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Breaking Down The Shot


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@xaxat shared this awesome breakdown of Micheal Bay's film style.

 

It gave me an idea for a thread focusing on discussing certain shots, film styles, cinematography, editing, camera movement, digital vs. film etc...

 

All genres a welcome for discussion.

 

I remember a critic talking about the lack of stillness in a Micheal Bay movie.  The shots are quick and there's always movement.  If the actor isn't moving than the camera is.  It's constant stimulation.

 

I really  hate how fights are shot in the Bourne movies because the camera moves too much.  I feel like I can't see what's going on.  I have respect for good fight choreography and so it bugs me the Bourne films won't let me actually properly see the fight.  Are they hiding bad fight choreography or is it supposed to be more interesting shot in that chaotic way?

 

I just want the camera to stay still so I can better absorb what I'm looking at.

 

 

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(edited)
I really  hate how fights are shot in the Bourne movies because the camera moves too much.  I feel like I can't see what's going on.  I have respect for good fight choreography and so it bugs me the Bourne films won't let me actually properly see the fight.  Are they hiding bad fight choreography or is it supposed to be more interesting shot in that chaotic way?

 

I just want the camera to stay still so I can better absorb what I'm looking at.

 

I think Doug Liman shot the first film, and there wasn't that shaky cam stuff.  I believe we have Paul Greengrass to thank for that, and for influencing other filmmakers to imitate the style. 

Edited by ribboninthesky1

The edits in Rope aren't noticeable.  Speaking of Hitchcock he had a crane specially built so he could do that shot in Notorious where starts at the top of the stairs and zooms down to the key in Ingrid Bergman's hand.

 

I have to mention the single tracking shot at the beginning of Touch of Evil.

 

Goodfellas has that amazing single Steadicam shot.

 

Serenity has a one shot opening with I think only one edit that isn't noticeable.  They were forced to do the edit since different parts of the ship were on different sets.

 

I have a ton of respect for camera men and actors who can pull off those long tracking shots.  One error and they have to start over.  I love directors who are willing to do it.

And the part during the car scene where blood splattered on the camera was an accident they decided to keep!

 

At San Diego Comic-Con, during Warner Bros presentation of Gravity in Hall H, the Mexican auteur revealed how the shot almost didn’t happen. He explained that, over the course of the 12 days they took to film that scene, they kept missing it again and again. There were accidents, problems with the location, and the camera operator fell down. Finally, on the final day, during one attempt Cuarón yelled, “Cut,” because fake blood spattered on the camera. But no one heard him because of all the explosions and gunfire, so the production kept going. This was the take that ended up in final film. He calls the blood splash a “miracle.”

 

 

http://www.giantfreakinrobot.com/scifi/alfonso-cuarn-calls-iconic-scene-children-men-happy-accident.html

(edited)

Tom Hooper's style: Love it? or Hate it? I first noticed his odd framing choices and frequent use of close ups shot with a wide angle lens in The King's Speech("Why are they showing so much wallpaper?") I didn't really mind at the time because it kept it from looking like the typical Masterpiece Theater period piece. When Les Miserables that's when everybody started commenting on it. I think it works in scenes like Anne Hathaway's big moment as Fantine singing "I Dreamed a Dream", but the rest of the movie it's overused.

 

https://www.youtube.com/watch?v=SyQ-0JOF1Qk

Edited by VCRTracking

I think Doug Liman shot the first film, and there wasn't that shaky cam stuff.  I believe we have Paul Greengrass to thank for that, and for influencing other filmmakers to imitate the style. 

I think you're correct about that, because one thing I distinctly remember liking about the first Bourne movie is how you can see all the action easily - the fight scene with the pen is particularly well-shot.  

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5 hours ago, Silver Raven said:

The Film Theorists (which I highly recommend, excellent channel) discusses Robert Zemeckis's blocking in Back to the Future.

 

Really interesting.    I also appreciated what they said about a director who knows how to use the actors body language to convey information and not just relying on dialogue.  

 

It made me think of the movie The Big Chill where there are multiple scenes where body language is used really elequently. 

On 5/20/2017 at 10:58 AM, Luckylyn said:

I wanted to recommend Chez Lindsay's youtube page.  She's done a ton of analysis of various movies and film topics.  She's currently in the middle of an analysis of the Transformers franchise.

This is my favorite of her Transformers posts (so far). For anyone that is interested in why Bay's action scenes are so confusing and forgettable.

 

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