hannahbanana
Member-
Posts
818 -
Joined
-
The questions they ask during panel interviews & media training have never been an even playing field. I understand why they ask the political/hot issue questions -- they need to know how to answer those types of questions if a reporter/client/whoever asks them. However, they should be quizzed on those types of questions AFTER appropriate media training NOT during the panel interviews. When you're in a public position like that with the potential of being interviewed/asked questions, you need to know how to give "politician non-answers" to those type of questions -- and that should be taught during their supposed media training. Then testing them to see if they learned how to give good "non-answers" is fine -- as long as you test everyone equally.
-
They tape 6-8 months in advance, so depending on when she started filming, it could be awhile before her episodes are shown. ETA: The articles from May say she will appear on Salem first & then move over to Days -- don't know if that's still correct, but with their big buffer between filming & airing, she probably won't show up until closer to the end of the year, if not 2023. ETA2: Found another article from May 5 that says she was supposed to be on Salem July 11-15. It didn't give any dates for Days.
-
The question I was referring to was during interviews, not uniform fittings, so I think it was definitely geared towards what it represents. However, even in uniform fittings (and maybe even more so), you could say the uniform makes the cheerleader -- especially since you're never going to be a DCC if Kelli doesn't like how you look in it. 😆 Either way, it cuts both ways -- putting on the uniform makes you a DCC & all that comes with it, but one cheerleader (or Cowboys even) scandal (or just "looking bad" in the uniform) can do a lot of damage, which is why they're so protective of it (no alcohol in uniform, etc.).
-
There's a difference between teaching/giving advice on trends/what looks good/doesn't in a certain time period (and we all know opinions will differ) and policing bodies/judging based on attire/forcing someone to follow certain dress codes/mores. You can teach a class on what is considered acceptable attire for different events/times of day according to the current trends and what is currently considered a "good look" and "not a good look" without forcing anyone to accept or adhere to those guidelines. Whether they believe, agree with, or follow that advice is totally up to them (and shouldn't be judged because of those choices). Unfortunately, with a job like DCC, you could be considered to always be on "company time" since it's a very public position with all of the social media, etc. When you're known as a DCC (or any public role -- entertainer, politician, even educators nowadays, etc.) and people can see what you do, it reflects on the brand and people associate whatever the DCC (or whatever position they hold) did with that brand. It's not fair and shouldn't be that way, but that is what it is right now. It reminds me of the panel interviews when someone was asked (don't remember who) if they made the DCC uniform or the DCC uniform made them (something like that) and she got cut down because she said she made the uniform. She may not have expressed it correctly, but she was right. Yes, there is a long history with the DCC uniform and a person putting it on embodies all of that (is "made" by the uniform), but it works both ways -- what the person does reflects back on the uniform and can change that uniform and what it stands for for good or bad. So, yea, I'm all for dress how you want, do what you want, etc., but also remember you are still representing a brand (even in your "off" time) -- though I don't think this is the case here. To be clear, I don't think there is anything "wrong" with Marissa wearing the fishnets or it's anything that'll reflect back on the DCC (good or bad), but I don't think they go with the outfit (I think they "compete" with it -- you don't know what to focus on, you're attention is drawn all over the place) and a little fashion advice could help -- like when your two year old dresses herself in the morning in 5 different competing styles/colors -- nothing wrong with the choices themselves, they just don't go together. You teach the two year old what colors and styles go together. Wow, that was a long soapbox. I'll get off now. 😆
-
I don't remember the season, but I remember one where they were doing that and a girl came out in an all white outfit to go on a plane trip. My thought was "nope, they're going to shoot that down -- travelling in all white is just asking for trouble." I was shocked (and still think they're wrong 😆) when they praised the outfit and were going on about what a great choice it was for travel.
-
The groups would look very lopsided if they grouped them by ability (as in best=group 1). It makes more sense to evenly distribute according to ability, looks (got to have that "bouquet"), etc. It would be possible to number the groups based on what they think of the individual group leaders, but after that it wouldn't look good to put all the best in group one, 2nd best in group 2, etc. You need an even distribution.
-
Tina is definitely more of a "hanger-on" type -- especially with her apparent push of VK to be a DCC. That being said, I really don't know anything about her other than the show & what's said here, but she doesn't come across as having anything else in life other than having been a DCC (which might be because I really only know her from the show) & getting her daughter to be a DCC. I could be wrong though -- it could be her friendship with Kelli that keeps her connected to DCC, but the pushing of her daughter screams hanger-on. With VK, it remains to be seen. Right now, she seems to be all DCC -- what the future holds ?????
-
I don't see Cassie as a "hanger-on" either. Her mother is the head choreographer so the DCC (& Cowboys) has always been a huge part of her life and probably pretty much will always be -- whether she had ever been a DCC or not. And now, having a role with the junior DCC, her connection is further cemented -- but I don't see that as "hanging on" to her days as a DCC, just like I don't see Kitty, Kelli, Judy, Shelly, Jenn, Kashara, etc. "hanging on" -- they have moved into different roles. DCC will always be a huge part of her life because of her mother, but I don't see her as "eating, living, breathing" it. It's a part of her life (and, yes, a big part), but not her whole life.
-
We know of at least one incident where editing manipulated who the choreographer praised. I don't remember the season or the other dancer, but I remember the kerfuffle when VK was standing to one side of the choreographer (let's say to their left -- I don't remember) and the choreographer was looking in the other direction (so to their right if VK was on their left) & said something complimentary about a dancer -- but the editors cut to VK like the choreographer was talking about her instead of whoever they were actually praising -- so maybe not "scripted" per say, but they definitely edit/set up situations to get the results they want.