basiltherat

As Rusty said on one occasion, "My Mom's a badass."

Boes, thank you for the Senor Wences shout out -- ridiculousness requires ridiculousness.

That "thank you" gift is the sort of thing J.R. Ewing used to do back in the day!

Too many dead characters and/or actors to make it overly enjoyable, only bittersweet. And I only watched Y&R sporadically. Back in the stone age, I really liked Brock and I remember the Jill/Kay fight over the Phillips. Was the kid today our Chance?

Why is Show pairing up a WOMAN (Audra) with BOYS (Kyle and Noah)?!

I hope Page paid her people that worked on this flip, otherwise the forced charity is not a good look.

I've come to the conclusion that Zombie Orlando is a comedic take on flipping. Chasing drones, falling into pools, falling through roofs, truck crashes, assorted wildlife (all of them stinky) -- perhaps all seen through the eyes of Marley, the only sane one in the bunch.

Nikki is not good at hiding bodies (see Hellstrom, J.T.)

Luminol, boys, as every procedural will tell you.

EVERYBODY is doing slat walls -- Tarik's guy did it on a fireplace (which looked terrific) and repeated it in several other places. We'll see how long this trend lasts!

Wonder if Elena will borrow Devon's private jet?!

It makes no sense that Stark would need to plot with Diane to get Phyl's money (is she rich?) when she could get BILLIONS from marrying Jack. Plenty of dough for both of them and Jack is SO much easier to manipulate than Phyl. And we all know that Phyllis will swear Snowflake to silence to punish Diane and thus bust Snowflake's marriage.

Not as mince-y as the meat Jill would make if Chance fell for Sally!

Didn't she roll up Dr. Tim in a carpet (courtesy of Rexx Rugs perhaps)!?

. . . until they go up to the attic for SORASing . . .