing, Missouri   $4,400,000 | 614 Theaters | $7,166 Avg. | $15M Budget | $7,624,070     

Lady Bird   $4,041,733 | 791 Theaters | $5,110 Avg. | $10M Budget | $10,702,821
The Man Who Invented Christmas   $1,343,284 | 626 Theaters | $2,146 Avg. | $1,796,958     
Call Me by Your Name   $404,874 | 4 Theaters | $101,219 Avg. | $3.5M Budget | $404,874  (highest per-theater opening of 2017)

The Florida Project   $298,745 | 164 Theaters | $1,822 Avg. | $2M Budget | $4,743,560 
Loving Vincent   $263,123 | 147 Theaters | $1,790 Avg. | $5.5M Budget | $5,147,869     
Darkest Hour   $176,000 | 4 Theaters | $44,000 Avg. | $247,000
Explosion   $63,000 | 33 Theaters | $1,909 Avg. | $63,000          


International Box Office:

THOR: RAGNAROK:  $512.6M Overseas Total | $790.1M Global Total
JUSTICE LEAGUE:  $309.8M Overseas Total | $481.3M Global Total

MURDER ON THE ORIENT EXPRESS:  $122.6M Overseas Total | $196.8M Global Total
COCO:  $82.2M Overseas Total | $153.4M Global Total
HAPPY DEATH DAY:  $49.9M Overseas Total | $105.5M Global Total

JIGSAW:  $56.9M Overseas Total | $94.1M Global Total
A BAD MOMS CHRISTMAS:  $33.0M Overseas Total | $92.8M Global Total
DADDY'S HOME 2:  $15.0M Overseas Total | $87.6M Global Total

VICTORIA & ABDUL:  $40.9M Overseas Total | $62.8M Global Total
THE MOUNTAIN BETWEEN US:  $25.8M Overseas Total | $55.6M Global Total
THE SNOWMAN:  $32.9M Overseas Total | $39.6M Global Total

Edited by Dejana
39 minutes ago, Dejana said:

9 (37)  Roman J. Israel, Esq.   $4,515,000 | 1,669 Theaters | $2,705 Avg. | $22M Budget | $6,274,277 (will be Denzel's least attended in 10 or 20 years)

I guess maybe Denzel is now doing "quirky" stuff just for the hell of it?  If not, then he needs to give  more thought to the types of roles he picks, because based on the promos, I have no desire to see this movie.   Also, he was good in Fences but I just couldn't stand his character. 

  • Love 2
55 minutes ago, Dejana said:

9 (37)  Roman J. Israel, Esq.   $4,515,000 | 1,669 Theaters | $2,705 Avg. | $22M Budget | $6,274,277 (will be Denzel's least attended in 10 or 20 years)

It had a really weird marketing campaign. First it looked like a period piece. Then it looked like an eccentric fish out of water tale. And then Colin Farrell's character shows up and it looks mob movie. And all of that happened in a single trailer!

That being said, I don't think better marketing would have helped.

  • Love 3
5 hours ago, xaxat said:

It had a really weird marketing campaign. First it looked like a period piece. Then it looked like an eccentric fish out of water tale. And then Colin Farrell's character shows up and it looks mob movie. And all of that happened in a single trailer!

That being said, I don't think better marketing would have helped.

Originally, the movie was called Inner City but it got changed in June.  Is it better for a movie title to be generic or confusing? It premiered at the Toronto International Film Festival in September to meh reviews:

Quote

Following its festival premiere, the film was re-edited to tighten its pacing, with a dozen minutes (including one whole subplot) being shaved off the final runtime, and a key scene regarding Colin Farrell's character being shifted from the third act to earlier in the film.

The studio obviously didn't know quite what to do or how to sell it on any level, really. 

9 hours ago, xaxat said:

It had a really weird marketing campaign. First it looked like a period piece. Then it looked like an eccentric fish out of water tale. And then Colin Farrell's character shows up and it looks mob movie. And all of that happened in a single trailer!

That being said, I don't think better marketing would have helped.

Based on the reviews of the movie I've seen, that's pretty much how the movie is too.  It's a mish mash of things. 

 

9 hours ago, Ohwell said:

I guess maybe Denzel is now doing "quirky" stuff just for the hell of it?  If not, then he needs to give  more thought to the types of roles he picks, because based on the promos, I have no desire to see this movie.   Also, he was good in Fences but I just couldn't stand his character. 

I don't think he did this movie for the "hell of it."  Dan Gilroy wrote and directed this movie.  The last time Gilroy both wrote and directed a movie was Nightcrawler in 2014 which was a success with critics.  So it's likely Denzel thought the end product would be better than it ended up being based on the pedigree of the creatives.  

(edited)

December 1–3, 2017 Estimates:

1 (1)  Coco   $27,533,304 | 3,987 Theaters | $6,906 Avg. | $175-225M Budget | $110,108,708
2 (2)  Justice League   $16,651,104 | 3,820 Theaters | $4,359 Avg. | $300M Budget | $197,407,205  
3 (3)  Wonder   $12,147,182 | 3,449 Theaters | $3,522 Avg. | $20M Budget | $87,679,805      
4 (4)  Thor: Ragnarok   $9,885,936 | 3,148 Theaters | $3,140 Avg. | $180M Budget | $291,633,535   
5 (5)  Daddy's Home 2   $7,572,390 | 3,403 Theaters | $2,225 Avg. | $69M Budget | $82,886,836      

6 (6)  Murder on the Orient Express   $6,767,002 | 3,201 Theaters | $2,114 Avg. | $55M Budget | $84,839,515
7 (10)  Three Billboards Outside Ebbing, Missouri   $4,396,537 | 1,430 Theaters | $3,075 Avg. | $12M Budget | $13,537,057 
8 (11)  Lady Bird   $4,291,590 | 1,194 Theaters | $3,594 Avg. | $10M Budget | $16,837,041    
9 (7)  The Star   $4,078,423 | 2,822 Theaters | $1,445 Avg. | $20M Budget | $27,358,076
10 (8)  A Bad Moms Christmas   $3,385,484 | 2,251 Theaters | $1,504 Avg. | $28M Budget | $64,737,307     

11 (9)  Roman J. Israel, Esq.   $1,958,702 | 1,669 Theaters | $1,174 Avg. | $22M Budget | $9,526,792     
12 (N)  The Disaster Artist   $1,211,345 | 19 Theaters | $63,755 Avg. | $1,211,345 
13 (12)  The Man Who Invented Christmas   $882,836 | 674 Theaters | $1,310 Avg. | $3,170,258    
14 (N)  Titanic (20th Anniversary)   $438,602 | 87 Theaters | $5,041 Avg. | $200M Budget | $438,602 (Lifetime Gross: $659,261,379)
15 (13)  Blade Runner 2049   $401,403 | 434 Theaters | $925 Avg. | $150M Budget | $90,785,165

Call Me By Your Name  $295,561 | 4 Theaters | $73,890 Avg. | $3.5M Budget | $922,456      

The Shape of Water   $166,504 | 2 Theaters | $83,282 Avg. | $19.5M Budget | $166,504
Wonder Wheel   $140,555 | 5 Theaters | $28,111 Avg. | $25M Budget | $140,555     
Darkest Hour   $108,372 | 4 Theaters | $27,003 Avg. | $411,853
Kingsman: The Golden Circle   $67,167 | 163 Theaters | $412 Avg. | $104M Budget | $100,052,581     
 

Edited by Dejana

International Box Office:

THOR: RAGNAROK:   $525M Overseas Total | $816.4M Global Total
JUSTICE LEAGUE:  $370.1M Overseas Total | $567.4M Global Total

COCO:   $171.3M Overseas Total | $280M Global Total
MURDER ON THE ORIENT EXPRESS:  $126.2M Overseas Total | $210.9M Global Total

GIRLS TRIP:  $23M Overseas Total | $138.1M Global Total
THE FOREIGNER:  $103.5M Overseas Total | $135.5M Global Total

DADDY’S HOME 2:  $34M Overseas Total | $116.8M Global Total
HAPPY DEATH DAY:  $53.1M Overseas Total | $108.7M Global Total
A BAD MOMS CHRISTMAS:  $40M Overseas Total | $104.8M Global Total
WONDER:  $12.2M Overseas Total | $100.2M Global Total 

 JIGSAW:  $60.1M Overseas Total | $97.7M Global Total
THE MOUNTAIN BETWEEN US:  $27M Overseas Total | $55.6M Global Total

THE SNOWMAN:  $34.9M Overseas Total | $41.5M Global Total
DARKEST HOUR:  $1.8M Overseas Total | $2.2M Global Total

December 8–10, 2017 Estimates:

1 (1)  Coco   $18,303,000 | 3,748 Theaters | $4,883 Avg. | $175-225M Budget | $135,508,690
2 (2)  Justice League   $9,595,000 | 3,508 Theaters | $2,735 Avg. | $300M Budget | $212,060,371     
3 (3)  Wonder   $8,450,000 | 3,519 Theaters | $2,401 Avg. |  $20M Budget | $100,303,106     
4 (12)  The Disaster Artist   $6,435,514 | 840 Theaters | $7,661 Avg. | $10M Budget | $8,032,288
5 (4)  Thor: Ragnarok   $6,291,000 | 3,047 Theaters | $2,065 Avg. | $180M Budget | $301,156,064     

6 (5)  Daddy's Home 2   $6,000,000 | 3,263 Theaters | $1,839 Avg. | $69M Budget | $91,159,459     
7 (6)  Murder on the Orient Express   $5,100,000 | 3,201 Theaters | $1,593 Avg. | $55M Budget | $92,707,515
8 (9)  The Star   $3,675,000 | 2,976 Theaters | $1,235 Avg. | $20M Budget | $32,279,046     
9 (8)  Lady Bird   $3,547,469 | 1,557 Theaters | $2,278 Avg. | $10M Budget | $22,331,138     
10 (N)  Just Getting Started   $3,181,568 | 2,161 Theaters | $1,472 Avg. | $22M Budget | $3,181,568

11 (7)  Three Billboards Outside Ebbing, Missouri   $2,860,000 | 1,620 Theaters | $1,765 Avg. | $12M Budget | $18,310,284
12 (10)  A Bad Moms Christmas   $2,640,000 | 2,124 Theaters | $1,243 Avg. | $28M Budget | $68,760,606     
13 (20)  The Shape of Water   $1,100,000 | 41 Theaters | $26,829 Avg. | $19.5M Budget | $1,331,008
14 (11)  Roman J. Israel, Esq.   $860,000 | 1,453 Theaters | $592 Avg. | $22M Budget | $11,197,525     
15 (26)  Darkest Hour   $777,000 | 53 Theaters | $14,660 Avg. | $1,231,908     

Call Me by Your Name   $291,101 | 9 Theaters | $32,345 Avg. | $3.5M Budget | $1,372,406
I, Tonya   $245,602 | 4 Theaters | $61,401 Avg. | $11M Budget | $245,602     
Wonder Wheel   $155,805 | 47 Theaters | $3,315 Avg. | $25M Budget | $321,985    

International Box Office:

THOR: RAGNAROK:  $532M Overseas Total | $833.2M Global Total
JUSTICE LEAGUE:  $401.3M Overseas Total | $613.4M Global Total

COCO:  $254M Overseas Total | $389.5M Global Total
MURDER ON THE ORIENT EXPRESS:  $182M Overseas Total | $274.7M Global Total

DADDY’S HOME 2:  $51.2M Overseas Total | $142.3M Global Total
WONDER:  $29.3M Overseas Total | $129.6M Global Total
A BAD MOMS CHRISTMAS:  $45.5M Overseas Total | $114.3M Global Total
HAPPY DEATH DAY:  $56.6M Overseas Total | $112.3M Global Total

9 hours ago, SeanC said:

Wonder is a real phenomenon.  It reminds me how few live action family movies we get these days; at least, not ones that are big like that is.

It's the first live-action film that Julia Roberts has appeared in that grossed over a 100 million dollars in seven years, after Valentine's Day did back in 2010. Good for her.

Also, Lady Bird topped the 20 million mark! Always a milestone for an indie.

What a good start for the Disaster Artist!

  • Love 1

December 15–17, 2017 Estimates:

1 (N)  Star Wars: The Last Jedi   $220,047,000 | 4,232 Theaters | $51,996 Avg. | $220,047,000
2 (N)  Ferdinand   $13,325,000 | 3,621 Theaters | $3,680 Avg. | $111M Budget | $13,325,000
3 (1)  Coco   $10,025,000 | 3,155 Theaters | $3,177 Avg. | $175-225M Budget | $150,810,896     
4 (3)  Wonder   $5,400,000 | 3,047 Theaters | $1,772 Avg. | $20M Budget | $109,256,738     
5 (2)  Justice League   $4,170,000 | 2,702 Theaters | $1,543 Avg. | $300M Budget | $219,456,347

6 (6)  Daddy's Home 2   $3,800,000 | 2,493 Theaters | $1,524 Avg. | $69M Budget | $96,579,982
7 (5)  Thor: Ragnarok   $2,981,000 | 1,895 Theaters | $1,573 Avg. | $180M Budget | $306,375,120
8 (4)  The Disaster Artist   $2,636,908 | 1,010 Theaters | $2,611 Avg. | $10M Budget | $12,932,039     
9 (7)  Murder on the Orient Express   $2,470,000 | 1,923 Theaters | $1,284 Avg. | $55M Budget | $97,252,742
10 (9)  Lady Bird   $2,108,117 | 947 Theaters | $2,226 Avg. | $10M Budget | $25,977,506

11 (8)  The Star   $1,775,000 | 1,936 Theaters | $917 Avg. | $20M Budget | $35,375,220     
12 (13)  The Shape of Water   $1,738,000 | 158 Theaters | $11,000 Avg. | $19.5M Budget | $3,620,564
13 (11)  Three Billboards Outside Ebbing, Missouri   $1,625,000 | 944 Theaters | $12M Budget | $1,721 Avg. | $21,373,978
14 (10)  Just Getting Started   $978,923 | 1,840 Theaters | $532 Avg. | $22M Budget | $5,464,400
15 (15)  Darkest Hour   $850,000 | 84 Theaters | $10,119 Avg. | $30M Budget | $2,342,848     

Call Me by Your Name   $491,933 | 30 Theaters | $16,398 Avg. | $3.5M Budget | $2,005,411     
Wonder Wheel   $472,216 | 536 Theaters | $881 Avg. | $25M Budget | $851,470     
Youth (2017)   $260,000 | 30 Theaters | $8,667 Avg. | $260,000     
I, Tonya   $176,189 | 5 Theaters | $35,238 Avg. | $11M Budget | $553,554     

 

International Box Office:  

THOR: RAGNAROK:  $535.4M Overseas Total | $848.1M Global Total
JUSTICE LEAGUE:  $414.5M Overseas Total | $634.0M Global Total
STAR WARS: THE LAST JEDI:  $230.0M Overseas Total | $450.0M Global Total 
COCO:  $297.4M Overseas Total | $448.2M Global Total

MURDER ON THE ORIENT EXPRESS:  $200.7M Overseas Total | $297.9M Global Total 
DADDY'S HOME 2:  $61M Overseas Total | $157.5M Global Total 
WONDER:  $44.4M Overseas Total | $153.6M Global Total 
A BAD MOMS CHRISTMAS:  $50.9M Overseas Total | $121.6M Global Total

YOUTH:  $48M Overseas Total | $48.2M Global Total 
FERDINAND:  $6.19M Overseas Total | $19.51M Global Total

Edited by Dejana
4 hours ago, dusang said:

That seems like a respectable opening for Ferdinand, considering.

 

2 hours ago, Silver Raven said:

The Budget for Ferdinand 111 million freaking dollars!?

Perhaps a respectable opening given that it opened against Star Wars.  But respectable given its budget? And I don't think it gets much easier for it to grow.   Wednesday, Jumanji comes out.  That's PG-13 and has been getting pretty good reviews.  The Greatest Showman is PG and has been advertising like crazy. Pitch Perfect 3, also PG-13, comes out on Friday.  Granted,  Ferdinand is animated and maybe the only one geared at kids so perhaps it has room to grow and earn money through merch but 1/10th of a budget is a tough wide opening.

1 hour ago, methodwriter85 said:

Wow, the Disaster Artist cratered. I'm kind of shocked, honestly. Hopefully it recovers.

It was looking even worse a few days ago.  I'm a little surprised and yet not if that makes sense.  I'm not totally surprised because the Room has a massive cult following.  Fans of the Room were going to jump at the chance to see this movie.  There was always the risk that this movie would be front loaded because of that. Still, I thought its good reviews would help it have legs.

  • Love 1
On ‎12‎/‎18‎/‎2017 at 0:16 AM, methodwriter85 said:

Wow, the Disaster Artist cratered. I'm kind of shocked, honestly. Hopefully it recovers.

And Three Billboards has hit the 20 million box office milestone for indies.

I'm not surprised by the totals for The Disaster Artist.  Other than fans of The Room and cinema buffs, who, exactly, was this movie aimed at?  I haven't seen any mainstream advertising for it, other than a few places like EW.

I'm guessing they're going to tread and wait for the wide release until after the Oscar noms are announced. Silver Linings Playbook followed that pattern during the 2012-13 Awards season. It wasn't doing so hot until AFTER January began. I remember it because I was very insistent about seeing Silver Linings on Christmas Day after the presents were opened at  movie theater 45 minutes north of me because they tended to play a lot of the indie movies that didn't make it to a wide release. I remember being worried that SL would be like Perks of Being a Wallflower and not make it to my local theater.

Then it turned into a blockbuster hit that grossed over a 100 million dollars and was playing everywhere a few weeks later. Go figure.

I did look it up though and this is going to be an unusually long awards season because of the Olympics- the nominations won't be announced until January 23rd and the ceremony isn't until March 4th. The strategy might not work then.

Edited by methodwriter85
  • Love 1
6 hours ago, scarynikki12 said:

I think it’s important to remember that The Disaster Artist isn’t in a lot of chain theaters.  It’s coming to the one I go to soon but if I want to see it now I have to go to the independent theater. Which I intend to do but haven’t gotten there yet. 

It's not everywhere and it'll keep playing in new theaters but it's in over 1000 theaters.  That's a decent amount of screens for an indie. Lady Bird and Three Billboards both peaked around 1500 with less competition. It'll keep getting picked up in new places but considering the revenue drop, it'll probably start losing theaters as other indies/wide releases seek space unless this is a movie people watch over and over and over.  It'll be interesting to see how much it falls this weekend or if it stabilizes.  They might also hope to try expanding it again if they get awards attention.  

6 hours ago, Silver Raven said:

Call Me By Your Name still isn't playing in wide release, either.

The Disaster Artist is in wide release.  CMBYN is only in 30 theaters (more this weekend) and doesn't plan on going "wide" until mid-January.  Its rollout is slow as molasses and now it just leaked illegally online so I hope it doesn't hurt its box office.  There are a lot of people who have seen it over and over which would have given it legs but might not now if they get it online illegally. I plan on seeing it this weekend at my local independent theater.

Other independent movies that are going to expand include I, Tonya, The Darkest Hour, The Shape of Water...etc.  Maybe more.  The Post is coming out in only 9 theaters this week and will wait until January to go wide too.

Christmas Eve falling on a Sunday leads to some weaker than expected openings/holds for the holiday season, but the weekdays starting tomorrow will bounce back and next weekend will probably be stronger for most movies.  The Last Jedi is not going to reach the heights of The Force Awakens but that's pretty customary for the second movie in a Star Wars trilogy. Some of the specialty titles will have to wait until the thick of awards season to hit their stride.

 

December 22–24, 2017 Estimates:

1 (1)  Star Wars: The Last Jedi   $68,486,000 | 4,232 Theaters | $16,183 Avg. | $200M Budget | $365,088,356     
2 (N)  Jumanji: Welcome to the Jungle   $34,000,000 | 3,765 Theaters | $9,031 Avg. | $90M Budget | $50,605,967
3 (N)  Pitch Perfect 3   $20,451,000 | 3,447 Theaters | $5,933 Avg. | $45M Budget | $20,451,000
4 (N)  The Greatest Showman   $8,600,000 | 3,006 Theaters | $2,861 Avg. | $84M Budget | $13,198,731
5 (2)  Ferdinand   $7,050,000 | 3,630 Theaters | $1,942 Avg. | $111M Budget | $26,532,884

6 (3)  Coco   $5,208,000 | 2,111 Theaters | $2,467 Avg. | $175M Budget | $161,327,128     
7 (N)  Downsizing   $4,600,000 | 2,668 Theaters | $1,724 Avg. | $68M Budget | $4,600,000     
8 (16)  Darkest Hour   $4,105,000 | 806 Theaters | $5,093 Avg. | $30M Budget | $6,957,077     
9 (N)  Father Figures   $3,200,000 | 2,902 Theaters | $1,103 Avg. | $25M Budget | $3,200,000
10 (12)  The Shape of Water   $3,050,000 | 726 Theaters | $4,201 Avg. | $19.5M Budget | $7,615,665

11 (4)  Wonder   $2,000,000 | 1,130 Theaters | $1,770 Avg. | $20M Budget | $114,957,750
12 (N)  Tiger Zinda Hai   $1,801,000 | 300 Theaters | $6,003 Avg. | $1,801,000
13 (11)  The Star   $1,375,000 | 1,106 Theaters | $1,243 Avg. | $20M Budget | $38,466,925     
14 (5)  Justice League   $1,055,000 | 1,101 Theaters | $958 Avg. | $300M Budget | $222,678,455
15 (10)  Lady Bird   $1,005,627 | 402 Theaters | $2,502 Avg. | $10M Budget | $28,306,445

The Disaster Artist   $907,247 | 517 Theaters | $1,755 Avg. | $10M Budget | $15,717,648     
Call Me by Your Name   $850,736 | 114 Theaters | $7,463 Avg. | $3.5M Budget | $3,138,537    

Three Billboards Outside Ebbing, Missouri   $495,000 | 307 Theaters | $1,612 Avg. | $12M Budget | $22,710,619     
The Post   $495,000 | 9 Theaters | $55,000 Avg. | $50M Budget | $495,000     
I, Tonya   $445,694 | 37 Theaters | $12,046 Avg. | $11M Budget | $1,098,844

The Florida Project   $39,104 | 43 Theaters | $909 Avg. | $2M Budget | $5,205,190
Happy End   $23,800 | 33 Theaters | $721 Avg. | $23,800         
Hostiles   $22,849 | 3 Theaters | $7,697 Avg. | $40M Budget | $22,849    
 

Edited by Dejana

Jumanji: Welcome to the Jungle is performing incredibly well, considering that it's not getting the largest screens in the multiplex. That's thanks to Disney's contractual demands for The Last Jedi:

Quote

And make no mistake, you can count on the theaters being packed with hardcore fans and casual moviegoers alike to see the latest installment set in a galaxy far, far away. Disney is well aware of this, which is why Lucasfilm's parent studio is reportedly asking the theaters screening The Last Jedi to hand over 65% of what they earn from those ticket sales. And the demands don't stop there.

According to The Wall Street Journal, theaters are required to run Star Wars: The Last Jedi for four weeks straight without skipping a screening, and if a theater does this or miscounts its number of screenings, then Disney's cut of the ticket take increases to 70%. Normally studios ask for approximately 60% of ticket sales from domestic theaters (approximately 40% internationally), but considering what a pop culture juggernaut the Star Wars franchise is, not to mention how well many Marvel and traditional Disney movies have performed in recent years, that number has gone up. Theaters are also required to run specific promotional material from Disney for The Last Jedi on exactly the day the studio wants. Because of this deal, specifically the extended period the movie needs to be kept around, several theater owners in smaller markets have have opted not to screen The Last Jedi.

It will be interesting to see if Disney tries making the same demands for Episode IX and if theaters will push back (especially if they are confident that holiday season will have another breakout). 

The Last Jedi passes Beauty and the Beast to become domestic box office champion for 2017 releases.  It will be the first #1 to win it within the calendar year since The Avengers.

 

December 29–31, 2017 Estimates:

1 (1)  Star Wars: The Last Jedi   $52,446,000 | 4,232 Theaters | $12,393 Avg. | $200M Budget | $517,144,228     
2 (2)  Jumanji: Welcome to the Jungle   $50,570,000 | 3,765 Theaters | $13,432 Avg. | $90M Budget | $169,825,967
3 (3)  Pitch Perfect 3   $17,780,000 | 3,468 Theaters | $5,127 Avg. | $45M Budget | $64,268,470     
4 (4)  The Greatest Showman   $15,270,000 | 3,316 Theaters | $4,605 Avg. | $84M Budget | $48,785,986     
5 (5)  Ferdinand   $11,650,000   3,337 Theaters | $3,491 Avg. | $111M Budget | $53,810,105

6 (6)  Coco   $6,572,000 | 2,104 Theaters | $3,124 Avg. | $175M Budget | $178,944,459     
7 (N)  All the Money in the World   $5,450,000 | 2,074 Theaters | $2,628 Avg. | $50M Budget | $12,610,000     
8 (8)  Darkest Hour   $5,280,000 | 943 Theaters | $5,599 Avg. | $30M Budget | $17,926,287
9 (7)  Downsizing   $4,600,000 | 2,664 Theaters | $1,727 Avg. | $68M Budget | $17,058,365     
10 (9)  Father Figures   $3,705,000 | 2,902 Theaters | $1,277 Avg. | $25M Budget | $12,740,000     

11 (10)  The Shape of Water   $3,490,000 | 756 Theaters | $4,616 Avg. | $19.5M Budget | $15,630,155     
12 (11)  Wonder   $3,250,000 | 1,193 Theaters | $2,724 Avg. | $20M Budget | $121,558,865
13 (N)  Molly's Game   $2,330,000 | 271 Theaters | $8,598 Avg. | $30M Budget | $5,227,552     
14 (15)  Lady Bird   $1,426,164 | 392 Theaters | $3,638 Avg. | $10M Budget | $31,392,177
15 (14)  Justice League   $1,265,000 | 1,101 Theaters | $1,149 Avg. | $300M Budget | $225,627,455    

Edited by Dejana
On 12/31/2017 at 1:37 PM, Dejana said:

It will be interesting to see if Disney tries making the same demands for Episode IX and if theaters will push back (especially if they are confident that holiday season will have another breakout). 

I'm wondering if the other studios will push back. They get the highest percentage of the ticket sales on the opening weekend. So anything that affects the number of theaters a movie's in has to hurt the studio's profits.

  • Love 1
4 hours ago, Captain Carrot said:

I'm wondering if the other studios will push back. They get the highest percentage of the ticket sales on the opening weekend. So anything that affects the number of theaters a movie's in has to hurt the studio's profits.

Resistance is futile, you will be assimilated.   ♪It's a small world, after all. It's a small world, after all...

  • Love 4
On 12/31/2017 at 0:37 PM, Dejana said:

It will be interesting to see if Disney tries making the same demands for Episode IX and if theaters will push back (especially if they are confident that holiday season will have another breakout). 

I thought the demands were only for opening weekend. 

But I still  think theaters will back what Disney puts out.  The Last Jedi isn't going to reach the first's heights but it's still making a lot of money. It has the sixth highest domestic gross of all time already and it's about the safest bet a theater can make. 

(edited)
14 hours ago, Irlandesa said:

I thought the demands were only for opening weekend. 

But I still  think theaters will back what Disney puts out.  The Last Jedi isn't going to reach the first's heights but it's still making a lot of money. It has the sixth highest domestic gross of all time already and it's about the safest bet a theater can make. 

And only $300 million less than the The Force Awakens! It's kind of crazy to think of a movie that will make more than $600M domestically as a "disappointment" and the drop off from the first to second movie will end up in line with earlier Star Wars trilogies.  Still, after the $220M opening weekend, $700M+ wasn't an unreasonable expectation for The Last Jedi, but the box office reporters kept dropping their projections as the holidays wore on.  It's pretty hard for a movie released from mid to late December not to triple its opening weekend; the Christmas season is notorious for leggy runs. 

 

MoviePass released their Top 25 list of films viewed by their members for 2017.  The service only announced their price cut to $9.95 in August so the list is heavily skewed with movies from the last 4 months of the year.  I'd heard anecdotally about some prestige titles getting upwards to half of their sales through MoviePass and this list offers some confirmation, considering the MoviePass popularity relative to the overall US box office. The totals are as of January 2:

1. Star Wars: The Last Jedi  —  $539,388,403
2. Thor: Ragnarok  —  $311,682,332
3. Coco —  $184,196,357
4. Justice League  —  $226,160,932
5. Murder on the Orient Express  —  $100,934,765
6. Jumanji: Welcome to the Jungle  —  $195,431,898
7. Blade Runner 2049  —  $91,680,164
8. The Disaster Artist  —  $18,376,704
9. Kingsman: The Golden Circle  —  $100,229,647
10. It  —  $327,481,748
11. Lady Bird  —  $32,115,494
12. Three Billboards Outside Ebbing, Missouri  —  $24,479,902
13. The Greatest Showman  —  $58,094,255
14. American Made  —  51,342,000
15. Daddy’s Home 2  —  $102,245,753
16. Wonder  —  $123,306,929
17. The Foreigner  —  $34,393,507
18. Happy Death Day  —  $55,683,845
19. A Bad Mom’s Christmas  —  $71,958,321
20. Pitch Perfect 3  —  $71,563,460
21. Shape of Water  —  $17,526,381
22. Downsizing  —  $19,619,377
23. Geostorm  —  $33,611,133
24. Jigsaw  —  $38,052,832
25. Ferdinand  —  $59,543,082

Edited by Dejana

January 5–7, 2018 Estimates:

1 (2)  Jumanji: Welcome to the Jungle   $36,000,000 | 3,801 Theaters | $9,471 Avg. | $90M Budget | $244,372,666     
2 (N)  Insidious: The Last Key   $29,265,000 | 3,116 Theaters | $9,392 Avg. | $10M Budget | $29,265,000     
3 (1)  Star Wars: The Last Jedi   $23,551,000 | 4,232 Theaters | $5,565 Avg. | $200M Budget | $572,513,602     
4 (4)  The Greatest Showman   $13,800,000 | 3,342 Theaters | $4,129 Avg. | $84M Budget | $75,904,372
5 (3)  Pitch Perfect 3   $10,225,000 | 3,458 Theaters | $2,957 Avg. | $45M Budget | $85,984,090

6 (5)  Ferdinand   $7,730,000 | 3,156 Theaters | $2,449 Avg. | $111M Budget | $70,499,118
7 (13)  Molly's Game   $7,000,000 | 1,608 Theaters | $4,353 Avg. | $30M Budget | $14,216,560
8 (8)  Darkest Hour   $6,355,000 | 1,733 Theaters | $3,667 Avg. | $30M Budget | $28,393,107
9 (6)  Coco   $5,539,000 | 1,894 Theaters | $2,924 Avg. | $175M Budget | $192,081,961
10 (7)  All the Money in the World   $3,550,000 | 2,123 Theaters | $1,672 Avg. | $50M Budget | $20,131,909

11 (11)  The Shape of Water   $3,100,000 | 804 Theaters | $3,856 Avg. | $19.5M Budget | $21,653,464
12 (23)  I, Tonya   $2,426,319 | 242 Theaters | $10,026 Avg. | $11M Budget | $5,294,538     
13 (12)  Wonder   $2,400,000 | 1,258 Theaters | $1,908 Avg. | $20M Budget | $126,657,086
14 (9)  Downsizing   $2,130,000 | 2,020 Theaters | $1,054 Avg. | $68M Budget | $22,860,118     
15 (24)  The Post   $1,700,000 | 36 Theaters | $47,222 Avg. | $50M Budget | $3,849,656     

Lady Bird   $1,558,800 | 562 Theaters | $2,774 Avg. | $11M Budget | $34,114,891     
The Disaster Artist   $781,530 | 478 Theaters | $1,635 Avg. | $10M Budget | $19,467,278
Call Me by Your Name   $758,726 | 117 Theaters | $6,485 Avg. | $3.5M Budget | $6,084,655
Three Billboards Outside Ebbing, Missouri   $705,000 | 310 Theaters | $2,274 Avg. | $12M Budget | $25,392,714
Phantom Thread   $245,000 | 6 Theaters | $40,833 Avg. | $35M Budget | $951,950

 

International Box Office:

STAR WARS: THE LAST JEDI:  $632.7M Overseas Total | $1.205B Global Total

COCO:  $397.0M Overseas Total | $598.1M Global Total
JUMANJI: WELCOME TO THE JUNGLE:  $275M Overseas Total | $514M Global Total  

FERDINAND:  $112.8M Overseas Total | $183.3M Global Total
THE GREATEST SHOWMAN:  $74.4M Overseas Total | $150.3M Global Total
PITCH PERFECT 3:  $55M Overseas Total | $140.9M Global Total
INSIDIOUS: THE LAST KEY:   $20.1M Overseas Total | $49.3M Global Total

8 hours ago, methodwriter85 said:

I'm kind of shocked at how well Showman is doing. I might have to see it.

It's fun and given the way it ignored PT Barnum's true behavior, pure fantasy.  However, I look at it like this:  Hollywood, like PT Barnum,  is all about selling fantasies and this is no different.  If you can go in there ready to accept that you're not going to see the real PT Barnum, you should be fine.  Besides, I think the music and dance numbers are fantastic, even with the contemporary flair (although, admittedly, the non-singing parts tended to drag a little at times).  Of course, that's just my opinion.  Anyway, I wonder if maybe people are so upset with the world being what it is today that this 2 hours of fun (although, it's not without some drama) were just what the doctor ordered.  The people in my theater applauded when it was over. 

  • Love 3
(edited)

January 12–14, 2018 Weekend Box Office:

1 (1)  Jumanji: Welcome to the Jungle   $28,101,972 | 3,849 Theaters | $7,301 Avg. | $90M Budget | $284,237,881     
2 (15)  The Post   $19,361,968 | 2,819 Theaters | $6,868 Avg. | $50M Budget | $23,851,205
3 (N)  The Commuter   $13,701,452 | 2,892 Theaters | $4,738 Avg. | $30M Budget | $13,701,452     
4  (4)  The Greatest Showman   $12,467,471 | 2,938 Theaters | $4,244 Avg. | $84M Budget | $95,221,339    
5 (2)  Insidious: The Last Key   $12,419,715 | 3,150 Theaters | $3,943 Avg. | $10M Budget | $48,660,855   

6 (3)  Star Wars: The Last Jedi   $11,854,481 | 3,090 Theaters | $3,836 Avg. | $200M Budget | $592,129,065
7 (N)  Paddington 2   $11,001,961 | 3,702 Theaters | $2,972 Avg. | $50M Budget | $11,001,961
8 (N)  Proud Mary   $9,959,053 | 2,125 Theaters | $4,687 Avg. | $14M Budget | $9,959,053
9 (5)  Pitch Perfect 3   $5,994,400 | 2,505 Theaters | $2,393 Avg. | $45M Budget | $94,993,625     
10 (8)  Darkest Hour   $4,462,740 | 1,693 Theaters | $2,636 Avg. | $30M Budget | $35,678,292     

11 (7)  Molly's Game   $3,872,307 | 1,708 Theaters | $2,267 Avg. | $30M Budget | $20,701,404
12 (6)  Ferdinand   $3,529,153 | 2,154 Theaters | $1,638 Avg. | $111M Budget | $75,557,247     
13 (12)  I, Tonya   $3,362,738 | 517 Theaters | $6,504 Avg. | $11M Budget | $10,061,554
14 (9)  Coco   $3,331,878 | 1,362 Theaters | $2,446 Avg. | $175M Budget | $196,875,318
15 (11)  The Shape of Water   $2,835,459 | 723 Theaters | $3,922 Avg. | $19.5M Budget | $26,557,351     

Three Billboards Outside Ebbing, Missouri   $2,518,115 | 1,022 Theaters | $2,464 Avg. | $12M Budget | $28,726,574
Lady Bird   $1,768,536 | 652 Theaters | $2,712 Avg. | $11M Budget | $36,984,745
All the Money in the World   $1,223,993 | 1,408 Theaters | $869 Avg. | $50M Budget | $23,050,053     
Phantom Thread    $1,147,815 | 62 Theaters | $18,513 Avg. | $35M Budget | $2,229,593
Call Me by Your Name   $710,773 | 174 Theaters | $4,085 Avg. | $3.5M Budget | $7,226,368
The Disaster Artist   $461,484 | 371 Theaters | $1,244 Avg. | $10M Budget | $20,325,591

 

International Box Office:  

STAR WARS: THE LAST JEDI:  $673.4M Overseas Total | $1.264.9B Global Total

JUMANJI: WELCOME TO THE JUNGLE:   $383.0M Overseas Total | $667.0M Global Total
COCO:  $425.2M Overseas Total | $621.7M Global Total

WONDER:  $102.3M Overseas Total | $230.8M Global Total
FERDINAND:  $132M Overseas Total | $207.5M Global Total

THE GREATEST SHOWMAN:  $100.1M Overseas Total | $194.6M Global Total
PITCH PERFECT 3:  $67.7M Overseas Total | $162.3M Global Total
PADDINGTON 2:  $125.2M Overseas Total | $135.8M Global Total

INSIDIOUS: THE LAST KEY:  $44.2M Overseas Total | $92.5M Global Total
DARKEST HOUR:  $19M Overseas Total | $54.7M Global Total
ALL THE MONEY IN THE WORLD:  $12.7M Overseas Total | $35.6M Global Total   

Edited by Dejana

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