Jordan Baker

I like everyone (well, almost everyone) this season, and I think they're all very talented. Dylan and Nelly were my favorites, though, and so the elimination would have made me sad no matter which baker had gone home. But, yes, Nelly's leaving seemed especially sad. I do hope that Nelly returns in one of the specials. She is such an entertaining person, but her story really touched me. Just a lovely, inspiring woman.

The eulogy was my favorite part of this episode. It was wonderful in its simplicity and sincerity. Lionel Boyce has the most expressive eyes. I agree with all those who said that the episode was stressful. The shouting, the plates crashing, things dropping on the floor? I'd last five minutes in a place like that.

We finally watched The Holdovers, and this is the moment that really hit me. Giamatti is a wonderful actor (if you're able to forget that awful cell-phone commercial), and I so felt his pain and disappointment. And resignation. This was a very good film. The performances were top-notch, and I agree with you and other posters who were bowled over by Dominic Sessa. Da'Vine Joy Randolph's Best Supporting award was well-deserved, and, in any other year, I think PG would have won the Oscar. The one thing I wasn't prepared for was how emotional I was watching the movie. I had seen the previews of Mary talking about her husband and son, but I didn't know (going in) that all three main characters were living with grief and despair. I think I shed more tears during this film than any in recent memory (including All of Us Strangers, a real tear-jerker). Payne and co. did a great job of evoking 1970/71 (my first year of college). "Time Has Come Today" just about knocked me out.

I enjoyed many things about this show. The Irish setting is wonderful. The story/mystery is interesting. The acting is good. (I was particularly impressed by David Wilmot as Seamus.) We watched an episode a night, and I looked forward to each new one. I did, however, dislike this last episode. I didn't like the way the story wrapped up, and there's a particularly distressing bit that I was not expecting. The labeling of this as a comedy (even if dark is used to describe it) seems very off to me.

I finished the last two episodes last night. I just loved this series. As others have mentioned, the cinematography was amazing. The story was gripping. And Andrew Scott. Just wow. I liked the small touches, too. Tom (as Dickie) was dressed in beautiful, tailored clothing that looked effortly glamorous. When Tom (as Tom) changes to meet up with Marge at the cafe, he's back to looking a bit schlubby. I agree that Tom's attempt to fool Ravini by donning a wig (and darkening the room) was probably the weakest point of the series. I can overlook that, though, because the rest was so good. I would love a sequel. Ravini vs. Ripley, Round 2?

I loved this episode. I found myself in the strange position of wanting Tom to succeed. Or maybe it's just that I was relieved when he finally accomplished his goal. This is not how I usually react to conmen/murderers! The suspense in this one was off the charts. And how great a prop is that elevator? And the stairs, each of which let out a great bonk each time the head connected with it? Andrew Scott continues to mesmerize me. This is, IMO, an Emmy-winning performance.

I've made it through episode 3, and I am loving this show. I don't have the earlier movie as a point of comparison, and so I can't comment on whether this is better, worse, or just different. I decided to watch this version mainly to see Andrew Scott. I saw All of Us Strangers a few months ago and was just gobsmacked by how good he was. In that role, he was so sympathetic, and I wanted to see how he'd do as a villain. I'm glad I did. He's amazing. I don't think I've ever seen dark eyes used to such great effect. Episode 3, especially the long sequence on the water, was my favorite (so far). We learned in that sequence that Tom Ridley is the ultimate problem-solver. As tense as the sequence was, I actually laughed out loud when the boat came zipping by him. I'm hoping that the rest of the episodes are as good as the first three.

I'm nearly four years late to this show. I'm also many decades removed from my high-school/college years. Nevertheless, I was extremely moved by the story of Connell and Marianne. The first few episodes (when they were still in Sligo) especially got to me. I'd never seen Paul Mescal before watching this show, but I certainly understand now why he's become so acclaimed. Daisy Edgar-Jones (whom I'd seen in "Under the Banner of Heaven") was excellent in this as well. I thought everything about the show was terrific.

I seem to be in the minority in that I didn't hate this episode. In fact, I was happy that much of the show was about Babe (and, to a lesser extent, the other swans). I think Naomi Watts did some fine acting here. Everything I knew about Capote and the Swans before watching this show came from reading The Swans of Fifth Avenue. Babe (as I recall) was portrayed as a woman for whom style was paramount and for whom perfection was always the goal. In that book, we're told that Babe got out of bed early every morning so that she could put on a full face of makeup before Bill saw her. (This is reminiscent in the show of Babe's putting on make-up and dressing flawlessly to go to her chemo/radiation appointment.) In the book, we're told that her children lived elsewhere because Babe didn't want to bother Bill with having those pesky children around. I don't know how accurate the book is, but it does seem to track with the events in the show. I find the story fascinating, even if the show could have been tightened up. The moment that stood out for me in this episode was the scene at Babe's wake/memorial where Slim, Lee, and C.Z. were trying to figure out when they would meet for lunch. Oh, and Bill surrounded by four or five younger women. I have no idea whether any of this was accurate, but it certainly didn't paint any of these people in a good light. (The exception was her maid, who seemed genuinely distraught.) I've been listening to the Done & Dunne podcast, which has some reviews of the first few episodes and (more interesting to me) information about Capote and the Swans (among others). There's at least one episode devoted to Babe Paley. It might be of interest to those who want to learn more about these characters.

I had high hopes for this show. I thought it might be a clever mystery with interesting characters. Alas, it was more convoluted than clever, and the characters were only mildly interesting. Some (most notably, Imogene) weren't interesting at all. Was the ending some sort of set-up for a second season? If so, I think I'll pass.

I couldn't agree more. The four performances were outstanding, and I think all of them should have been nominated. Especially Andrew Scott. The film was so inventive, I would have expected the screenplay to be nominated, if nothing else. I watched this in two parts. I wasn't sure I'd make it all the way through, and I took a break about 30 minutes in. I did manage to finish it the next night. I was spoiled about some of it, and so perhaps that's why I was able to finish it. Even knowing the story, I was moved to the point of tears multiple times. And the sense of dread was palpable. What an honest, if gut-wrenching, depiction of grief and loneliness.

Mine, too. I thought it was really good, starting with the opening needle drop on "It's Impossible." The acting is great across the board, but I am particularly struck by Tom Hollander. He so completely inhabits this role. I find that I am appalled by Truman, disappointed in Truman, and sad for Truman, all in the course of one episode. I remember thinking he was terrific as Mr. Collins in Pride and Prejudice, but this role is on another level. I also found this episode incredibly sad. From Babe's cancer treatment to the slow dance with Bill to the (perhaps imagined?) moment between Babe and Truman, I found myself tearing up. I think the dance hit really hard, knowing that this was Treat Williams' last role. I'm in for the rest of the ride.

So happy that Matthew Macfadyen won. He is good in everything, from Tom Wambsgans to Mr. Darcy.

This episode felt like it was from one of the early seasons. It was head and shoulders above the other episodes in Season 6. Lesley Manville was amazing, as she is in everything. And I thought Imelda Staunton did a great job too. Just a great episode all around.

Oh, nor can I (speak for the mood of the UK)! I was thinking about what the polling indicated (as described in the episode), which did seem to represent the mood of the people. I'm guessing the mood was partly a reflection of Diana's death and partly people thinking "Why the heck do we need a monarchy in this day and age?" When the people with the odd, specific jobs were sitting in a row, waiting for their turn at explaining (and possibly saving their jobs), I thought immediately of my time in the corporate world when people would know layoffs were coming and would be waiting for the phone call or the email notifying those who were safe and those who weren't. And, yes, part of me thought--everyone goes through this. What makes these people special? But, yes, tradition. I do get it. While I did agree with many of Blair's recommendations, I also understand that he too could be tone deaf. I cringed when he used the word "radical" in front of the women's group. Those women were never going to like him, and he (inadvertently) did his damndest to make sure that was true. As to Charles? Yeah, I agree with your assessment. Not a fan. Thanks for your thoughtful response.