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Small Talk: Out of Genoa


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Cupid Stunt, I'm so glad that Thing 2's appendix got resolved when it did!  Poor thing, that's some terrible pain to be in.  

Rest up - and I mean you, that's enough stress to last you for a while.

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Oops … Let me try this again.

(((Preverts are the best people!)))

Thing2 is sore, but mobile, sleeping in his old room at home, rather than return to Alky-traz, his shared house near campus. Nana and her housekeeper moved in to lecture Thing2, because they love.

I took the redeye this morning to NYC for a meeting with the MBAs of the Universe at corporate.

-- You're all super-duper post-revolutionary managers, and we are not worthy of your beneficence.

-- How much bootlicking do you need before the coronation?

-- The crown looks very nice with your pantsuit. Can I go home now?

NYC is very crowded. Period.

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1 hour ago, Cupid Stunt said:

Thing2 is sore, but mobile, sleeping in his old room at home, rather than return to Alky-traz, his shared house near campus.

Cupid...ya done kilt me.  😂

So glad to hear he's getting better.  No matter how old they are, they will always be our babies.....

Give him a hug from Auntie Ohio.

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43 minutes ago, OhioSongbird said:

Cupid...ya done kilt me.  😂

So glad to hear he's getting better.  No matter how old they are, they will always be our babies.....

Give him a hug from Auntie Ohio.

That's what we called edifices of stacked beer cans snaking out of the front rooms of the many party houses I visited in college; thus another Alky-traz was inaugurated.

Good times. 

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Left Coaster back home. Just hugged the stuffing's out of Mr.Stunt. Thing2 is sleeping peacefully … Put on your helmets for the news.

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  • Cashing In on Climate Change -- The unlikely winemaker. The private firefighter. The Canadian farmer. Who’s trying to get rich off a crisis and who’s just lucky.

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A figure of the Flying Spaghetti Monster is seen during the Equality March in Katowice, Poland, on September 7, 2019 -- Beata Zawrzel/NurPhoto via Getty Images

This is old news, but it still tics me off ...

  • Prosecuting Wall Street -- Two high-ranking financial whistleblowers say they tried to warn their superiors about defective and even fraudulent mortgages. So why haven't the companies or their executives been prosecuted?

***Content Warning -- Suicide, Sexual Abuse, Domestic Violence, and Shrek ***

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Moo.

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  • The WeWork mess, explained -- From the “next Alibaba” to a financial liability for SoftBank, here’s how the coworking startup got to this point.

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I’m still waitressing. The place in new at I kinda realized is a career place and I could end up making good money if I develop myself. Meaning improve my skills serving and grow in getting better sections  and parties and excelling more doing my sidework faster. Yesterday I walked out after tipping out w $130 cash for dinner and had a tiny section today though I had lunch and dinner but shitty sections and was barely sat and left w $133.  I called the vp of the dealership today and mentioned I still haven’t been paid even though I had direct deposit and left messages inquiring, so should I proceed w my Illinois Department of Labor claim and wow magically she has the check waiting for me to pick up now. It really shouldn’t have to be that deep, they let me go so why the bitter behavior and knew I had a whole nother job so withholding the pay wasn’t like some sick burn on top of precarious financial vulnerability. I can’t relate to that level of pettiness and just being an asshole for the sake of it because the perception of superiority for insecure people is tantalizing. 

Hope @AngelKitty is well. 

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  • CEO stuns employees with immediate $10K raise, pledges a $30K raise over the next 5 years -- "I’m kind of heartbroken right now by the vast consolidation of wealth and power that's happening, and in addition how that's affecting our decisions around climate," Price, 35, told ABC News Tuesday of his decision. In 2015, Price announced a minimum salary of $70,000 for his entire Seattle office -- and took an "80 or 90% pay cut" in his own salary.

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  • The burger brawl -- Plant-based meat and the knock-down, drag-out fight for the American diet.

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Sea ice meets land as seen from NASA’s Operation IceBridge research aircraft -- Mario Tama/Getty Images

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Kitty Redstone said yesterday in Getting to Genoa You:

omg @Cupid Stunt those thumbcat videos are hilarious.  My husband and I have often joked that the only thing keeping one of our cats in the house is his lack of opposable thumbs.  He tries so hard to turn the doorknob.

I'm convinced cats are very busy doing all sorts of things while we're at work, distracted by life, zoning out in front of our devices.

We had a polydactyl grey tabby named Pickles:

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^Helping Mr.Stunt.

One morning I had to return to the house and caught Pickles feeding herself kibble with her left paw. She picked up another morsel, was surprised to see me, dropped the kibble back in the bowl and proceeded to eat normally. I never saw my thumbcat pick up anything with her paws again, but I suspected she flossed her teeth, thumbed through catalogs and magazines, peeled grapes (Pickles favorite treat), used the remote to watch National Geographic and Animal Planet.

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How is Thing2 doing, Cupid?  Is he showing off his new scar?

Pickles sounds amazing and hilarious!  But she ate grapes?  I thought grapes were toxic to cats and dogs?  Maybe it's just raisins?   

Edited by Snaporaz
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2 hours ago, Snaporaz said:

How is Thing2 doing, Cupid?  Is he showing off his new scar?   

He's been getting along. The checkup today went well and he plans to move back to Alky-traz after classes Friday. He has a three small sutures through his navel -- Not grisly at all.

Sadly, Nana and her housekeeper are returning home on Friday too. It's a luxury to come home to cold cocktails, a hot meal and all the laundry done.

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Pickles sounds amazing and hilarious!  But she ate grapes?  I thought grapes were toxic to cats and dogs?  Maybe it's just raisins? 

Pickles was a sweet kitty. Cuddly and affectionate. She took up residence on our patio as a stray kitten, and simply moved in.

She loved vegetables and some fruits. I had heard grapes were bad for cats, but she never had an issue. 

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  • Flu season is coming -- We have almost 94% compliance with our corporate-sponsored flu shots for employees.

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Faux-meat products are making a big marketing push:

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Robert Hunter, Grateful Dead Lyricist, Dies at 78

Robert Hunter, the lyricist, poet and mystical seeker who wrote some of the most beloved songs by the Grateful Dead, has died at age 78. Hunter's family announced his death in a statement, writing, "It is with great sadness we confirm our beloved Robert passed away yesterday night. He died peacefully at home in his bed, surrounded by love. His wife Maureen was by his side holding his hand." No cause of death was available at press time. 

"For his fans that have loved and supported him all these years, take comfort in knowing that his words are all around us, and in that way his is never truly gone. In this time of grief please celebrate him the way you all know how, by being together and listening to the music," the statement continued, ending with one of the most iconic lines to flow from Hunter's verdant mind from the Dead ballad "Ripple": "Let there be songs to fill the air."

Born Robert Burns on June 23, 1941, in Arroyo Grande, Calif., Hunter was one of the key figures in the burgeoning West Coast psychedelic rock movement, befriending future Dead singer/guitarist Jerry Garcia via their mutual love of bluegrass and jug band music and volunteering to be one of the subjects at Stanford University's legendary psychedelic testing lab. Though Hunter did not perform with the Dead, Garcia invited him to contribute lyrics to the band's mind-expanding albums beginning with 1969's Aoxomoxoa. His lyrics were so key to the band's musical identity that Hunter was inducted with the performing members -- past and present -- when the group was ushered into the Rock and Roll Hall of Fame in 1994.

Hunter influenced the Grateful Dead's involvement with psychedelic drugs. Along with author Ken Kesey, he was an early volunteer test subject for LSD and other psychedelic chemicals in a Stanford University study that was later revealed to be sponsored by the CIA. Hunter later drew on the resulting hallucinations for the lyrics to some of his early songs, including "China Cat Sunflower." After mailing his writings to Garcia, he was invited to meet with the band in 1967, beginning a relationship that would last for decades.

If you've ever seen or uttered the phrase "what a long strange trip it's been" (from "Truckin'"), you have Hunter to thank for it. And while he performed and recorded on his own over the years, the press-shy poet was best known for writing the lyrics to such classic Dead tracks as "Uncle John's Band," "China Cat Sunflower," "Friend of the Devil," "Casey Jones," "Scarlet Begonias," "Box of Rain," "Wharf Rat" and the Dead's late-period biggest hit, 1987's "Touch of Gray," most of them sung by musical soul mate Garcia.

Hunter shaped the Grateful Dead as much as any of its musicians, giving a band known for psychedelic improvisation a lyrical voice that ranged from aphoristic to deliberately cryptic. The songs he helped write for Workingman's Dead, like "Casey Jones" and "Uncle John's Band," evoke a mythic America, while "Box of Rain" and "Ripple" from American Beauty have an almost oracular quality — they can be quoted in high school yearbooks, but also stand up to deep reading.

A performing musician as well as a lyricist, Hunter released two well-regarded solo albums on Round Records, a label co-founded by Garcia, and several more on Relix Records. He rarely toured and preferred to stay behind the scenes, but when the Dead was inducted into the Rock & Roll Hall of Fame in 1994, he joined the other members onstage — the only nonperformer to do so.

"As much as anyone, he defined in his words what it meant to be the Grateful Dead," wrote bassist Phil Lesh after hearing of Hunter's death. "His lyrics, ranging from old border ballads to urban legend, Western narratives and beyond, brought into sharp focus what was implicit in our music."

Hunter released a number of solo albums, including 1974's Tales of the Great Rum Runners and 1975's Tiger Rose, later collaborating with other musicians including Bob Dylan, Jim Lauderdale, Los Lobos, Steve Kimock and Bruce Hornsby in the years after the Dead called it quits in 1995 following Garcia's death. He also released a translation of Austrian poet Rilke's Duino Elegies in 1987, as well as collections of his own poetry, Night Cadre (1991), Idiot's Delight (1992) and 1993's lyric collection, A Box of Rain: Lyrics: 1965-1993.

His lyrics often read like mysical poetry, telling ambitious tales of mythical American figures -- miners, gamblers, pioneers -- searching for an elusive truth behind the mystery of life. But sometimes they also just told a story of opening your eyes to the wonder of the universe all around us. "Look out of any window/ Any morning, any evening, any day/ Maybe the sun is shining/ Birds are winging or/ Rain is falling from a heavy sky/ What do you want me to do/ To do for you to see you through?" he wrote in "Ripple."

"For this is all a dream we dreamed/ One afternoon long ago." 

"The songs were about other worlds, other times, other places than most of the audience had ever experienced," says guitarist Warren Haynes, who joined the Dead when they re-formed following Garcia's death in 1995. "They're not just songs, they're stories, and they took place not in the here and now, but in some place that requires imagination."

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Climate change environmental teen activist Greta Thunberg takes part in a climate strike march in Montreal, Quebec, Canada September 27, 2019. REUTERS/Andrej Ivanov

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I'm here, kids!

What a filthy fall so far though. Bad start-up to the semester,

And PLL [now teaching as well as PhD student--insanely stressed[ with gigantic abscessed tooth to be dug out of jaw [emerg visit and all, still not de-toothed, but antibiotic'd].

Plus I've got cataract laser whatever Tuesday--they tell me it's no big deal, but I'm chicken. So right now, typing takes me ages, driving to school is strictly Jesus Take the Wheel, and I'm just about up to my limit.

Sorry to bitch. But thank you so much for caring!

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11 minutes ago, pearlite said:

I'm here, kids!

What a filthy fall so far though. Bad start-up to the semester,

And PLL [now teaching as well as PhD student--insanely stressed[ with gigantic abscessed tooth to be dug out of jaw [emerg visit and all, still not de-toothed, but antibiotic'd].

Plus I've got cataract laser whatever Tuesday--they tell me it's no big deal, but I'm chicken. So right now, typing takes me ages, driving to school is strictly Jesus Take the Wheel, and I'm just about up to my limit.

Sorry to bitch. But thank you so much for caring!

Hey, so sorry about Baby's tooth. OW! I've heard the laser thing is no biggie too. You'll be fine and think how better you'll be able to see!

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3 hours ago, pearlite said:

I'm here, kids!

What a filthy fall so far though. Bad start-up to the semester,

And PLL [now teaching as well as PhD student--insanely stressed[ with gigantic abscessed tooth to be dug out of jaw [emerg visit and all, still not de-toothed, but antibiotic'd].

Plus I've got cataract laser whatever Tuesday--they tell me it's no big deal, but I'm chicken. So right now, typing takes me ages, driving to school is strictly Jesus Take the Wheel, and I'm just about up to my limit.

Sorry to bitch. But thank you so much for caring!

It all sounds like a pain in the rear fall so far and with PPL's tooth and your eyes, I completely get why your stress is thicker than the leaves on the ground.  

Grip that wheel, peer intensely, and let yourself off the hook for EVERYTHING.  

I had the cataract surgery laser thing and it was miraculous.  I bet it will be that way for you, too.

Good luck, with all of it!

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3 hours ago, pearlite said:

I'm here, kids!

What a filthy fall so far though. Bad start-up to the semester,

And PLL [now teaching as well as PhD student--insanely stressed[ with gigantic abscessed tooth to be dug out of jaw [emerg visit and all, still not de-toothed, but antibiotic'd].

Plus I've got cataract laser whatever Tuesday--they tell me it's no big deal, but I'm chicken. So right now, typing takes me ages, driving to school is strictly Jesus Take the Wheel, and I'm just about up to my limit.

Sorry to bitch. But thank you so much for caring!

49 minutes ago, boes said:

It all sounds like a pain in the rear fall so far and with PPL's tooth and your eyes, I completely get why your stress is thicker than the leaves on the ground.  

Grip that wheel, peer intensely, and let yourself off the hook for EVERYTHING.  

I had the cataract surgery laser thing and it was miraculous.  I bet it will be that way for you, too.

Good luck, with all of it!

Raspberries on the new semester. 

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Cosign on the laser surgery, Pearlite. Mom and Nana had it done, and it gave them back their lives. It's godsend how people can be helped by laser surgery.

Gentle hugs to Pearlitelite. Dental surgery is no laughs … er, fun. 

Praying for the Pearlite household.

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I DM'd AngelKitty last week- nothing. Is there any other way to check up on her?

Sorry for your stress @pearlite. My landlord just had his second eye done. He didn't even have anesthesia, only slight discomfort for about 24 hours after. He's worn glasses his entire life and now doesn't need them anymore! He says he still "feels" them on his face. Good luck!

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busbee, Grammy-Nominated Songwriter and Producer, Dies at 43

busbee — whose real name was Michael James Ryan — worked with a slew of top artists in country music, including Maren Morris, Garth Brooks, Lady Antebellum and Keith Urban. He co-wrote Florida Georgia Line's "H.O.L.Y." and multiple songs on Urban's album Ripcord and Morris' debut album, Hero.

busbee said he started out in the jazz world, studying the genre at William Paterson University in Wayne, New Jersey, before switching to country.

"I was totally on the jazz trajectory," he said. "That was my paradigm for all things music." 

busbee made the switch to country on the recommendation of a fellow songwriter, but also wound up working with a slew of pop artists, including Kelly Clarkson, Pink, Shakira and Christina Aguilera. 

If there’s one word to describe Mike Busbee’s songwriting ability, it’s “elasticity.” In 2014, the California native helped craft Little Big Town’s “Quit Breakin’ Up With Me,” slapstick honky tonk with a dash of Sugar Ray, and 5 Seconds Of Summer’s “Don’t Look Down,” a full-throttle zap of punk. Last year, he was more audacious, earning a credit on “Said No One Ever,” a catchy, rope-a-dope single from Jana Kramer, and “Don’t Look,” an Usher/Martin Garrix collaboration that represented the R&B singer’s latest conquering of the dance world.

Though busbee (he most commonly goes by his last name, without capitalization) has been bouncing between country and pop for years – his first major placement came in 2007 with Rascal Flatts’ “Better Now” – 2016 has brought a new surge of success. You’ll find him listed on several blockbuster projects emerging from Nashville this year, with three writing credits on Keith Urban’s Ripcord, an album that exists blithely free of genre, and four more on Maren Morris’s intrepid debut, Hero, due next month. (He also produced or co-produced the whole album.) In addition, busbee co-wrote Florida Georgia Line’s new single, “H.O.L.Y.,” which recently made the third greatest jump in the history of Billboard’s Hot Country Songs chart, hurdling from No. 39 to No. 1.

The ease with which busbee navigates Nashville and L.A. is more surprising when you consider his unorthodox background. “I was totally on the jazz trajectory,” he tells Rolling Stone Country. “That was my paradigm for all things music.” His sister’s hair metal CDs and his father’s country classics (Willie Nelson, Hank Williams) gurgled in the background, but busbee’s own interests led him to study jazz at William Paterson University in Wayne, New Jersey. “At the time, it was one of the top jazz schools in the world,” says busbee, whose collaborators in school included acclaimed trombonists Conrad Herwig, Steve Turre and Robin Eubanks.

busbee didn’t graduate from William Paterson, instead returning home to the Bay Area and landing a job at a studio. That’s where his non-jazz musical education began in earnest – starting with Stevie Wonder and Sting. “That typical teenage period of going through all music and figuring out what you like and eating it up, that happened 10 years later,” he explains. The delay was beneficial: “At this point, because it wasn’t as attached to my identity, I could listen to whatever I wanted to listen to and just eat it up. I spent that period just studying and studying and listening and listening.”

Along with his rabid musical consumption, busbee began picking up more instruments: guitar, bass, “kind of” the drums. He describes his approach in this period as no holds barred. “Whatever you need to do to get the thing done – you find the program, you figure out how to play, get your friend to play, find a sample.”

After stints assisting in L.A. studios, he ventured out on his own. “What do you need?” busbee says. “I’ll make you a record. Co-write? Great. Produce, mix, engineer, whatever.” By his estimate, he did this for at least five years, working six days a week, 12 hours a day.

In search of a steadier routine that would enable him to raise a family, he tried out Nashville on the recommendation of Greg Becker, another writer he met in L.A. The gamble paid off when Dann Huff – guitarist, songwriter, and producer for a slew of country’s biggest stars – signed him to a publishing deal. “Before I had any success, he was betting on me,” busbee says of Huff, “and that helped me get into rooms that were harder to get in.”

“I started out and still would consider myself a pop writer,” he continues. “But I’m very grateful to come up in the Nashville way of doing things – they have an incredibly high bar and talent level. One of the beautiful things about that system is that you get to write with so many people, and people are typically gracious [enough] to take the chance on you. If they think you’re really talented, you’re in – even if you haven’t had a hit for a minute, because that happens to everybody. Pop is a little more like, ‘Well, what have you done lately?'”

busbee has no qualms about his transition from jazz into a more commercial sphere of songwriting. “I don’t mind that I don’t get to use the breadth of my harmonic understanding in most of what I do every day,” he notes. The opposite in fact – he finds the strictures stimulating. “The certain parameters that I work in mean I have to be somewhat more creative,” he adds. “When I made jazz, it was like, ‘Here’s a canvas, it’s 20 feet by 20 feet, you can use any brush, any kind of paint, any color, anything – even not paint!’ With country and pop, it’s like, ‘Here’s one brush, one color, and a six inch by six inch canvas: make me feel something.’ I love the challenge of doing that.”

He’s not alone in this transition: there’s a storied tradition of jazz musicians paying the bills as sidemen or jumping to become producers in more commercially viable genres. Many prominent examples exist in the world of R&B, rather than country – Quincy Jones, known initially as a jazz arranger, famously oversaw records from Michael Jackson; James Mtume, who played with Miles Davis in the Seventies, aided a stream of soul singers (and had solo success with “Juicy Fruit”); Marcus Miller, one of Davis’s late-period collaborators, played bass on many of the definitive Luther Vandross records. More recently, the group Lake Street Dive flaunted jazz conservatory educations as they made pop, and Kendrick Lamar’s To Pimp A Butterfly was lauded for its jazz contributors.

busbee’s maverick background surely helped him gravitate towards artists pushing country’s boundaries. One of the songs he co-wrote on Keith Urban’s Ripcord features the seminal disco guitarist Nile Rodgers and the rapper Pitbull; another, “Your Body,” evokes the mid-Eighties sounds of Jan Hammer and Phil Collins.

Maren Morris’s Hero channels a different era of pop-friendly irrepressibility – a song like “Sugar” suggests the breezy guitar sheen of the Clinton era. “You dream you get the chance for a new artist like that to come across your radar,” busbee says of Morris. “We just got put together in a co-write, she was making the rounds in Nashville writing with different people. . . She was singing her own music, and it was world class. I was super freaked out – in a good way.”

Another set of serendipitous events led to Florida Georgia Line recording “H.O.L.Y.,” which shares an organ-smeared, soul-leaning quality with Morris’s biggest hit, “My Church.” busbee did not expect that the track would end up on country radio. “There was talk of Justin Bieber doing the song, and we had actually recorded it with another artist,” busbee explains. “Word came out that FGL were really into it – honestly we would’ve never thought to pitch that to them. We wrote it in L.A.; the other two writers are pop writers predominantly.

“Sometimes it just takes a process,” he continues. “Florida Georgia Line was the right home for that song.”

By hopping between genres so readily, busbee has helped make old borders increasingly permeable. But despite his achievements, he still sees his trajectory as a happy accident. “I’m from California and used to play jazz trombone,” he declares. “I woke up a certain amount of years later, and I have an amazing wife and two beautiful girls, and I get to write songs for a living? I’m like, whose life did I hijack?”

Edited by Cupid Stunt
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  • The Fight to Make Meaning Out of a Massacre -- Pittsburgh’s synagogue shooting was the deadliest attack on Jews on American soil. Over the past year, community members have struggled to do something constructive with their tragedy. But they have been divided on whether politics should guide their reaction.

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  • The Serendipity Engine -- I’ve always liked the concept of serendipity, even more since being involved in the early days of coworking, where we used the term “accelerated serendipity” quite a bit. The idea that, through the creation of a welcoming space and a diversified and thriving community, you could accelerate (or concentrate) “the occurrence and development of events by chance in a happy or beneficial way.” (Oxford English Dictionary) So it’s probably a mix of Baader-Meinhof effect and well, serendipity, that this article grabbed my attention. In The Serendipity Engine, Gianfranco Chicco explains that he quit his job and will use the time to purposefully built up serendipity, seek fields he knows little about, learn new things, read an eclectic mix of books, be open to meeting strangers, visit new cities, etc. “Slowing down and renewing the commitment to a series of personal rituals.” -- Tempting.
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4 hours ago, peacheslatour said:

Then I hope she gets a home.

8 minutes ago, jpagan05 said:

Awww, the newscaster's voice was cracking toward the end of the story.

It's ghastly that with the theft of her violin she lost her ability to pay her rent and lost her home..

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Lord hear our prayers for Your faithful servant Pearlite. Guide the hands of her surgeon and staff, and bestow Your mercy for a complete recovery from her operation; for You are the Physician of our souls and bodies, and to You do we send up Glory: to the Father, Son and Holy Spirit, Both now and forever, and to the ages of ages. Amen.

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  • Tyler Perry believes his studio rivals Hollywood’s best -- It's called the Winfrey model: Labor laws not enforced, no union representation or scale wages for African-American actors and technicians, while producing a cheap, manipulative, mediocre product. Congratulations for pursuing the American Dream; enriching yourself while selling crap to suckers.
  • How the power suit lost its power -- The suit was once the uniform of the powerful and a requirement for every man. Now, people mostly wear suits when they’re in trouble. -- Just because you wrote this article in sweatpants and a 2003 Aerosmith tee shirt doesn't mean other sections of the economy are not wearing formal office wear. I'll be wearing suits/suit separates for the foreseeable future or until corporate awards me a Viking funeral.
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I've been trying to suss out the number of visitors to state and national parks that wander off the beaten path and get lost for days, attacked by wild animals, fall into canyons, die in thermal vents, ignore warnings and barriers to get the best selfie. None of these articles explain the phenomenon fully, because in spite of the media coverage, it keeps happening with increasing regularity.

  • The 10 Most Deadly National Parks -- Outside Magazine pulled records from January 2006 to September 2016 on where, how, and why park visitors are dying. Here’s what they found.

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Hello Baby … 

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  • How to avoid wedding drama -- Whether you’re planning the event or attending, here’s how to handle plus-ones, drunken guests and a canceled wedding. -- "One word. Plastics."
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