Dejana

Chris Harrison is dating Entertainment Tonight's top Bachelor franchise correspondent Lauren Zima. https://people.com/tv/chris-harrison-lauren-zima-red-carpet-debut They went public at some SAG Awards party together, days after her husband filed for divorce. The papers say they've been separated since last March. https://www.lifeandstylemag.com/posts/lauren-zimas-husband-filed-for-divorce-before-chris-harrison-date/

Wasn't rape/sexual assault her pageant platform? So it wouldn't be something she's never talked about before or that wouldn't be known about her by Googling. They're on this show, so they can't just look each other up like you normally would. Colton doesn't necessarily seem like the type, but some men absolutely love having women fighting over them and find it incredibly amusing.

For anyone who wants to be spoiled, here you go! Or, the tl;dr version, as summarized in the link: Sounds like one for the glory days of MoviePass!

How nice, there's an alternate ending where Jackson didn't go through with it and went to Ally's show after all! That's my story and I'm sticking to it! :)

January 25–27, 2019 Estimates: 1 (1) Glass $19,049,000 (-52.8%) | 3,844 Theaters (+3) | $4,956 Avg. | $20M Budget | $73,589,135 2 (2) The Upside $12,240,000 (-18.4%) | 3,377 Theaters (+57) | $3,625 Avg. | $37.5M Budget | $63,144,846 3 (3) Aquaman $7,350,000 (-27.8%) | 3,134 Theaters (-341) | $2,345 Avg. | $160-200M Budget | $316,554,074 4 (N) The Kid Who Would be King $7,250,000 | 3,521 Theaters | $2,059 Avg. | $59M Budget | $7,250,000 5 (5) Spider-Man: Into The Spider-Verse $6,150,000 (-18.8%) | 2,383 Theaters (-329) | $2,581 Avg. | $90M Budget | $169,040,116 6 (14) Green Book $5,413,000 (+150.1%) | 2,430 Theaters (+1,518) | $2,228 Avg. | $23M Budget | $49,003,486 7 (6) A Dog's Way Home $5,225,000 (-27.3%) | 3,081 Theaters (-9) | $1,696 Avg. | $18M Budget | $30,834,525 8 (N) Serenity $4,800,000 | 2,561 Theaters | $1,874 Avg. | $25M Budget | $4,800,000 (21% on Rotten Tomatoes, D+ CinemaScore) 9 (7) Escape Room $4,275,000 (-23.8%) | 2,192 Theaters (-517) | $1,950 Avg. | $9M Budget | $47,915,074 10 (8) Mary Poppins Returns $3,313,781 (-36.4%) | 1,985 Theaters (-825) | $$1,669 Avg. | $130M Budget | $165,204,791 Dragon Ball Super: Broly $3,007,090 (-69.4%) | 1,105 Theaters (-133) | $2,668 Avg. | $8.5M Budget | $28,222,458 On the Basis of Sex $2,089,000 (-45.9%) | 1,272 Theaters (-685) | $1,642 Avg. | $20M Budget | $21,062,007 The Mule $1,640,000 (-49.5%) | 1,395 Theaters (-1,293) | $1,176 Avg. | $50M Budget | $100,124,703 Cold War $571,650 (+117.1%) | 111 Theaters (+72) | $5,150 Avg. | €4.3M Budget | $1,443,989 The Wife $120,942 (+41.8%) | 105 Theaters (-10) | $1,152 Avg. | $8,706,510 Replicas $42,000 (-90.4%) | 84 Theaters (-1,975) | $500 Avg. | $30M Budget | $4,000,122 Best Picture at the Box Office: 1. Black Panther $700,059,566 2. A Star Is Born $206,325,785 3. Bohemian Rhapsody $205,821,796 4. Green Book $49,003,486 5. BlacKkKlansman $48,527,565 6. Vice $42,097,290 7. The Favourite $26,127,164 8. Roma N/A Total Gross: $1,277,962,652 Average Gross: $159,745,332 International Box Office: AQUAMAN: $774.2M Overseas Total | $1.09B Global Total BOHEMIAN RHAPSODY: $611.3M Overseas Total | $817.1M Global Total RALPH BREAKS THE INTERNET: $277.2M Overseas Total | $473.1M Global Total BUMBLEBEE: $317.2M Overseas Total | $438.5M Global Total A STAR IS BORN: $204.4M Overseas Total | $410.7M Global Total SPIDER-MAN: INTO THE SPIDER-VERSE: $169.1M Overseas Total | $338.1M Global Total MARY POPPINS RETURNS: $153.6M Overseas Total | $318.6M Global Total CREED II: $75.6M Overseas Total | $190.9M Global Total GLASS: $89.1M Overseas Total | $162.7M Global Total THE FAVOURITE: $26.6M Overseas Total | $52.7M Global Total HOW TO TRAIN YOUR DRAGON: THE HIDDEN WORLD: $40.1M Overseas/Global Total

Production budgets don’t include marketing costs. Depending on the type of movie and release, advertising costs can vary widely: a horror movie might have mostly digital ads (Youtube, social media platforms) and the studio might spend $10-15 million total, while promoting a superhero movie might cost ten times that amount. Corporate tie-ins are a form of movie marketing but can make money for a studio rather than being a cost. A smaller drama meant to win awards might spend less on marketing before it premieres and more afterwards on sending screeners to the various guild members or For Your Consideration ads in industry publications. Most adult dramas released this late in the year have some awards hopes, even if they don't pan out, but The Mule just positioned itself as an alternative to the action and family fare that was out during the holidays. Eastwood has a long track record with that kind of movie and his return to acting made it an event for a demo that tends not to rush out to theaters.

Crumbling under pressure to live up to the hype after Tsitsipas and Tiafoe already advanced to the quarterfinals?

January 18–20, 2019 Estimates: 1 (N) Glass $40,586,000 | 3,841 Theaters | $10,567 Avg. | $20M Budget | $40,586,000 2 (1) The Upside $15,670,000 (-23.0%) | 3,320 Theaters (+240) | $4,720 Avg. | $37.5M Budget | $43,983,439 3 (2) Aquaman $10,176,067 (-41.4%) | 3,475 Theaters (-388) | $2,928 Avg. | $160-200M Budget | $304,182,915 4 (N) Dragon Ball Super: Broly $9,816,197 | 1,238 Theaters | $7,929 Avg. | $8.5M Budget | $20,235,639 5 (4) Spider-Man: Into The Spider-Verse $7,255,000 (-19.8%) | 2,712 Theaters (-317) | $2,675 Avg. | $90M Budget | $158,256,385 6 (3) A Dog's Way Home $7,110,000 (-36.8%) | 3,090 Theaters (NC) | $2,301 Avg. | $18M Budget | $21,278,496 7 (5) Escape Room $5,275,000 (-40.9%) | 2,709 Theaters (-8) | $1,947 Avg. | $9M Budget | $40,700,948 8 (6) Mary Poppins Returns $5,244,000 (-31.5%) | 2,810 Theaters (-443) | $1,866 Avg. | $130M Budget | $158,731,814 9 (7) Bumblebee $4,660,000 (-35.4%) | 2,711 Theaters (-592) | $1,719 Avg. | $135M Budget | $115,943,676 10 (8) On the Basis of Sex $3,965,000 (-34.7%) | 1,957 Theaters (+34) | $2,026 Avg. | $20M Budget | $16,876,747 11 (9) The Mule $3,505,000 (-38.2%) | 2,688 Theaters (-641) | $1,304 Avg. | $50M Budget | $96,929,689 12 (11) Bohemian Rhapsody $2,301,084 (-28.1%) | 1,177 Theaters (-157) | $1,955 Avg. | $50-55M Budget | $202,033,568 13 (14) Ralph Breaks the Internet $2,209,639 (-2.1%) | 1,936 Theaters (+382) | $1,141 Avg. | $175M Budget | $193,268,671 14 (15) Green Book $2,164,325 (+0.8%) | 912 Theaters (+170) | $2,373 Avg. | $23M Budget | $41,876,316 15 (10) Vice $1,863,871 (-42.4%) | 1,175 Theaters (-549) | $1,586 Avg. | $60M Budget | $39,247,233 If Beale Street Could Talk $1,645,507 (-31.6%) | 1,018 Theaters (NC) | $1,616 Avg. | $12M Budget | $10,461,067 The Favourite $810,000 (-26.9%) | 517 Theaters (+5) | $1,567 Avg. | $15M Budget | $22,799,025 A Star Is Born $639,000 (-43.2%) | 415 Theaters (+21) | $1,540 Avg. | $36-40M Budget | $204,699,733 Replicas $450,000 (-81.1%) | 2,059 Theaters (-270) | $219 Avg. | $30M Budget | $3,675,873 Stan & Ollie $391,455 (+359.6%) | 84 Theaters (+71) | $4,660 Avg. | $10M Budget | $789,377 Mary Queen of Scots $370,000 (-56.6%) | 405 Theaters (-424) | $914 Avg. | $16,046,509 Cold War $355,292 (+264.4%) | 39 Theaters (+29) | $9,110 Avg. | $3.9M Budget | $748,028 International Box Office: AQUAMAN: $759.1M Overseas Total | $1.063B Global Total BOHEMIAN RHAPSODY: $596M Overseas Total | $798M Global Total RALPH BREAKS THE INTERNET: $262.0M Overseas Total | $455.2M Global Total BUMBLEBEE: $296.4M Overseas Total | $412.3M Global Total A STAR IS BORN: $202.3M Overseas Total | $406.9M Global Total SPIDER-MAN: INTO THE SPIDER-VERSE: $164.6M Overseas Total | $322.8M Global Total MARY POPPINS RETURNS: $147.3M Overseas Total | $306M Global Total CREED II: $60.2M Overseas Total | $175.4M Global Total GLASS: $48.5M Overseas Total | $89.1M Global Opening Weekend DRAGON BALL SUPER: BROLY: $65.8M Overseas Total | $86.9M Global Total SECOND ACT: $14.6M Overseas Total | $52.3M Global Total THE FAVOURITE: $19.7M Overseas Total | $42.5M Global Total HOW TO TRAIN YOUR DRAGON: THE HIDDEN WORLD: $29M Overseas/Global Total

More about the real Green Book:

If you were trying to give a wedding planner an idea of how you wanted everything to look, showing them pictures or referencing scenes from a movie would be more helpful than passages from a book. A Twilight wedding is not for me but it's not like she made Arie wear sparkle makeup. It's a ceremony in a forest setting. Even if she got the idea as a teenager watching the first Breaking Dawn, it's not particularly odd, as far as weddings go. At her age, she could just as easily have had a full Disney Princess or Harry Potter theme (which is fine, if it's your wedding and it makes you happy, but obviously stands out more as a fangirl thing compared to this).

A Dog's Purpose does have a sequel that's scheduled for release later this year (A Dog's Journey). All three are based on books by the same author: https://en.m.wikipedia.org/wiki/W._Bruce_Cameron

Yes, the hanging happens in Book 5. Isn't Roger more drawn to the ministry after losing his singing voice? Helping others spiritually gives him a sense of purpose and an identity in the 18th century, as he struggles with feeling useless at home next to Earth Mother/Huntress/Artiste Extraordinaire Bree.

I googled to see what their feud was even about and found this. Not a huge Arie fan but Jef comes off as incredibly bitter in comparison. Didn't love how the Arie/Lauren relationship started out and I'm not sure what they see in each other, but they seem well matched, so good for them. I searched Twitter when they showed Arie/Lauren in the Bachelor Babies segment and people were not happy to see them, so I don't know how much wedding footage we'll be getting on the air.

The latest round of Kevin Hart interviews/quotes were due to him ostensibly promoting The Upside. It's a remake of French megahit The Intouchables and was originally under The Weinstein Company banner. Well, I guess having a controversy of your own is one way to avoid questions about any Harvey associations. Anyway, now that an abandoned TWC movie is a success, maybe The Current War will see the light of day. Aquaman passes The Dark Knight's worldwide total (unadjusted for inflation, of course) to become the second biggest DC movie globally. It's already tops among the DECU, though it probably won't pass Wonder Woman domestically ($412,563,408). January 11–13, 2019 Estimates: 1 (N) The Upside $19,590,000 | 3,080 Theaters (New) | $6,360 Avg. | $37.5M Budget | $19,590,000 2 (1) Aquaman $17,265,000 (-44.3%) | 3,863 Theaters (-321) | $4,469 Avg. | $160-200M Budget | $287,861,781 3 (N) A Dog's Way Home $11,300,000 | 3,090 Theaters (New) | $3,657 Avg. | $18M Budget | $11,300,000 *not the sequel to A Dog's Purpose* 4 (5) Spider-Man: Into The Spider-Verse $9,000,000 (-31.4%) | 3,029 Theaters (-390) | $2,971 Avg. | $90M Budget | $147,775,445 5 (2) Escape Room $8,900,000 (-51.2%) | 2,717 Theaters (NC) | $3,276 Avg. | $9M Budget | $32,432,931 6 (3) Mary Poppins Returns $7,215,000 (-54.5%) | 3,253 Theaters (-837) | $2,218 Avg. | $130M Budget | $150,656,985 7 (4) Bumblebee $6,775,000 (-48.7%) | 3,303 Theaters (-294) | $2,051 Avg. | $135M Budget | $108,469,977 8 (16) On the Basis of Sex $6,227,000 (+286.9%) | 1,923 Theaters (+1,811) | $3,238 Avg. | $20M Budget | $10,557,847 9 (6) The Mule $5,545,000 (-39.1%) | 3,329 Theaters (+117) | $1,666 Avg. | $50M Budget | $90,578,396 10 (7) Vice $3,278,644 (-42.8%) | 1,724 Theaters (-810) | $1,902 Avg. | $60M Budget | $35,936,486 11 (11) Bohemian Rhapsody $3,200,000 (+35.1%) | 1,334 Theaters (+254) | $2,399 Avg. | $50-55M Budget | $198,496,306 12 (14) If Beale Street Could Talk $2,406,742 (30.6%) | 1,018 Theaters (+683) | $2,364 Avg. | $12M Budget | $7,706,167 13 (N) Replicas $2,375,325 | 2,329 Theaters (New) | $1,020 Avg. | $30M Budget | $2,375,325 *filmed in 2016* 14 (9) Ralph Breaks the Internet $2,214,000 (-52.6%) | 1,554 Theaters (-496) | $1,425 Avg. | $175M Budget | $190,449,603 15 (15) Green Book $2,098,000 (+16.1%) | 742 Theaters (+176) | $2,827 Avg. | $23M Budget | $38,559,706 A Star Is Born $1,132,000 (+78.5%) | 394 Theaters (+126) | $2,873 Avg. | $36-40M Budget | $203,588,149 The Favourite $1,125,000 (-40.9%) | 512 Theaters (-259) | $2,197 Avg. | $15M Budget | $21,498,182 Mary Queen of Scots $847,000 (-60.5%) | 829 Theaters (-223) | $1,022 Avg. | $25M Budget | $15,223,875 Holmes and Watson $555,000 (-83.2%) | 1,013 Theaters (-1,767) | $548 Avg. | $42M Budget | $30,025,153 Perfect Strangers $425,000 | 132 Theaters (New) | $3,220 Avg. | $425,000 International Box Office: AQUAMAN: $732.4M Overseas Total | $1.02B Global Total BOHEMIAN RHAPSODY: $553.3M Overseas Total | $751.8M Global Total RALPH BREAKS THE INTERNET: $243.7M Overseas Total | $434.1M Global Total A STAR IS BORN: $200M Overseas Total | $403.5M Global Total BUMBLEBEE: $256.3M Overseas Total | $364.7M Global Total SPIDER-MAN: INTO THE SPIDER-VERSE: $154.6M Overseas Total | $302.4M Global Total MARY POPPINS RETURNS: $137.2M Overseas Total | $287.9M Global Total CREED II: $51.1M Overseas Total | $165.9M Global Total HOW TO TRAIN YOUR DRAGON: THE HIDDEN WORLD: $15.2M Overseas/Global Total

Arie and Lauren are married. Chris Harrison officiated. https://www.usmagazine.com/celebrity-news/news/arie-luyendyk-jr-lauren-burnhams-romantic-maui-wedding-first-photo/

I'm sure there are plenty of Right Reasons fans who think a nationally televised proposal is the best thing ever. "I haven't dated a virgin sunce I was 12." Still not sure what that means? Sean and Catherine's baby son was hospitalized late last year (he's fine now). Maybe the segment with The Bachelor families was taped around that time?

Last year, they missed The Shape of Water but the year before, Moonlight won Best Drama and La La Land won Musical/Comedy. It's still really hard to believe that best picture at the Oscars will come down to the two winners tonight. The awards bloggers had been saying for the past couple of weeks that the Bohemian Rhapsody love runs deep in the industry, so I'd come to expect Rami and the movie to win. Given the global box office of BR (over $740 million and counting, $550M of from international markets), the Globes would be the place that would reward it. I can see SAG going for it, too, since the merger with AFTRA, a lot of the voters aren't even actors. I know a SAG win doesn't mean the Best Picture win, the last two Outstanding Cast winners there didn't get the Oscar, and it will probably have enough detractors not to do as well on an AMPAS preferential ballot.

I thought the book mentioned handfasting was temporary, valid for a year and a day until the couple either had a more formal ceremony before clergy or ended it permanently. I don't know how that squares with actual handfasting practices at the time, and how abandonment worked into it or with the legitimacy of children. Didn't Brianna know about what Jamie did to Black Jack in the books? I think it was when Jenny was showing Brianna the letters Jamie had written, Jenny made a comment about Jamie having trouble with his hand from that time with Randall. Her casualness of tone in mentioning it made Brianna assume that Jenny didn't know the true nature of what had happened to Jamie. Who knows that that is a correct assumption on Brianna's part, as Ian knew about it, but maybe he never told Jenny.

January 4–6, 2019 Estimates: 1 (1) Aquaman $30,700,000 (-41.1%) | 4,184 Theaters (+59) | $7,337 Avg. | $160-200M Budget | $259,720,880 2 (N) Escape Room $18,000,000 | 2,717 Theaters | $6,625 Avg. | $9M Budget | $18,000,000 3 (2) Mary Poppins Returns $15,773,000 (-44.4%) | 4,090 Theaters (NC) | $3,856 Avg. | $130M Budget | $138,729,305 4 (3) Bumblebee $13,202,603 (-36.8%) | 3,597 Theaters (+47) | $3,670 Avg. | $135M Budget | $97,555,743 5 (4) Spider-Man: Into The Spider-Verse $13,126,885 (-30.2%) | 3,419 Theaters (-394) | $3,839 Avg. | $90M Budget | $133,978,231 6 (5) The Mule $9,040,000 (-25.7%) | 3,212 Theaters (+425) | $2,814 Avg. | $50M Budget | $81,108,110 7 (6) Vice $5,803,490 (-25.3%) | 2,534 Theaters (+92) | $2,290 Avg. | $60M Budget | $29,796,477 8 (8) Second Act $4,910,000 (-33.3%) | 2,523 Theaters (-84) | $1,946 Avg. | $16M Budget | $32,947,075 9 (9) Ralph Breaks the Internet $4,685,000 (-30.3%) | 2,050 Theaters (-293) | $2,285 Avg. | $175M Budget | $187,164,171 10 (7) Holmes and Watson $3,400,000 (-54.1%) | 2,780 Theaters (+4) | $1,223 Avg. | $42M Budget | $28,410,922 11 (13) Bohemian Rhapsody $2,400,000 (+2.1%) | 1,080 Theaters (+199) | $2,222 Avg. | $50-55M Budget | $193,673,825 12 (11) Mary Queen of Scots $2,204,000 (-18.5%) | 1,052 Theaters (+211) | $2,095 Avg. | $25M Budget | $13,483,025 13 (12) The Favourite $1,975,000 (-18.7%) | 771 Theaters (-39) | $2,562 Avg. | $15M Budget | $19,369,336 14 (21) If Beale Street Could Talk $1,849,429 (+141.4%) | 335 Theaters (+270) | $5,521 Avg. | $12M Budget | $4,434,381 15 (15) Green Book $1,829,000 (-3.5%) | 566 Theaters (-55) | $3,231 Avg. | $23M Budget | $35,252,256 On the Basis of Sex $1,671,000 (+143.5%) | 112 Theaters (+79) | $14,920 Avg. | $3,769,395 The Grinch $1,159,000 (-71.9%) | 1,622 Theaters (-933) | $715 Avg. | $75M Budget | $269,612,735 Creed II $973,111 (-38.6%) | 893 Theaters (-175) | $1,090 Avg. | $50M Budget | $114,388,337 Welcome to Marwen $673,000 (-69.9%) | 1,561 Theaters (-350) | $431 Avg. | $39-50M Budget | $10,397,835 Fantastic Beasts: The Crimes of Grindelwald $650,000 (-34.2%) | 401 Theaters (-114) | $1,621 Avg. | $200M Budget | $158,058,573 A Star Is Born $635,000 (+29.1%) | 268 Theaters (+32) | $2,369 Avg. | $36-40M Budget | $202,110,867 Destroyer $110,012 (+98.8%) | 6 Theaters (+3) | $18,335 Avg. | $9M Budget | $259,799 Stan & Ollie $96,173 (+23.1%) | 8 Theaters (+3) | $12,022 Avg. | $10M Budget | $243,159 Cold War $93,000 (+109.8%) | 6 Theaters (+3) | $15,500 Avg. | $4.9M Budget | $274,355 International Box Office: AQUAMAN: $681.0M Overseas Total | $940.7M Global Total BOHEMIAN RHAPSODY: $550.0M Overseas Total | $743.7M Global Total FANTASTIC BEASTS: THE CRIMES OF GRINDELWALD: $471.9M Overseas Total | $629.9M Global Total THE GRINCH: $227.6M Overseas Total | $497.2M Global Total RALPH BREAKS THE INTERNET: $217.6M Overseas Total | $404.8M Global Total BUMBLEBEE: $192.0M Overseas Total | $289.1M Global Total SPIDER-MAN: INTO THE SPIDER-VERSE: $141.5M Overseas Total | $275.3M Global Total MARY POPPINS RETURNS: $119.2M Overseas Total | $257.9M Global Total HOW TO TRAIN YOUR DRAGON: THE HIDDEN WORLD: $5.3M Overseas/Global Total

DC tried to take a shortcut to MCU results and also ignored the warning signs that the vision for the universe wasn't going over well (hopefully WB remembers this lesson with the Wizarding World movies). I think it's hilarious that Aquaman could make a billion dollars worldwide. I wonder if they will use the sequel to try to introduce a recast Superman. It's clear you can make big money with B and C-list superheroes but the thought that they could be making more with their A-list stars will always be tempting.

There are plans for a regular (though still limited) release early next year: It's made $5.7 million so far from those two days of Fathom Events showings.

Holdovers dominate as the big Christmas Day releases flounder (Holmes & Watson is having a particularly poor audience reception). Netflx announced global viewing figures for Bird Box (45,037,125 accounts), which doesn't translate to the same amount of movie theater attendance, but is interesting information to have. Also, World War I documentary They Shall Not Grow Old has made $5.7 million so far in two non-weekend dates (December 17 & 27). December 28–30, 2018 Estimates: 1 (1) Aquaman $51,550,000 (-23.5%) | 4,125 Theaters (NC) | $12,497 Avg. | $160-200M Budget | $188,785,000 2 (2) Mary Poppins Returns $28,019,000 (+19.1%) | 4,090 Theaters (NC) | $6,851 Avg. | $130M Budget | $98,929,758 3 (3) Bumblebee $20,500,000 (-5.3%) | 3,550 Theaters (NC) | $5,775 Avg. | $135M Budget | $66,778,020 4 (4) Spider-Man: Into The Spider-Verse $18,315,000 (+11.2%) | 3,813 Theaters (NC) | $4,803 Avg. | $90M Budget | $103,643,730 5 (5) The Mule $11,780,000 (+24.0%) | 2,787 Theaters (+131) | $4,227 Avg. | $50M BUdget | $60,738,465 6 (N) Vice $7,791,044 | 2,442 Theaters | $3,190 Avg. | $60M Budget | $17,697,159 7 (N) Holmes and Watson $7,300,000 | 2,776 Theaters | $2,630 Avg. | $42M Budget | $19,706,408 8 (7) Second Act $7,210,000 (+11.3%) | 2,607 Theaters (NC) | $2,766 Avg. | $16M Budget | $21,760,000 9 (8) Ralph Breaks the Internet $6,532,000 (+38.9%) | 2,343 Theaters (-152) | $2,788 Avg. | $175M Budget | $175,713,583 10 (6) The Grinch $4,200,000 (-50.3%) | 2,555 Theaters (-225) | $1,644 Avg. | $75M Budget | $265,538,485 11 (10) Mary Queen of Scots $2,655,000 (+16.6%) | 841 Theaters (+46) | $3,157 Avg. | $25M Budget | $9,005,320 12 (11) The Favourite $2,400,000 (+15.1%) | 809 Theaters (+19) | $2,967 Avg. | $15M Budget | $15,221,022 13 (12) Bohemian Rhapsody $2,250,000 (+14.7%) | 868 Theaters (-300) | $2,592 Avg. | $50-55M Budget | $189,106,515 14 (9) Welcome to Marwen $2,230,000 (-5.3%) | 1,911 Theaters (NC) | $1,167 Avg. | $39-50M Budget | $7,765,090 15 (15) Green Book $1,890,000 (+36.1%) | 621 Theaters (-111) | $3,043 Avg. | $23M Budget | $31,484,816 Simmba $1,725,372 | 300 Theaters (New) | $5,751 Avg. | $1,725,372 If Beale Street Could Talk $759,579 (+595.2%) | 65 Theaters (+60) | $11,686 Avg. | $12M Budget | $1,958,388 On the Basis of Sex $690,000 | 33 Theaters (New) | $20,909 Avg. | $1,500,423 A Star Is Born $502,000 (+45.5%) | 236 Theaters (-26) | $2,127 Avg. | $36-40M Budget | $201,041,727 Stan & Ollie $79,674 | 5 Theaters (New) | $15,935 Avg. | $10M Budget | $79,674 Destroyer $58,472 | 3 Theaters (New) | $19,491 Avg. | $9M Budget | $115,661 International Box Office: AQUAMAN: $85.4M Overseas Weekend $560.0M Overseas Total | $748.8M Global Total BOHEMIAN RHAPSODY: $513.3M Overseas Total | $702.4M Global Total FANTASTIC BEASTS: THE CRIMES OF GRINDELWALD: $470.9M Overseas Total | $627.6M Global Total THE GRINCH: $203.9M Overseas Total | $469.4M Global Total A STAR IS BORN: $187.7M Overseas Total | $388.7M Global Total RALPH BREAKS THE INTERNET: $174.7M Overseas Total | $350.4M Global Total MARY POPPINS RETURNS: $74.4M Overseas Total | $173.3M Global Total BUMBLEBEE: $90.0M Overseas Total | $156.7M Global Total MORTAL ENGINES: $47.9M Overseas Total | $62.5M Global Total

That's probably because of the dream diary of Bree's that Roger read (he was looking through some sketches of hers, found the writings, and of course he's a fictional character who didn't stop reading soon enough). Anyway, she recounted a dream of having great sex with her eyes closed, presuming it was Roger, only to open her eyes in the dream and see it was Stephen Bonnet. She wrote about how this was really upsetting to her and it being difficult to shake. She wanted to remember the various aspects of it and reassure herself that it was okay, it was just a dream, etc., but part of wanting to remember everything about the dream was wanting to remember how the Stephen Bonnet dream sex felt, how she had the big O, basically, and how she could do it again with Roger. This is in Chapter 38 of The Fiery Cross. Don't imagine the show is getting anywhere near that development! The books said that Brianna had an American accent, but I remember leanring that the stereotypical Boston accent wouldn't have been found among the upper middle class and up, and also recalled Conan O'Brien joking that the Kennedys were the only people in Massachusetts who talked the way they did. So, I guess I imagined Bree having a "neutral" TV anchor accent, more or less. A person who grew up in America with English accents at home and American accents at school could end up anywhere in between the two, realistically. Show Bree is already so different from Book Bree, and if Sophie's acting would significantly improve by not having to concentrate on the accent, then IMO just let it go. She can still have a modern American mindset without particularly sounding like she's from there, and they can just never mention that her accent has changed from before. I feel like I've watched a dozen Michael Caine or Anthony Hopkins movies where they start off sounding American and just gave up halfway through it without any sort of explanation or anyone else in the story noticing.