jmonique

I liked Kate calling the goon on the tickets really being a gift for himself. The Ronin stuff seems to have thrown Clint somewhat. Like he's working at not hurting people.

I really liked and appreciated how Clint held his own and you could see his SHIELD training ... until he got his bow and arrow and just started mowing down people, really proving why out of all the SHIELD agents, he was *Avenger*-level, along with Nat, a Black Widow.

Kate had me at "See, that's just it, Gary: You don't even know my name." I also appreciated how she's medaled in multiple sports, but she wasn't automatically an ass-kicking superhero when her life was on the line. She held her own, but she also got thrown around and bruised.

These Locke kids do a really horrible job of protecting the keys.

I refuse to believe in even an imaginary world where Bev isn't the first one to be taken out by superhuman beings.

"Sheriff, there's a contagion infecting the population. You need to do something." "First, let me spend half an hour telling you my backstory in excruciating detail." Duuuuuuude. Flanagan needs to stick with the ghosts.

Oh for the love of God or that big-ass bat, please tell me Bev comes to a particularly gruesome end.

Uh, do I like Ariana Grande now? Dammit, The Voice.

Kaia Gerber is just as wooden an actress as her mother was. Who would really want to play this game?

Kristen is coming off like a real shit parent this season. Good Lord.

I'm only about 20 minutes into last night's episode, but no wonder When did the acting get so bad? Dion nearly left teeth marks in the set.

Everyone on this show sucks. I wish I could be deeper, but lord. This is interminable.

I usually don't mind Tom, but all his talk about "helping out" and "watching" his own kids annoyed the hell out of me.

Before the pandemic, I booked flights for myself and clients most weekends of the year. You can't just cash in airplane tickets nowadays. It's like the writers haven't actually booked their own flights since the 80s.

Anyone else weirded out about how the show has just completely swapped out Doris and Angela?

Holy Mother of All That's Holy, who told Swoozie Kurtz all that work was a good idea? I've loved her since Sisters, but I just turned on the show and had to come and confirm that it wasn't just me. I can go either way on the fourth wall and laugh tracks, but opening with a spit take, the fourth wall, AND Swoozie Kurtz's face number lower face being held together with overpriced spackle? WOW.

But what I don't get is they already HAD Misha up there. They had brought people up, had them quarantine, etc. But this is what we got.

I get the idea that after all the fighting these two have done, all the huge battles they've waged against the worst of the worst, that going out with something mundane would be seen as something poetic, but in that case, I would have rather they picked cancer, or even COVID-19. Not some rando vampire in a rando barn and a rusty old nail in the middle of nowhere, a few days after they took down GOD and replaced him with their own kid. That all just made no sense to me. I think we all kind of accepted Dean to fall in battle, but like that? And then to TELL us about all the people in Heaven, but to show us JUST Bobby? Seriously, did they run out of money? They couldn't put a trenchcoat on an extra?

I've chosen to mentally reject this and accept only the season five finale as the finale.

SERIOUSLY, DID THEY RUN OUT OF MONEY OR SOMETHING? Did Misha have somewhere else to BE that last week? The actual HELL?

WHAT IN THE ABSOLUTE HELL WAS THAT??? It's like the writers wrote the season thinking there'd be 19 episodes, they got done with last week's, presented it to the network and the CW was like: "Great! Can't wait to see what you have left for the finale?" Writers: "Uh, this is the finale." CW: "You better come up with something for the 20th episode, guys."

I'm utterly bored without much new entertainment lately, but holy mother of all that's holy, what is wrong with these writers? I've fast forwarded every episode this season. If this family actually acted like this in the 80s, they should have all been institutionalized.

So, uh, what's left for next week? Also, I had to laugh at all the shots of everyone very definitely 6 feet away from one another.

I took Henry's double as a manifestation of guilt in the form of what his brother accused him of really being: An evil little shit. I know abusers can be quite charming with everyone, but Peter didn't work for me. He didn't seem charming enough for a woman to let him possess her forever after a few months or a year or whatever of dating. Really? That was her long-term plan? And I know Miles was likely starving for male attention, but, really? This guy? Also, Dani following up seeing her dead fiance (and who else laughed at him going SPLAT all over the roadway immediately after getting pissed when she came out to him) everywhere with seeing Viola everywhere a decade later makes me think they should have at least tried to get her some psychological help before she just immediately jumped to drowning herself in that lake.

Goodness, this was sooooooooo slow. The Craines had a lot of kids, but at least they helped move things along. Also, the actress who plays Adult Flora not even bothering to try to adopt a British accent, unlike all the others and their wide array of accents, made me laugh.