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Season Five: The Return of Detective Michael Logan


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"Watch" just aired an hour before, and I forgot Brad Renfro was in it. He looked to really be going places with films, but drugs took another one. He died like a mere two years after this CI appearance. So another for the "famous or almost famous actors who guest-starred in the L&O franchise" file.

 

Speaking of famous people, Malcolm MacDowell is currently on in "Proud Flesh" and plays bitter rich old coot well.

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In "Watch," I've gotta wonder how Duane, in addition to wanting to kill Art, would've also wanted to kill Logan and Barek.  That reveal in the ending seemed a bit out of the blue to me.

 

Also wondering how Art's mom wasn't busted for attempting to aid him in his escape.

Edited by Donny Ketchum
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Ah, "Dramma Giocoso", the world of opera, triangles, and...mad cow disease. Poor Barek and Logan looked so cold in this one. Looked it, too.

 

Also liked hearing Lennie Briscoe once took Rodgers to the opera. Aww.

 

One last comment about this one as I watch: It's driving me crazy - and I've no idea how I missed this before (maybe I didn't really pay attention, opera isn't my thing!), but it drives me nuts that they refer to the victim's mother as Gil-lian Booth, a la a hard "G" sound, like the man's name.

 

It's my understanding that Gillian is pronounced just like Jillian, with a "J"/"soft G" sound.

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Don't ask me why, but I always confused "Dramma Giocoso" with "Shrink-Wrapped." Maybe because they were both about daughters with self-centered mothers, where music played a role (tangentially or otherwise) in the case? To the point where if either one of the episodes came on, I'd be like "Is this the one where the daughter's the killer? No, it's the dead daughter one."

 

WendyCR72, I simply thought Gillian (hard G) was as pretentious as her name sounded. That was a good writing choice, if that was intentional. I can see her all her (shortened) life going, "No, it's Gillian. Like (insert name of famous composer starting with a hard G, pronounced with all the fake accent flourish possible)." Fits the character perfectly.

Edited by Eolivet
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Ah, yeah. Funny how I never connected "Shrink Wrapped" to "Dramma Giocoso", but put as it is, I can see the similarities, @Eolivet . Maybe the human mad cow disease angle gives the latter a bit more of an unusual angle, though.

 

I can also buy "Gil"lian as being the pretentious sort of name; it certainly fits the character. Alice Krige was good, but her character was so dramatic, she almost reminded me of an old Jon Lovitz skit on SNL ages ago (and how ironic, the SNL series premiere airs tonight in keeping with its anniversary!) where he called it "ahhhcting"!

 

And I guess effed up mom and daughter relationships could be another trope on CI. Go figure.

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Ah, "To The Bone". The best part, to me, is Logan with Olivet. And, just saying, as gory as the crime scene is in this one, do set designers or makeup or who(m)ever not have a way to make old blood look brown/rust colored? The blood is always so fresh looking.

 

(And this case would mark the beginning of the end for Deakins.)

 

ETA: Yeah, I still really like the Logan/Olivet scene. You could glean their history in seconds. Funny, though, I never recalled the pictures Logan was looking at as Olivet told him he needed a support system. Since they were pictures of kids, I guess they were Olivet's?

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Ah, "To The Bone". The best part, to me, is Logan with Olivet. And, just saying, as gory as the crime scene is in this one, do set designers or makeup or who(m)ever not have a way to make old blood look brown/rust colored? The blood is always so fresh looking.

 

(And this case would mark the beginning of the end for Deakins.)

 

ETA: Yeah, I still really like the Logan/Olivet scene. You could glean their history in seconds. Funny, though, I never recalled the pictures Logan was looking at as Olivet told him he needed a support system. Since they were pictures of kids, I guess they were Olivet's?

On top of the beginning of the end for Deakins, I really hated that Whoopi's character essentially got away with every disgusting thing she'd manipulated.  That was just the cherry on top of the shit sundae, right there.  Unless we were supposed to assume that Logan and Barek eventually did re-gather enough evidence to nail her off-screen.

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On top of the beginning of the end for Deakins, I really hated that Whoopi's character essentially got away with every disgusting thing she'd manipulated.  That was just the cherry on top of the shit sundae, right there.  Unless we were supposed to assume that Logan and Barek eventually did re-gather enough evidence to nail her off-screen.

 

Seems like foreshadowing when Olivet counseled him. You know, telling him that he could do everything right and still have a bad outcome. Definitely seems true in this case. Whoopi Goldberg played creepy very well.

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"Wrongful LIfe" is on now, an episode I loved/hated at the same time. Loved the storyline, hated the way the mother treated her daughter. Talia Balsam is an exceptional actress, I still cannot believe she was married to George Clooney a long time ago.

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The only reason I'm watching "Dramma Giocoso" is for the lovely Alice Krige. I had the opportunity to work with her in "Dream West" which was filmed in Richmond (for the most part) and I was an extra. I got to sit right next to her in one scene. And in-between, when we were all just hanging out waiting for our next call, she'd talk to us and tell jokes.

I cannot stand the pompous ass of a conductor who somehow reminds me of Sting.

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I like this Logan/Olivet scene in "To The Bone". True, it has much more of a Mothership vibe due to their long history there, but I do like that as it seemed to connect CI more to that universe.

 

With the exception of the occasional cameos from Van Buren, Briscoe, and Green, etc., it sometimes looked like CI was in its own orbit (as it seemed the Mothership/SVU seemed to capitalize more on all of the connecting).

 

And on a side note, I still don't understand the Logan/Barek scene when Logan offered to have Barek sleep on his couch. Olivet said he was trying to provoke her which...fine. But I never understood why.

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The only reason I'm watching "Dramma Giocoso" is for the lovely Alice Krige. I had the opportunity to work with her in "Dream West" which was filmed in Richmond (for the most part) and I was an extra. I got to sit right next to her in one scene. And in-between, when we were all just hanging out waiting for our next call, she'd talk to us and tell jokes.

Was that the terrible mother in that episode?  Because that's amazing!  From meeting reality stars to actual stars, it sounds like you're very much involved in the entertainment industry, @cooksdelight!

 

As for the episode itself, if this board had a "worst parents" thread like the SVU board does, that disgusting excuse for a mother would be right at or near the top of the list.  I totally agreed with Logan that there was no way she was crying for her daughter at the end of the episode.  Just for herself and her imminent demise.

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Yes, Alice played the horrible mother with that weird form of dementia.

I worked as an extra for a long time, still getting jobs now and then in the Atlanta area where Walking Dead and Vampire Diaries are filmed. :)

One thing that blew me away about Alice is that she wears next to no makeup. What you see is what you get with her, her skin is beautiful.

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"Diamond Dogs" seemed more like the Mothership in tone in terms of the crime and Logan, etc. Not that it is bad at all, but it just seemed different in tone. Maybe to play to Logan's strengths.

I think the final "busting" scene that always happens in CI was very . . . CI-like.  But yeah, the rest was more like the Mothership.

 

But don't forget the scenes that only showed Deedee and Johnny.  Those were also CI-like, as it's the only one of the L&O shows that shows villain-only scenes.  (Well, SVU started doing it, too, after Warren started running that show, but still . . . at the time, only CI did scenes like those.)

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"Acts of Contrition" reminds me how sort of unsettling Eddie, the brother of the guy beaten to a pulp by Olivia's old pals, was. Maybe that was meant to be since he killed Sister Dorothy, but still. Although I did feel bad for him because of his brother.

 

Susan Misner did a good job as Olivia. Funny that she was also hooker Becky in S1's "Smothered" and the poor mother who got whacked by her own hubby in S8's "Family Values", too.

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"Acts of Contrition" reminds me how sort of unsettling Eddie, the brother of the guy beaten to a pulp by Olivia's old pals, was. Maybe that was meant to be since he killed Sister Dorothy, but still. Although I did feel bad for him because of his brother.

 

Susan Misner did a good job as Olivia. Funny that she was also hooker Becky in S1's "Smothered" and the poor mother who got whacked by her own hubby in S8's "Family Values", too.

I felt bad for his brother, but not him. What happened to the brother was awful, but beating A NUN to death just because she wouldn't/couldn't give up the identity of that girl? He's no better than the bastards that brutalized his brother. Two wrongs don't make a right.

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I felt bad for his brother, but not him. What happened to the brother was awful, but beating A NUN to death just because she wouldn't/couldn't give up the identity of that girl? He's no better than the bastards that brutalized his brother. Two wrongs don't make a right.

 

Oh, I'm not condoning what happened to Dorothy, but - and maybe I understood this wrong - wasn't she shoved? Not that that is a defensible act in itself, but I could at least view it as an unfortunate accident, being shoved and hitting her head, than being beaten. If I did miss such a detail, then yes: Eddie is as horrible as the other men he despises who brutalized his brother. And what sad irony that would be.

 

Still, I thought Dorothy's death was more in the vein of a horrible accident by Eddie.

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Oh, I'm not condoning what happened to Dorothy, but - and maybe I understood this wrong - wasn't she shoved? Not that that is a defensible act in itself, but I could at least view it as an unfortunate accident, being shoved and hitting her head, than being beaten. If I did miss such a detail, then yes: Eddie is as horrible as the other men he despises who brutalized his brother. And what sad irony that would be.

 

Still, I thought Dorothy's death was more in the vein of a horrible accident by Eddie.

Dorothy's face was a mess when they found her. That doesn't happen from just being shoved.

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Okay, okay.  Not just the end.  I'll concede one more episode for them.  I guess "Watch" was a bit dark, but again, not really for the case so much as for the perp.  As fun as it always is to see Barek totally own Duane, his rather brooding reasons for killing the prostitutes just leaves me totally, completely, utterly depressed.  Instead of just getting therapy, he has Art join him on a killing spree?  Yeah.  Kinda dark there.  And that's not even to say anything about the borderline nonsensical desire to eventually want to kill Logan and Barek, both of whom initially offered to help him when they thought he was the one being coerced in helping with the killings.

 

I mean, I liked that episode otherwise, but Duane was just plain depressing.

 

I decided to try and watch more Barek episodes, since I liked her in "Wee Small Hours," and I just caught this one. I actually went to the season 6 thread because it was so depressing, I assumed it had to have been from that season.

 

As I was watching Duane, I thought "Wow, Ethan Embry's face looks different" and then I realized Embry was Art and...well, his face certainly looks the same.

 

As for Duane wanting to kill Logan and Barek, it seemed like Duane wanted to kill everyone who crossed his path. He seemed to fantasize about killing the super when he was told to stop sandblasting at 5AM, so I assumed Logan and Barek were just part of his hit list. Or he assumed they'd show up if he killed another woman.

 

Duane's nasty indifference was only slightly more creepy than Art's incredulous denials. From Art's father to Art, bullies really never do realize the damage they cause.

 

And now "Proud Flesh" is on and Malcolm McDowell just told his two sons "I'll outlive you all." Hiding foreshadowing in plain sight there, show.

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And now "Proud Flesh" is on and Malcolm McDowell just told his two sons "I'll outlive you all." Hiding foreshadowing in plain sight there, show.

 

Malcolm MacDowell's character seems like an even colder Spencer Durning from "Cold Comfort", both about using their sons and about vowing to live forever and protect their precious legacies.

 

At least MacDowell's character didn't pretend to be a big humanitarian as Durning did.

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"Vacancy" is one of those where I've seen the first five minutes approximately 347 times, the first 15 minutes about 183 times, and the ending twice. I feel like this was around the start of the "one thing changes everything" details: where we don't find out about Tim's mother's murder until 10 minutes before the show ends.

 

(Although it just now occurs to me that listening to that tape from the FBI of a victim being killed is probably the inciting event for Tim.)

 

I feel like this was one murder that could've been prevented by a good therapist. Actually, there are more than a few murders that fit that description.

Edited by Eolivet
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"Vacancy" is one of those where I've seen the first five minutes approximately 347 times, the first 15 minutes about 183 times, and the ending twice. I feel like this was around the start of the "one thing changes everything" details: where we don't find out about Tim's mother's murder until 10 minutes before the show ends.

 

(Although it just now occurs to me that listening to that tape from the FBI of a victim being killed is probably the inciting event for Tim.)

 

I feel like this was one murder that could've been prevented by a good therapist. Actually, there are more than a few murders that fit that description.

 

I got the impression from the cop at the precinct G/E visited that they considered Tim a poor young kid who lost his mom but that he'd be okay, being so young. Obviously, that was a huge miscalculation.

 

But the cop did bring up a point that back in the day, there weren't really any stalker laws or protection for it, etc.

 

On a side note, I get I was sort of supposed to perhaps feel sorry for her, but Emily Bergl's Alice annoyed me something fierce.

 

I hated that one.  Turgid and no one was sympathetic.

 

Turgid. That's perfect. But Eames undercover as an escort for five seconds was a bit of diversion even if her clothing left a lot to be desired.

"Cruise To Nowhere" is on, and I guess I should feel sorry for Joey Frost, and a part of me does, what with the murdered dad and drunk wreck of a mom, but the character himself is so abrasive that said sympathy has its limits.

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Huh. So Carver did have kids? Just had a line in "Cruise To Nowhere" saying [regarding Joey's lalala tantrum] that "my kids tell the truth or go to their room". He mentioned going home to kiss his wife in "Shrink-Wrapped", so I guess Ron Carver was a family man, after all.


The mom who sold him for money and a cleaning lady. That alone evokes some sympathy from me since he never had a mother who cared for him, which probably explains his personality.

 

True. I guess that would explain his emotional maturity stopping at 10 like Goren said.

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I liked this one, though -- and I liked Joey. The moments with Goren, where they showed how stunted Joey's emotional development was (didn't know to buy flowers for his mom, didn't know not to bite his nails) and how the milquetoast guy from Mad About You used him...I felt sorry for Joey. I also liked what I thought were subtle clues about his emotional immaturity -- when he was demolishing a pile of chicken wings, that seemed disrespectful at the time, but it could also be construed as him not knowing any better.

 

I'd take this episode any day (twisty, but not convoluted) over 20 "Vacancy"...s.

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I'd take this episode any day (twisty, but not convoluted) over 20 "Vacancy"...s.

 

Well, we do agree there.  :-)

 

And "To The Bone" will never be creepy, which is starting now. I think that was one of CI's goriest crime scenes.

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I'd never seen that ep all the way through and...yeah, that's one I will not be viewing again.

 

I've read before that Chelsey Watkins was like Mike Logan's Nicole Wallace. Nicole did kill her own daughter, but I always thought her U.S. crimes were more like...long cons, with a side of murder. Like, the "joy" of her crimes was the role-playing games, and then eliminating the participants when she got bored.

 

Chelsey just...enabled/ordered a trail of carnage and for no obvious reason, other than I presume the power she had over others. I think that's what makes this particularly brutal, to me. She didn't even commit the crimes, but just that she ordered them like mob hits. And no one, from innocent people to her own "boys," was safe. "When you have a machete, people listen up? "What, as opposed to an assault rifle? What does that even mean?!

 

The "boys listen to their mothers" line is especially chilling, given what happened in the penultimate scene.

 

And are we meant to think Officer Martinez (who Deakins mentions at the end) was another one of Chelsey's "boys?" Because it sure looked that way to me -- especially since the backup was late getting there and certainly seeing his old buddy could've made Detective Tarkman (?) not identify himself and think he was safe.

 

We can debate over what is the darkest episode in the series history, but can we all agree, this is the darkest cold opening ever? I mean, the woman was alive and trying to signal she was in danger, and then knowing she let her daughter in the house? :shudders:

Edited by Eolivet
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And are we meant to think Officer Martinez (who Deakins mentions at the end) was another one of Chelsey's "boys?" Because it sure looked that way to me -- especially since the backup was late getting there and certainly seeing his old buddy could've made Detective Tarkman (?) not identify himself and think he was safe.

 

We can debate over what is the darkest episode in the series history, but can we all agree, this is the darkest cold opening ever? I mean, the woman was alive and trying to signal she was in danger, and then knowing she let her daughter in the house? :shudders:

 

I never thought about the other detective, but yeah, I can easily see him as one of Chesley Watkins' "boys". That whole episode was creepy as hell. And when Chesley told Logan, "Mother forgives you!", that was just chilling.

 

And the mom at the door trying to signal, how awful. I cannot imagine being the other couple, stuck with the idea that they missed the signs. And the poor little girl. They were all as good as dead, especially since Logan/Barek said the father was the first to die, just after midnight, and the rest later. I get if the mom tried anything, the other couple probably would have also died, but - and I realize she was trapped and helpless - I'm surprised she just let her daughter come in to certain death.

 

The whole thing was just disturbing - and helped to begin the ushering out of Deakins, so it all seemed like one big "downside" episode.

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Am I the only one that disliked the boy that eventually turns in his father for murdering that couple in "The Good"? If it was just a matter of not wanting to turn in his own father, I'd get it. But this guy almost let an innocent kid go to jail for a crime he didn't commit just because he doesn't like rich people?!

Dude, war vet or not, fuck you.

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Am I the only one that disliked the boy that eventually turns in his father for murdering that couple in "The Good"? If it was just a matter of not wanting to turn in his own father, I'd get it. But this guy almost let an innocent kid go to jail for a crime he didn't commit just because he doesn't like rich people?!

Dude, war vet or not, fuck you.

 

Yeah. At least Logan got the guy to confess and did his job, but he didn't seem too upset by the guy's thinking, either.  :-\ I guess TPTB felt this covered the "all's well that ends well" credo.

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Well, we do agree there.  :-)

 

And "To The Bone" will never be creepy, which is starting now. I think that was one of CI's goriest crime scenes.

It won't?  It's creepy to me.

 

I've always wondered if Logan and Barek ever eventually got Whoopi's character.  They mentioned gathering more evidence at the end of the episode and trying to pursue the case further, so I wonder if they did more that we didn't see off-screen, possibly during Goren and Eames's on-screen events in "On Fire?"

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I liked this one, though -- and I liked Joey. The moments with Goren, where they showed how stunted Joey's emotional development was (didn't know to buy flowers for his mom, didn't know not to bite his nails) and how the milquetoast guy from Mad About You used him

If this is the case I'm still 10.

I just think hating rich people was a cover, the kid couldn't face what his father did.

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